AIDS and Its Metaphors By Susan Sontag Farrar, Straus and Giroux, 1988 While researchers try to find a cure for AIDS, our culture, like cultures around the world, is struggling to find a way to talk-or not to talk-about the disease, its prevention, and its consequences. The name AIDS, which describes not so much a disease as a condition which allows various diseases to take root and to flourish in the human body, was itself for a long time (as the history of AIDS research goes) a matter of much debate. AIDS came slowly into American popular discourse as a series of euphemisms, acronyms, and colloquialisms: GRID (gay-related immune deficiency), ACIDS (acquired immune deficiency syndrome; the community here and in the name CAIDS is a euphemism for gay), cancer, plague, etc. All the terms are marked by the effort to name or not to name the syndrome's group of origin in the US-sexually active, urban gay men-and by the struggle to say or not to say the word gay. Words are also a tremendous issue in the against AIDS; we, as a culture, have been challenged by the spread of AIDS to use words that the culture has designated as taboo, or at least as inappropriate to say to ourselves, to our sexual partners, in front of children, in public: condom, homosexual, anal sex, heroin. Indeed, (or safer, as the word itself has become fraught with danger) has largely been presented as a matter of words; conservatives tell us to just say no, while the more liberal approach exhorts us to talk things over with potential sexual partners, offering a candid history of our sexual pasts and preferences. If all epidemics, and indeed all tragedies, offer us a new lexicon, AIDS gives a special place to the power of language. This is partly because language shapes education and political persuasion, both cornerstones of what is usually termedto Susan Sontag's discomfort-the fight against AIDS. We have, in addition to a series of newly coined words and images, a new lexicon, a new cultural iconography: the AIDS quilt inscribed with the names of AIDS victims, safe sex pamphlets and kits passed out in many college mailboxes, plays, stories, and poems about AIDS patients, their friends, families, and communities. AIDS has also given new verbal power to homo-