This richly illustrated and beautifully produced volume explores the role of Bohemian culture in late fourteenth-century England. John Gower wrote of the ‘newe guise of Beawme’ in his Confessio Amantis, and Alfred Thomas convincingly explores the wider implications of these influences. Richard II married Anne of Bohemia in 1382, and she died in 1394. Anne was the daughter of Charles IV, Holy Roman Emperor, who had been brought up at the French royal court and who transformed the court at Prague into a centre of art and architecture; her siblings were Elisabeth of Bohemia and Wenceslas IV of Bohemia (also of Germany and Luxembourg). Her grandfather was the cosmopolitan John, count of Luxembourg, king of Bohemia and patron of the poet Guillaume Machaut, and her aunt was Bonne of Luxembourg, who married the man who would become King John II of France; her uncle was the duke of Brabant and, famously, the patron of the poet and chronicler Jean Froissart. One could continue listing these cosmopolitan cultural connections for many lines. As presented here, Anne embodied a truly European culture, stretching from Bohemia to Germany to Italy and France. Thomas is principally interested here in the influence of the flourishing and cosmopolitan Bohemian court, the model of French courtly life, and the imperial connections. He argues that Anne embodied a set of cultural influences which were intertwined with Richard III’s wider political goals: he was interested in imperial claims, worked on the presentation of a form of sacral kingship, and was more interested in culture than war. These observations about Richard’s reign are insightful, though perhaps a little too starkly drawn: the claim that a king might be interested in culture rather than war (repeated for Charles V of France on p. 24) is unnecessarily reductive; Richard’s interest in sacral kingship also has a longer, distinctively English history. Reminding the reader that these were not zero-sum games would not in any way weaken the argument.
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