Manilla money bracelets emerged during the early modern period (ca. fifteenth century AD) as a form of currency between western Europe and West Africa, and continued to circulate until the early twentieth century. While there has been little formal scholarship on manillas, narratives abound: some histories cast the bracelets as the blood money of the transatlantic slave trade; others highlight them as the copper source used to make the Benin Bronzes; and still others uphold the manilla as a symbolically important West African cultural object in and of itself. This study begins with a history of the manilla, from its rapid proliferation to its eventual obsolescence. The term “metastasizing symbol” is proposed to describe objects like the manilla, whose propagation is underwritten by unsustainable systems of cultural difference, and thereby contains within itself the seeds for the object’s transition to disuse. The authors also describe a portable X-ray fluorescence (pXRF) analysis of nine manilla bracelets from the Yale University Art Gallery (YUAG). When compared to manilla composition data from previous studies and projected into PCA space, the nine YUAG manillas appear most similar to specimens produced in England during the mid-nineteenth century and traded extensively in British West Africa throughout the colonial period. KEYWORDS: Manilla Money Bracelets; pXRF; Transatlantic Slave Trade; Europe; West Africa; Early Modern Period; European Imperialism; Provenance
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