Funerary Monuments Research Articles

Polycyclic aromatic hydrocarbons (PAHs) in black crusts on stone monuments in Milan: detection, quantification, distributions, and source assessment

In the field of conservation of cultural heritage, one must always consider the environmental conditions in which the works of art are located and the level of atmospheric pollution to which they are exposed, especially in the case of monuments stored outdoors. The present study is focused on the detection and the quantification of polycyclic aromatic hydrocarbons (PAHs) in black crust samples from the Monumental Cemetery of Milan (Italy), and the assessment of their sources through the analysis of the distributions of the different compounds in the samples, together with the use of diagnostic ratios. Six black crust samples taken from funerary monuments were analyzed. Fourteen polycyclic aromatic hydrocarbons were identified (naphthalene, acenaphthylene, acenaphthene, fluorene, phenanthrene, anthracene, fluoranthene, pyrene, chrysene, benzo[a]anthracene, benzo[b]fluoranthene, benzo[k]fluoranthene, benzo[a]pyrene, indeno[1,2,3-cd]pyrene) by high-performance liquid chromatography with a diode-array detector (HPLC–DAD), with a total concentration from 0.72 to 3.81 μg/g (mean of 1.87 μg/g). The known carcinogenic benzo[a]pyrene accounted for 5–10% of the total polycyclic aromatic hydrocarbons in the samples analyzed, with concentrations up to 0.20 μg/g. Moreover, the study of the distribution and diagnostic ratios allowed us to confirm that anthropogenic sources such as traffic and the proximity of the train station are the major causes of the degradation of the monuments contained in this Cemetery.

Age and Sex Structure of the Population of the Potapovo and Sintashta Cultures in the Late Bronze Age Based on the Materials of Funerary Monuments from the Volga-Ural Region

The paper analyzes the gender and age structure of the population of the Potapovo and Sintashta cultures in the late Bronze Age based on anthropological materials from a cemetery in the Volga-Ural region. According to archaeological data, both of them belong to a single cultural block; nevertheless, issues of their correlation and primacy in the time of origin are still debatable. 336 markers of gender and age definition in the individuals were applied. Calculations of the main demographic indicators were carried out; histograms of the ratio of age and gender groups were constructed for each culture under consideration. Using the principal components method, an intergroup comparison was carried out on demographic indicators of 31 series in the south of Eastern Europe and Transcaucasia. The indicators of the Potapovo and Sintashta groups have high infant mortality. At the same time, more even ratios of sex and age classes were noted for the Sintashta group of the Trans-Urals. In contrast to Potapovo, a more favorable external and internal social situation for the Sintashta population is assumed. A comparison of demographic indicators against a broader geographical and chronological background demonstrates, firstly, the convergence of the Potapovo and Sintashta groups, the manifestation of similar trends among subsequent series of log culture in the same region, and, on the contrary, sharp differences with the data of the previous pastoral Yamno-Poltavka population. Thus, the demographic indicators of the Potapovo and Sintashta cultures can symbolize the transition to new ethno-cultural living conditions, to the beginning of the formation of stationary geographical points, to the gradual settling of collectives.

For Memoria Aeterna: Approaches to Immortality in Memory in Ancient Roman Funerary Monuments

When facing death, Ancient Romans attempted to achieve immortality through eternal memory. While the elites sought great achievements as invisible monuments, the non-elite Roman population depended on their tombs to preserve their identity and memory. By analyzing funerary monuments of the non-elite from the Late Republic to the first two centuries of the Roman Empire, this essay explores how their textual and visual components construct images that define and idealize the memory of individuals. The essay also investigates how these elements interact with the living to preserve and strengthen the memories of the dead: by connecting with family and friends from the private sphere in their regular visits as well as luring and informing strangers passing by from the public world. Finally, the essay sheds light on how the most important Roman festival for the dead, Parentalia, provided opportunities to appeal to both types of audiences in the preservation of memory.

