ITHACA COLLEGE ITHACA, NEW YORK JULY 9-10, 2015 The second annual Image Text Ithaca (ITI) symposium brought together thirteen ITI workshop fellows and several invited guests for public presentations on campus of Ithaca College over course of one evening and next day, following a workshop during which this year's fellows worked on new image and text projects. The brief public event began with a talk by Jason Fulford, a fellow from 2014 workshop, and Tamara Shopsin. They shared individually produced works such as Fulford's photo book Hotel Oracle (2013) and Shopsin's illustration work for New York Times, as well as inspirations (which range from semiotics to poetic ambiguity) for joint book projects including absorbing image-only monograph This Equals That (2014). Other invited speakers included Federica Chiocchetti, who spoke about website she founded, The Photocaptionist, on which are paired visual and text-based works (either found or commissioned) to promote the practice of concubinage between photography and literature, images and words. Chiocchetti also shared several projects she has worked on for Victoria and Albert Museum. Maria Damon of Pratt Institute offered a hypnotic essay moving between cross-stitching, alphabetics, and novels of Kathy Acker, weaving a linguistic thread through a rich cultural history. Matvei Yankelevich, another 2014 fellow, utilizing images and found text from throughout twentieth century (from works by poet Laura Riding to writings by philosopher Vilem Flusser), examined foundational space and structure of books and their elements, recommending how they should be read. This year's ITI fellows (five senior fellows and eight junior fellows) participated in a four-day workshop in days preceding symposium. Since most came from either photography or writing backgrounds, this was first time many had worked in image and text combinations. Daniel Augscholl and Anya Jasbar, cofounders of Ahorn Magazine, an online publication dedicated to contemporary photography, presented a photo essay on theme of desire, combining text and landscape photographs. Photographer Ben Alper presented a screening and audio performance of a project he began during this year's workshop session and had wrapped up that very morning (Thursday). Titled In event of misinterpretation or human error, piece uses found text and photographs from decades-old Popular Mechanics magazines to explore meaning within randomness. Writer Christine Hume used same source material, commenting on white privilege by augmenting text, which she read aloud as images she had selected from magazines were projected. On Friday, Hume presented an original spoken text with an underlayer of found audio of a 911 call and supplemental stressed breathing to heighten tension. Photographer Andre Bradley shared a photographic project with a spoken personal narrative about history, memory, learning, and identity. [Ed. note: See Bradley's Portfolio in this issue of Afterimage.] Author John Keene read text from two short projects, one about online dating (with facially redacted profile photographs culled by ITI co-director Nicholas Muellner from gay online dating archives) and other concerning slavery and based on work of Kara Walker. …