Parents, carers and educators of young children show a deep interest in the drawings that children produce. In the past, this interest was often directed toward emergent representational schema that young children were seen to utilise to process ideas and understandings of their world. The attention paid to these specific drawings was particularly prompted by the influence and broad application of stage development theories (Kellog, 1967; Lowenfeld & Brittain, 1964; Piaget, 1975) on early childhood teaching and learning.More recently, connections between young children and learning have been enhanced, to implement more socially inclusive teaching and learning strategies (MacNaughton, 2005; Dahlberg & Moss, 2005) and recognise diversity and plurality in early childhood contexts. With this in mind, there is a subsequent need to reconsider the ways adults engage with children as they draw, to rethink how such drawings are ‘viewed’ and ‘read’.This article examines how the drawings produced by young children might be informed. It explores, through Deleuzian and Guattarian (1972/1983) concepts of dreaming and becoming, a transforming, bodiless engagement, and the Foucauldian (1986) concept of heterotopic space, how a child might search for and access referents during the drawing process. Applying such concepts facilitate expansion on the analysis of drawing that has been, historically, firmly situated within stage development theories. Deleuzian and Guattarian, and Foucauldian readings also assist in beginning to theorise on developing more socially inclusive experiences in early childhood contexts.The theories presented in this article inform an inter-generational collaborative approach to drawing (Knight, 2008) that opens up lines of communication between adult and child that challenge dominant beliefs and discourses of early childhood teaching and learning. Two specific accounts form fieldwork undertaken in a pre-school and a long day-care centre during 2008 serve to provide samples and discussion points.