Farewell to Arms – Farewell in Arms: Depictions of Weapons on Stone and in Hellenistic Inscriptional Epigrams

Abstract Through four case studies I discuss the importance and frequency of the appearance of weapons (an important element of epic imagery) in funerary poetry, and its relation to representations of arms on gravestones and monuments in the Hellenistic period, geographically ranging from Lycia and Caria to the Black Sea, from mainland Greece to the Aegean islands. One of the most common features of poetic epitaphs for soldiers (including citizens, mercenaries, and soldiers belonging to royal armies) is the celebration of the military valor (arete) of the deceased; on the other hand, except for the spear, weapons are not mentioned often in funerary poetry. When they are not mentioned in the epitaph, or when an epitaph is not present, weapons are sometimes represented on the funerary monument itself, in the form of reliefs or paintings, either in the context of a battle scene, or carried by the standing deceased, or simply as isolated objects, as symbols of his profession or social rank in life.

Номенклатура металлов и сплавов из сарматских могильников Нижнего Поволжья II в. до н.э. – первой половины II в. н.э. по данным РФА

The work presents the results of an analysis of the chemical composition of 82 objects from non-ferrous and precious metals dating from the 4th century BC – the first half of the 2nd century AD and originating from the excavation of funeral monuments located in the Lower Volga region. Basically, the analysis of the chemical composition of non-ferrous metal was carried out for objects characteristic of the ordinary population of the region: mirrors, jewelry, clothing or household items, and details of horse harnesses; importantly, sampling was random. The data obtained by the XRF method are very interesting and demonstrate a change in the nomenclature of leading alloys. So, for the period of the 2nd century BC – the border of eras, there is a significant number of objects from tin as well as from tin-lead bronze, with a slight presence of products from a multicomponent alloy, an alloy with arsenic. For the period of the 1st – the first half of the 2nd century AD, there is a significant change in the leading types of alloys: zinc-containing alloys such as two- and three-component brass dominate the sample; also significantly increased the share of triple bronze, highly alloyed with lead; there are also products made of copper and tin bronze. Silver products made of silver from different samples are present in all stages. Analysis of alloying components and impurities in the identified alloys made it possible to distinguish in the sample of the 2nd century BC –the border of eras, the influence of the North Caucasian center of non-ferrous metalworking; recorded changes in the nomenclature of alloys of the 1st – the first half of the 2nd century AD arose, most likely, under the influence of the North Black Sea center of non-ferrous metalworking. The presence of high-zinc brass objects in the sample during the period of the 1st – the first half of the 2nd century AD also does not exclude the receipt of this type of brass from the production center located in Central Asia, which is characterized by an extremely high zinc content in the alloy.

Vernacular classicism and the Mausoleum of Halicarnassus: the architectural imaginary of a Danish interwar crematorium

Abstract This article discusses a crematorium inaugurated in 1923 in the municipal Northern Cemetery (Nordre Kirkegård) of Aarhus as a case of vernacular classicism in interwar Denmark. While earlier works by its architect Sophus Frederik Kühnel (1851–1930) followed National Romantic, Renaissance, and Gothic models, the crematorium stands out because of its crowning feature, a stepped pyramid roof that emulates one of the most characteristic architectural elements of the mid-fourth-century BCE Mausoleum of Halicarnassus, described by Pliny the Elder (HN 36.31) and other ancient authors. This reference to one of the most famous funerary monuments from classical antiquity is both functionally and symbolically appropriate in a cemetery setting and also fits into a longer history of ‘Mausoleumania’, both in Denmark and internationally. Furthermore, it reflects a broader architectural movement of vernacular, ‘Nordic’ classicism during the interwar period, when local architects ‘translated’ classical elements into the vernacular, for example, through prominent use of brickwork and eclectic combinations of classical motifs with both medieval and National Romantic forms. Kühnel’s crematorium shows some of the creative ways in which Scandinavian architects freely adapted distinctive elements from the repertoire of classical architecture, in this case in response to the rise of cremation.

