The paper deals with Gauguin's geographical identities. It shows that the painter is not attached to a specific place, but is rather longing for the Elsewhere. This exoticism is shared with other orientalist artists, but his quest goes further. He longs for a more authentic human experience and expression, and hopes to find it in the "Savage", a figure of the Other defined by Geography. Gauguin wants to get away from the West and from the straitjacket of civilization. His journey is a quest for his identity. Gauguin's case shows that geographical identities have not necessarily something to do with territories, but may result from a complex and individual construction. The actor's representations and choices should then be taken seriously and be analyzed as elements of personal geographical identities, which may come to complement collective ones based on territories.
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