Freshman Composition Research Articles

Navigating Labor-Based Grading Contracts

Abstract This article explores the impact of labor-based grading contracts on student attitudes and perceptions within multilingual First-Year Composition (FYC) sections at an R1 university. Data collected qualitatively and quantitatively examined correlations between labor-based grading contracts and shifts in student attitudes toward writing and overall learning experiences. Findings revealed that some students found labor-based grading contracts motivating, leading to improved attitudes toward writing, while others found themselves demotivated or stressed by the absence of traditional grades. The concept of fairness emerged as a key concern, challenging the assumption that labor-based grading contracts universally benefit students. This article underscores the need for nuanced implementation of labor-based grading contracts and encourages a student-centered approach to foster equitable and antiracist writing assessment practices. It acknowledges the potential benefits of labor-based contract grading, but also its associated challenges, and calls for a critical examination of grading contracts within local contexts to ensure they genuinely advance opportunities for underrepresented students.

A Food-related Freshman Writing Course Improves Food-related Critical Thinking of Students

A Food-related Freshman Writing Course Improves Food-related Critical Thinking of Students

Exploring College Purpose

Background: Upon returning to in-person teaching at Kingsborough Community College after the pandemic, I realized something profound had shifted in my students. The well-documented drop in community college enrollment attributed to the pandemic seemed to reflect deeper disjunctures that had led students to an existential questioning of the purpose and value of a college degree. Purpose, Objective, Research Question, or Focus of Study: This study explores 30 community college students’ evolving perceptions of the purpose of college as they navigate through a first-year composition course with a curriculum that explicitly engages them in reading, writing, and researching various perspectives on the purpose, value, and challenges of pursuing a college education. Research Design: This qualitative, exploratory study involved redesigning my Composition I and II curricula to engage students in reading, writing, and thinking about the purpose of college; researching the challenges they and other community college students face in pursuing a degree; and proposing student-generated solutions to the community college enrollment and retention crisis. Data collected include two semesters of student essays, discussion boards, annotations on course readings, class activities, and notes from in-class discussions. Data analysis for this essay centered on student writing and followed a grounded theory approach with a focus on identifying salient themes related to student beliefs around college purpose and the impact of academic momentum policies on their college experience. Conclusions or Recommendations: The data from this study show that (1) community college students’ understanding of the purpose of college is diverse and malleable and (2) academic momentum policies that press students to attend college full time, despite their many life exigencies, are undermining community college students’ passions and purpose in pursuing a college education.

What difference does one course make? Assessing the impact of content-based instruction on students’ sustainability literacy

Composition studies, with their cross-disciplinary role in students’ academic lives, can be essential in placing sustainability at the center of students’ learning. This research assessed the impact of content-based instruction on students’ sustainability literacy in a first-year composition course through a mixed-method design. In the quantitative part of this case study, 221 students in different classes of a first-year writing course in a higher education institute in Kuwait during the Fall term of 2022 were first given a pretest to determine their sustainability literacy levels. During a 6-week period, 121 students participated in the content-based instruction emphasizing sustainability, while 100 students comprised the control group, receiving curriculum without any emphasis on sustainability. The allocation of students in these two groups was random, determined solely by the classes they were enrolled in at the beginning of the semester. At the end of the semester, both the experimental and control groups were given a posttest to measure the impact of the instruction on their sustainability literacy levels. For the qualitative component, 60 students from the experimental group and 60 students from the control group were tasked with composing an essay identifying Kuwait’s major sustainability challenges and proposing corresponding solutions. The impact of content-based instruction on students’ literacy levels was measured by conducting a qualitative and quantitative content analysis on their writing. The results showed that the experimental group students made statistically significant improvements in their sustainable literacy levels, scored better on the posttest, used more sustainability terms and concepts, and identified more sustainability-related challenges and solutions in their essays.

Instructional Note: North Central Texas College’s First-Year Composition Textbook Project

In the fall of 2018, the First-Year Composition program at North Central Texas College (NCTC) initiated what informally became known as the Textbook Project. Our goal was to provide our community college students with innovative, imaginative, and inspiring classroom experiences that paralleled the high-impact opportunities their peers were afforded at four-year universities. The Textbook Project encompassed five key features: an NCTC-specific textbook, a campus-wide common read, resources for faculty and students in our college’s LMS, a college-wide lecture series, and funding for faculty professional development. Five years later, the project’s emphasis on continuity through collaboration has revitalized the department through faculty engagement and increased student success.

Teaching Zora Neale Hurston’s Their Eyes Were Watching God in First-Year Composition

My teaching note explores how to teach Zora Neale Hurston's Their Eyes Were Watching God in first-year composition classrooms. I discuss the demographics of my classroom in a rural public university, and my students' reactions to reading the novel. This article highlights the successes and challenges of my classroom discussions and activities relating to reader comprehension and code switching. In addition, I explore ways to implement antiracist and feminist pedagogies while keeping students out of the "panic zone."