The journey of the initiate towards salvation and the trials of Mithras seen through the experience of Hercules and the protection of Mithras, Hercules, and Caelestis: labors and salvation

AbstractThis intervention focuses on the close relationship that links Mithras to Hercules, witnessed by the presence of the image of Hercules in some mithraic caves, on ritual vessels and in other contexts related to Zoroastrian Mithraism, such as the funerary monument of Antiochus I of Commagene at Nemrut Dağı.Likewise, even the veneration of the goddess Caelestis by some followers of Mithras is testified by the representation of the symbol pro itu et reditu in contexts referable to the cult of Mithras.

Art and archaeology in an interactive time-traveling online and museum experience. A case study on the Via Appia Antica.

This paper presents an innovative exploration of digital twinning technologies and its integration with artistic perspectives and interactive museum storytelling. It presents a physical and virtual online museum exhibition that was developed to visualize and experience changes of an archaeological landscape. Central to this exhibition was an interactive installation with a virtual 3D environment in which visitors could revisit viewpoints of past image creators like photographers, cinematographers, architects and painters. The exhibition combined digital twin technologies with artistic and archaeological research to form an immersive landscape biography.As a study area, the exhibition focused on mile V and VI of the Via Appia Antica near Rome. For six different funerary monuments, the exact locations of 110 historical images have been revisited and geo-referenced in a virtual 3D environment. Each historical image was artistically morphed into a present-day image using video technology. Additionally, visitors could explore virtual reconstructions and 3D prints of these monuments, accompanied with 3D animations.The paper discusses the motivation behind the design and setup of the museum and virtual exhibition, together with the technological challenges that were encountered. All tooling for this research was developed as Free and Open-Source Software (FOSS), allowing it to be reused. We discuss lessons learned and future application perspectives of the presented concept and installation. The work illustrates the power of blending cutting-edge technologies with art and storytelling to create a dynamic, accessible, and enriching experience of cultural heritage.

Approach to the visual landscape of the Gor river megalithic necropolises (Granada, Spain)

This paper presents the results of several visibility analysis carried out upon the 151 preserved megaliths of the Gor valley (Granada, Andalusia, Spain) as well as upon the 5 known settlements in the area with Chalcolithic chronology. In order to analyse the relationship between megaliths, settlements and territory during the Late Prehistory in Southeastern Iberia, the analyses carried out have been intervisibility and individual, cumulative and total or inherent viewshed. The results underline the existence of a noticeable network of visual connection between the megaliths as a whole, as well as with the settlements, especially in the middle river course. This interrelationship is only broken by some more distant necropolises that were already noted as they differ from the rest in both topographical and formal aspects. The results of cumulative and total viewshed show the existence of a defined strategy to choose megaliths locations, in order to visually control areas of the terrain that are not naturally privileged as observation points. The conclusions clearly point to the existence of an increasing network aimed at achieving the demarcation and total control over the exploited territory, creating a new landscape mainly linked to funerary monuments, from which ancestors tie past to present for defining territorial appropriation.

The “Schwarze Mander” of the Court Church in Innsbruck, Austria: Manufacture and Production of Monumental Brass Statues in the Renaissance

AbstractThe 28 "Schwarze Mander" (Black Men) are undoubtedly amongst the most magnificent monumental brass statues of the Renaissance. Commissioned by the Holy Roman Emperor Maximilian I for his funeral monument at the beginning of the 16th century, they were completed more than 30 years after the Emperor's death and are now part of his cenotaph in the Hofkirche in Innsbruck. Revising the original manuscripts and letters exchanged between Maximilian I and the various artists sheds light on the manufacturing process and the challenges the artists encountered whilst producing the statues. Moreover, the alloys used in the manufacture of the statues, now all blackened due to patination processes, were identified through non-invasive chemical analysis of all the statues.

