In Italy and France in the mid-16th century, a novel trend arose to collect “portraits” of famous people and write elogies and biographies based on them, with authors such as Paolo Giovio and Giorgio Vasari in Italy and André Thevet in France as prime examples. The portraits of this period broke away from medieval stereotypes and sought to depict individuals realistically while revealing their inner characteristics through their outward appearance. In the second half of 16th century, French readers were interested not only in the experiences of overseas colonization but also in politics and the military matters, due to the religious conflicts and political turmoil during the French Wars of Religion. The biography written by André Thevet, Les Vrais Pourtraicts et vies des hommes illustres, grecs, latins et payens, published in 1584 reflects the historical context of this period. In particular, Book VIII of Thevet’s work is devoted to biographies of pagan celebrities from Asia, Africa, the Americas, as wells Europe. Among them, Tamerlane (Amir Timur), is the unique historical figure from the Tatars. His portrait and biographical text reveal the complex ambivalence of fear and reverence that Renaissance Europeans held toward him. Additionally, Tamerlane’s biography exemplifies Renaissance Orientalism and humanistic interests in exotic ethnicities, geography and language.
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