Perceptions of English foreign language university students towards the online freshman composition course

Perceptions of English foreign language university students towards the online freshman composition course

“It Kind of Helped Me but Also Kind of Didn’t”: Reflections on FYC Five Years Later

This essay seeks to add to existing conversations about the role of first-year composition (FYC) in relation to students’ subsequent literacy experiences. Using data from an open-ended survey of former students five years after they completed FYC, in which they describe their current reading and writing practices and reflect on how these practices connect (or fail to connect) to what they recall from FYC, this article positions the findings within the context of scholarship on WAW and TFT and ultimately calls for increased attention to the situated nature of writing as part of the FYC curriculum at two-year colleges.

Effects of Self-Regulated Strategy Instruction in an Accelerated Developmental English Course: A Quasi-experimental Study

This study examines the effects of a curriculum based on self-regulated strategy instruction in an accelerated developmental education (DE) English course in a community college. Faculty at the college had established a four-week, two-credit compressed course that enabled students to enroll in an eleven-week first-year composition (FYC) course in the same semester, reducing remediation from fifteen weeks to just four weeks. The course focused on writing argumentative essays using sources. The study used a quasi-experimental design with five instructors and sixty-six students to compare the experimental curriculum to a business-as-usual control condition. In the experimental curriculum, students learned strategies for writing using sources, including strategies for critical reading and for planning and revising. In addition to writing and reading strategies, students also learned metacognitive, self-regulation strategies, such as goal setting, task management, and reflection. The study found a large positive effect (ES = .96) of the treatment on quality of an argument essay written using sources. However, no significant effects were found on a summary outline, self-efficacy, or completion of the subsequent FYC course. The study demonstrates the value of strategy instruction in DE English courses; it is the first experimental study of strategy instruction in an accelerated DE course. Further research is needed to evaluate the effects of strategy instruction in corequisite courses and in FYC.

Digging the Archives in Composition Stretch Pedagogies: Reclamation of Historical Rhetorics to Support Chicanx Emotions of Belonging

Initiating a transdisciplinary composition stretch pedagogy, I examine students’ excavations of archives to advance epistemological freedoms in support of rhetorical sovereignty in student writings. Grounded in Latinx studies first-year composition, I analyze archival projects wherein Chicanx students seek rhetorical inheritances, questing to locate textual homes and emotions of belonging.

Digital Analysis of First-Year Composition Archive for Seeking Writing Teaching Job and Professionalization Purposes

Digital Analysis of First-Year Composition Archive for Seeking Writing Teaching Job and Professionalization Purposes

The Effectiveness of Software Designed to Detect AI-Generated Writing: A Comparison of 16 AI Text Detectors

Abstract This study evaluates the accuracy of 16 publicly available AI text detectors in discriminating between AI-generated and human-generated writing. The evaluated documents include 42 undergraduate essays generated by ChatGPT-3.5, 42 generated by ChatGPT-4, and 42 written by students in a first-year composition course without the use of AI. Each detector’s performance was assessed with regard to its overall accuracy, its accuracy with each type of document, its decisiveness (the relative number of uncertain responses), the number of false positives (human-generated papers designated as AI by the detector), and the number of false negatives (AI-generated papers designated as human). Three detectors – Copyleaks, TurnItIn, and Originality.ai – have high accuracy with all three sets of documents. Although most of the other 13 detectors can distinguish between GPT-3.5 papers and human-generated papers with reasonably high accuracy, they are generally ineffective at distinguishing between GPT-4 papers and those written by undergraduate students. Overall, the detectors that require registration and payment are only slightly more accurate than the others.

Curriculum development for translingual orientation: Teaching poetry writing in first-year Composition Courses


 This study offers insights on developing poetry writing assignment in first-year composition courses for translingual orientation. Through a close examination of semi-structured interviews and students’ poems, the study aims to evaluatethe effectiveness of the teaching of poetry writing as translingual pedagogy in college English composition courses for both monolingual and multilingual students. Five monolingual and five multilingual students in this project experienced a three-week curriculum design to compose their poetry project in two different sections. The interview data shows that both monolingual and multilingual students acknowledge positive traits about the translingual pedagogy through a poetry writing assignment toward the end of the semester. The data also demonstrates that five monolingual students in this study value this poetry writing assignment with its invitation for being free and self-expressive, while the five multilingual students stress the practical outcomes, such as a personal breakthrough, poetry book as a concrete record of their life, or negotiation experiences. Furthermore, the study provides implications for developing curriculum design to enact translingual pedagogy based on students’ perceived difficulties and struggles. 