Dynamic Funerary Monuments of North-western Europe: Chronological Modelling of a Late Neolithic–Pre-Roman Iron Age Cemetery Complex at Mang de Bargen, Northern Germany

This study presents the first extensive radiocarbon dating programme of Bronze Age material from northern Germany, and it combines radiocarbon dates, relative typo-chronological date ranges, and stratigraphic data within a Bayesian chronological framework. We estimate the cemetery complex at Mang de Bargen (Bornhöved, distr. Segeberg, Schleswig-Holstein) to be in use for more than two millennia, which is exceptionally long in northern Germany and in a wider European context. The site provides a unique insight into the dynamic nature of burial monuments and associated burial practices, from the Late Neolithic and into the Pre-Roman Iron Age (c. 2500–50 bc). The barrow building tradition lasted around a millennium (c. 2350 –1300 bc), with several barrows in concurrent use. The barrows were persistently re-used as burial ground, both within ‘living memory’ of the primary graves, but also long after. The burial intensity varied over the cemetery’s use-life, with distinct peaks in the Late Neolithic, when the first barrows were erected; in the Older Bronze Age when more barrows were erected; in the Younger Bronze Age, when secondary cremation graves were added to existing barrows; and finally in the Pre-Roman Iron Age, with the addition of an urnfield. The funerary rituals vary considerably over the period: from inhumation to cremation, and from primary and secondary graves in barrows to flat graves. Cremation was introduced in the 14th century bc but inhumation and cremation were used in parallel for around a century before the former ritual was abandoned c. 1300 bc. The study provides absolute chronological distributions of the grave types present at Mang de Bargen and shows them to be comparable to other sites at a regional and over-regional scale, successfully demonstrating how new types were quickly adopted across large parts of north-western Europe.

Enslaved Women, Women Enslavers: Kyriarchy and Intersectionality in the New Testament

Abstract: Using a feminist hermeneutic, this essay analyzes three examples of kyriarchal relationships in the New Testament found in stories of women who were enslavers who enslaved women. The first example is from Galatians where Paul rereads the story of Sarah and Hagar and uses the enslaver/enslaved relationship as an allegory. The second example is found in Acts 12, which is the clearest case of a woman enslaver who enslaved a woman: Mary and Rhoda. Finally, I analyze the character of Lydia found in Acts 16 and argue that she is also an enslaver who enslaved women. Each of these biblical characters was entangled in the kyriarchal pyramid of antiquity through their own oppression due to gender, yet they participated in kyriarchy due to status and class. Adding evidence from material culture, I analyze an example of a woman who enslaved another woman as depicted on an ancient funerary monument. This essay also considers the ethical ramifications of biblical texts that endorse slavery and have been used to support white supremacy and systemic oppression.

New Evidence of Neolithic Funerary Monuments from the Eastern Margins of the Long Barrows Territory in Central Europe

Late Neolithic long barrows are commonly found throughout Central and Northwestern Europe, within the Funnel Beaker Culture territory. The sites of this Culture are known from Bohemia covering a period between 3900 and 3400 BC. However, long barrows have not been detected in Bohemia for a long time. The main reason is that they are located in areas where they were affected by modern ploughing. A significant contribution to their recognition was the remote sensing of modern fields, especially aerial archaeology. Current research in Bohemia provided new evidence of dozens of long barrows of several types, significantly expanding our knowledge of this phenomenon in the southeastern margins of its distribution. A new type of long barrow has been identified in Bohemia using remote sensing and current excavation data. The characteristic parameters of the long barrows in Bohemia are an east-west orientation with the ceremonial place in the eastern front and the delineation of the perimeter by a palisade trough or a ditch. The mounds can be divided into at least two structural and chronological forms. The first is the narrow and sometimes extremely long mound with perimeter defined by a palisade trough dating to the 3900–3800 BC. The second type of barrow is enclosed by a trapezoidal ditch. Based on radiocarbon dating, these structures were constructed during the 3700–3600 BC. This type of monument is currently known exclusively from Bohemia.

