The reports constitute the bulk of the book. Daily reportsofmorning and afternoon weather and river conditions are listed in tabular form, followed by direct quotes from the various journals and diaries. Most days include at least three observations. Preston chose to use the journal entries as is, without editing punctuation or spelling,which actu ally adds to the charm of the narrative. On November 14, for example, Ordway wrote "the Storm continues, and obledges us to Stay in thisdisagreeable harbour with nothing but pounded Sammon toEat" (p. 313). Most of the time, the journal entries portray very similar weather conditions. Occasionally, however, the reports diverge significantly,as on Friday, April 11, when Lewis, Clark, andOrdway report persistent rain,yetGass merely states"We had a cloudymorning" (p. 381). The last section of thebook isa "Lewis and Clark Trail Pictorial," a seriesofbeautiful pho tos showing landmarks visited and described by the group. Inmost cases, thephotos show pristine landscapeswithout evidence ofhuman habitation, and one can imagine how the same scenery looked to Expedition members. Occasionally, the trappings of civilization are obvious, however, as in the case ofRyan Dam on the Missouri atGreat Falls,which appears inone of thephotos. The appendices contain transcriptsof corre spondence involvingLewis^nd Clark, includ ing lettersto and fromPresident Jefferson, and thebibliography isquite thorough. 'I could not help comparing this book with another one, Lewis & Clark's Northwest Journey: 'WeatherDisagreeable' by George R. Miller (FrankAmato Publications, 2004). As opposed to Preston's referencebook, Miller's is shorter,lessdetailed, andwritten in amuch more prosaic style. Miller's is thekind ofbook you can pick up and read sequentially, and you will learn quite a bit about why the West gets theweather itdoes rather than just seeing the what. But,when itcomes to a comprehensive and well-organized referencebook on theweather encountered by Lewis and Clark, Vernon Preston's stands alone. George Taylor Corvallis, Oregon DEARMEDORA: CHILDOF OYSTERVILLE'SFORGOTTEN YEARS bySydneyStevens Washington State University Press, Pullman, 2007. Illustrations, photographs, maps, index. 180 pages. $24.95 paper. After the funeral,a universal problem comes knocking:what will happen toall thatold stuff ? all those pictures, diaries, letters,albums? The H.A. Espy family who foundedOysterville, Washington, apparently solved this problem by creating a family archive, for, as Sydney Stevens writes in her preface, "when finally gathered together, they [Espy familypapers] filled ninety large cardboard cartons" (p. 3). From those cartons, Stevens, a retired grade school teacher, was given theboxes containing her auntMedora Espy's (1899-1916) adolescent correspondence and diaries: "thousands of Medora letters! Boxes of them ? letterstoand fromfamily members, distant relatives, friends, acquaintances, even strangers" (p. 3). Stevens came to live and write in her grandparents' Oysterville home ? the same rooms where thatarchive ishoused, the same roomswhere Medora, theoldest daughter in a familyof six children, grew up. Dear Medora is, in fact,the second book to use that Espy Family Archive, the firstbeing Oysterville: Roads toGrandpa's Village (C.N. Potter, 1977), a widely praised and reprinted family history byWillard R. Espy,Medora's younger brother, Reader's Digest editor, and author of sixteenbooks. Unlike the scale, style, Reviews 345 gender balance, and narrative complexity of Oysterville, Stevens intentionally limits and focuses her book to"give a picture ofMedora's world as she found it" (p.4). Inher preface and first chapter, Stevens briefly summarizes the Espy family'sbackground and the remote vil lageofOysterville. Then, ineight chapters, she chronicles theEspy family'sexperiencebetween 1908and 1916,foregrounding Medora's coming of-age during that same eightyears (except for a twenty-two-month void between 1909 and 1911). In thefinal chapter, Stevens documents Medora's death shortly afterher seventeenth birthdaybut omits thecause ofher death given inOysterville. In her afterword, the author summarizes thebiographies ofMedora's five siblings, and so completes the frame around one portrait of theEspy family. Readers should know thatDear Medora is composed of two kinds ofmaterials: about half the pages are transcripts and family photographs, and about half are interpretive commentary. In the former, the author weaves together some seventy-eight short lettersby Medora, some eighty-four short lettersby her "Mama" (Helen Richardson 1878-1954), some ninety short transcriptsfromMedora's boy crazy diaries, and over one hundred black and white photographs. To help readers follow...