An exploratory study of English as a Second Language students’ “citation” patterns in multimodal writing

This study explores how English as a Second Language (ESL) students make reference to outside sources and incorporate textual repetition using multimodal resources in a video project. ESL students’ source use and citation practices have been studied extensively in the context of traditional text-based writing. However, little attention is paid to the issue of making citations in multimodal writing, despite the fact that multimodal writing has been a popular topic in recent decades. The current study bridges this gap by analyzing the cases of multimodal citation in 14 videos created by ESL students in a first-year composition course, accompanied by insights from two students. The analysis yields three patterns of incorporating sources—concurrently afforded, verbally afforded, and visually afforded citations—that employ different combinations of visual and audio resources. Direct quotations are incorporated as part of the narration as well as the visual representation. These multimodal citations and quotations fulfill three broad rhetorical functions: attribution, exemplification, and establishing links between sources. There is also evidence of knowledge transfer across genre and cultural boundaries. This study provides insights into how modal affordances could be leveraged to acknowledge propositional content in creative and rhetorically effective ways. It provides pedagogical ideas for designing multimodal assignments to engage students in the critical discussion of audience, intertextuality, and discourse community.

Digital storytelling for cultivating a participatory culture in first-year composition

Digital storytelling for cultivating a participatory culture in first-year composition

Instructional Note: The Get and Give of Topic Choice in the College Writing Classroom

Students entering first-year composition often discover self-inquiry for the first time, enabling them to examine their identities when opportunities are created to do so. The experiences of two traditional first-year college students are examined to better understand the power that writing instructors and writing courses hold.

Actionable Empathy through Rhetorical Listening: A Possible Future for First-Year Composition

This dialogue between a first-year composition (FYC) instructor and administrator proposes listening-oriented curricula to cultivate actionable empathy in FYC: an attempt at understanding and acceptance when engaging across difference that results in naming how power shapes engagement. Actionable empathy can help students become introspective, flexible communicators and help instructors develop pedagogical agency.

Business and technical writing pedagogy

Given the rise in business and technical writing (BTW) courses in writing programs and English departments, there is a need to develop not only a pedagogy for BTW but one that considers BTW’s institutional context. Context is a problematic focus for pedagogy, as we have seen in recent scholarship on student writing, theory of genre, and transferability of skills to other academic disciplines. That scholarship views the uncertain and unclear contexts of academic composition courses and their genres as preventing the full student understanding of genre that is needed for students to develop transferable writing skills. The continuation of that scholarship into BTW regards the instruction of BTW, as inside academia rather than within the workplace, as suffering from similar concerns with context. Rather than viewing BTW as downstream from or supplemental to composition instruction, this article argues that we should examine the genres of BTW as unique in their contingency to the writing process and yet just as able to pursue the goals of composition instruction and liberal arts education as first-year composition (FYC) courses. By focusing on the reader of BTW genres as determinant in the contingency of the writing situation, we see BTW as less problematic than FYC in its support of key composition goals such as the creation of original arguments and effective management of supporting materials. The awareness of readership and argumentation allows for a pedagogy supportive of contingent and part-time faculty as well as full-time composition faculty regardless of their respective professional experience.

The “Problem” of L2 Writers in College Composition Placement: Identity, Outcomes, and the Future of Directed Self Placement

In response to the rapidly growing number of international and multilingual students on U.S. college campuses, many colleges’ first year composition (FYC) courses have expanded to include classes designated for “ESL” or “International” students, with increasing scholarship on the best pedagogical practices for such classes. Despite increasing scholarship on the best pedagogical practices for such classes, the implications of placing students into them remains “the thorniest of issues” (Crusan, 2011), with mounting debate as to how to measure L2 students’ suitability for either “ESL” or “mainstream” writing classes, as well as the role students should play in labelling themselves “ESL” writers. Directed Self-Placement (DSP) is emerging as a more equitable and anti-racist alternative to test-based placement; however, there are concerns about its suitability for L2 writers specifically (Crusan, 2011; Ferris, 2017). This literature review therefore aims to address two questions: (1) what are the unique challenges of placing L2 writers in FYC courses? Specifically, what are the implications of the identity labelling inherent in placing L2 students in courses designated as “ESL” or for “International Students” with regard to student investment and learning outcomes? (2) Might DSP offer a viable alternative to traditional L2 placement testing that addresses such implications?

Potential for digital writing transfer with infographics: Students’ perspectives

Between 2020-22 COVID-19 blurred the line between academic and digital writing as more students and educators used digital platforms to write, share, and collaborate on academic work. Today, students can video-conference, engage in digital annotating, communicate via chats with different audiences, and write more audience-oriented emails - some of the skills they transferred from their daily interactions prompted by the pandemic. To help the students enhance their digital writing skills needed to succeed in the post-pandemic world, the researcher of this study decided to introduce and implement infographics in her first-year composition. During the pandemic, this genre became one of the popular mediums for transmitting and sharing information, with public health organisations worldwide relying on them to illustrate the scale of the crisis and the actions needed to combat it. This exploratory study collected data from 13 students in a blended college-level writing course by employing qualitative research methods such as surveys and reflections to learn about students' perspectives on possible affordances and constraints of infographics and to discover a more robust understanding of infographics as a potential tool for digital writing transfer. A thematic analysis was used to code students' responses. The literature review and the findings of this study suggest that infographics can be used as a tool to improve intellectual skills (e.g., audience awareness, information filtering, concision) and life skills (e.g., self-efficacy), which are both needed for more effective digital writing skills required for success in the post-pandemic world.