A Study of a Unique Roman Funerary Monument and Its Population at Dara in Upper Mesopotamia: A Collective Rock Burial “Tower”

A Study of a Unique Roman Funerary Monument and Its Population at Dara in Upper Mesopotamia: A Collective Rock Burial “Tower”

Site Locations on the Jutland Peninsula across the Late Funnel Beaker – Early Corded Ware Period Transition and Their Implications

Abstract The extent of spatial overlap between late Funnel Beaker (TRB) and early Corded Ware or ‘Single Grave’ finds has figured prominently in discussions of how the latter became established on the Jutland Peninsula after 2850 BCE. Working mainly from regional distribution maps and often framing the issue in terms of ‘territories’, decades of debate have focused not least on the question of whether elements of Corded Ware culture primarily arrived in this region with incoming migrants or whether the late TRB groups that already inhabited the region during the early 3rd millennium BCE played a central role in adopting a new tradition. Recently, the results of aDNA research have shifted the relevant questions from whether migration played a role to which role migration played, how it interacted with other factors and how both processes and outcomes varied. The task of answering these questions calls for local-scale analyses and for comparisons across cases and contexts. This article examines site locations and the more detailed location of burials, ritual structures and funerary monuments at specific sites within a 40 × 40 km large area in northern Jutland across the late TRB – early Corded Ware period transition. The results show a high degree of continuity in the location of cemeteries in the landscape, in some cases down to individual burials superposing one another, and this leads to a discussion of different scenarios that may explain the apparent correspondence across the general shift in burial customs. The results obtained in the selected area in northern Jutland are also compared with site locations in another part of the peninsula, i.e. the Horsens Fjord area in eastern-central Jutland, which has also been studied thoroughly recently and where a very different pattern is found (Madsen 2020). The article concludes by discussing the background of these two different patterns and the presumably rather different cultural processes that took place across the late TRB – early Corded Ware transition in these two areas.

Yams (Dioscorea spp.) in shellmounds and swiddens: ancient history in Babitonga Bay, Santa Catarina State, southern Brazil

BackgroundIn Babitonga Bay, southern Brazil, records of yam consumption exist among shellmound builders from at least 4000 years ago. Shellmounds (sambaquis) are anthropogenic structures in the form of mounds with layers of shells associated with other faunal remains, as well as with charcoal, artefacts and burial. Larger sambaquis are considered to be funerary monuments. The indigenous Jê and Guarani people also lived in the region before the European invasion and cultivated yams. Currently, exotic and domesticated yams are cultivated in the region by farmers. Our aim is to describe the long-term history between the people and Dioscorea in the Babitonga Bay region based on its consumption and occurrence in shellmounds and swiddens.MethodsSurveys of Dioscorea spp. and host were carried out in the vegetation of shellmounds and in the surrounding area using visual detection through intensive searches in transects using the walking method. The survey of Dioscorea species used and cultivated in the precolonial, colonial and current periods was carried out based on the literature. In the present study, only Dioscorea trifida cultivations were recorded.ResultsDioscorea cayennensis, Dioscorea chondrocarpa, Dioscorea dodecaneura, Dioscorea laxiflora, Dioscorea olfersiana, and Dioscorea scabra, all recorded in associated vegetation of shellmounds, in different combinations of the species. In swiddens, D. trifida is most common, followed by Dioscorea alata and, to a lesser extent, Dioscorea bulbifera and D. cayennensis. Records of food use prevail, but they are used as medicinal plants. Yams are integrated on anthropogenic soils of shellmounds and in swiddens in monoculture systems or in intercropping with Zea mays or Colocasia esculenta. The presence of exotic food trees and D. cayennensis in some shellmounds indicates the influence of colonizers on the composition of the vegetation. In sambaquis, there are overlapping processes of construction of cultural niches by different human groups at different times.ConclusionsThe sambaquis and the associated vegetation and swiddens form part of a domesticated landscape. The native species of Dioscorea recorded in shellmounds and surrounding vegetation do not depend on human action to perpetuate themselves in the environment. However, this does not rule out human influence in the past, but it does not indicate horticulture among the Sambaquianos. Greater investment in genetic, archaeobotanical and ethnobotanical research can contribute to a better understanding of the relationship between people and yams over thousands of years.

Conspicuous Construction: New Light on Funerary Monuments in Rural Early Roman Judea from Horvat Midras

Conspicuous Construction: New Light on Funerary Monuments in Rural Early Roman Judea from Horvat Midras

City of Stones in the Moroccan Middle Atlas: Special Funeral Rites

The Middle Atlas and particularly the Boulmane region is full of pre-Islamic funerary monuments. The overwhelming majority of them are circular tumuli. However, two burials from the “City of Stones” are completely different from this common pattern and are exceptional in many respects. They are an extension of each other. Each is topped by an imposing horizontal sandstone slab which gives it a megalithic appearance although they are natural formations in reality. The underlying cavity was used as a burial chamber. The first CPSI site displayed the incomplete skeleton of 3 individuals. One of them, found in lateral decubitus, is relatively complete in anatomical connection up to the pelvis. The remains of two incomplete skeletons without any anatomical connection are also present. The second burial of the CPSII monument, however, does not contain any anatomically connected skeleton but bones belonging to 4 different individuals. The pre-Islamic populations of the Moroccan Middle Atlas erected tumulus-type funerary monuments to accommodate primary burials which could be single or multiple. And at the same time they could desecrate some by exhuming the skeletons to redeposit them in natural rock cavities which serve as burial chambers for a secondary burial or a deposit.

Digital Heritage and Mapping Renaissance Tours. Recent Research from the CESR

This article presents recent initiatives in the fields of Digital Heritage and digital mapping by researchers attached the Centre d'études supérieures de la Renaissance (CESR) in Tours, France. During the fifteenth and early sixteenth century the city of Tours, situated in the heart of France in the valley of the river Loire, was one of the main residences of the French kings and this had important consequences for the nature of artistic production and for social aspects of urban life. Making use of the latest developments in Digital and Spatial Humanities, researchers attached to the CESR have created an interactive digital map of historical Tours; several crosslinked databases of artworks and archival sources from Tours; an enriched 3D model of an artistic masterpiece, the funeral monument of deceased royal children; an interactive historical graphic novel; and a GPS-led app with an historical guided tour of the city. These digital projects all have in common that they bring together the outcomes of scientific historical and art historical research with digital applications, as a starting point for further research, and for public outreach activities.

Tauroctony Relief from Dardagan Revisited / Nova interpretacija tauroktonije iz Dardagana

This paper examines the tauroctony relief from the village Dardagan, near Zvornik (Bosnia and Herzegovina), and proposes a new interpretation of the monument. Contrary to previous views, which deemed the relief as a primitive work executed by an unskilled sculptor, the careful analysis of its stylistic, compositional, and iconographic features, as argued in the paper, reveals its semi-finished nature. Since the existence of the workshop at the quarry in Dardagan was recently proven, the tauroctony relief is interpreted as its product. Moreover, it is the sole evidence that, besides funerary monuments and architectural elements, the workshop also produced votive images for specific cults. The tauroctony from Dardagan represents a unique instance of a semi finished Mithraic sculpture discovered at its production site within the Roman province of Dalmatia. Furthermore, an examination of archaeological reports and original photographs of Milica Kosorić allowed for a better understanding of the context of the tauroctony’s discovery, providing new insights into the small finds and rock-carved figures so far associated with the cult. It is argued that these finds cannot be linked to the cult of Mithras and that the existence of the mithraeum at the site remains hypothetical.