MLR, ., (p. ). e references to the ‘nagging question of identity and nationality’, for example (p. ); or the suggestion that Browning’s ‘polyphonic, arabesque-like’, and multilingual style anticipates aspects of modernist literary practice (p. ), could have received further elaboration with reference to recent work on Victorian literature’s ‘global’ aesthetics, and translational writing more generally. Jaouad’s book will, however, prove a useful resource to students, scholars, and admirers of Browning’s poetry, and indeed to anyone interested in the manifold networks of cultural affiliation and response evidenced by Victorian literature. Its range of reference and scholarship will undoubtedly lead to the satisfaction of Jaouad’s desire to ‘excite further interest in Browning’s life-long fascination with Eastern religion, culture, and literature’ (p. ). B C, O J H Adulthood and Other Fictions: American Literature and the Unmaking of Age. By S E. Oxford: Oxford University Press. . xii+ pp. £. ISBN ––––. Sari Edelstein’s Adulthood and Other Fictions is a refreshing, thought-provoking excavation of age as an o-overlooked political tool that rose to power in nineteenthcentury US culture. Rather than treating age as a stand-alone discourse, Edelstein shows how age has been instrumental in the enforcement of social hierarchies, including race, gender, class, sexuality, and ability. e book considers an archive of visual culture, interviews, and writings, but it centres on imaginative literature’s varied history of, on one hand, supporting and disseminating conventional notions of age and, on the other, exposing, challenging, and reimagining them. e nineteenth-century novel proves a fruitful site for Edelstein’s investigation of age owing to its structural reliance on linear development. However, unlike a large portion of literary scholarship interested in age, which focuses on childhood and the Bildungsroman, Adulthood and Other Fictions attends to middle and old age, showing all life stages to be narrative constructs—fictions that nineteenth-century writers such as Herman Melville, Frederick Douglass, Harriet Jacobs, Louisa May Alcott , Mary Wilkins Freeman, Sarah Orne Jewett, and Henry James have reimagined to question the normative life course prescribed by capitalism, heterosexuality, patriarchy, and white supremacy. In the first chapter, Edelstein argues that Melville’s ‘anti-coming of age novel’ (p. ), Redburn, exposes the nation’s call to grow up as a capitalist demand and nationalist project; Redburn’s refusal to mature (and Bartleby’s refusal to move) challenges the agenda of white, male coming of age that ‘is contingent not only upon oppressing oneself but upon exploiting others’ (p. ). Chapter demonstrates, however, that age categories also functioned by exclusion: slavery weaponized age by denying enslaved people the privileges of adulthood while simultaneously corrupting childhood. Edelstein reads slave narratives by Douglass and Jacobs alongside interviews with formerly enslaved people who made claims of extraordinary longevity, showing how they seized and challenged the discourse of Reviews ageing. e third chapter notes, without claiming a direct comparison to slavery, how the discourse of ageing also infantilized and marked the economic value of free white women. Edelstein shows how Alcott’s Little Women exposes age as ‘a core disciplinary idiom’ that women were expected to perform (p. ), while Alcott’s Work reimagines how numerical age could support a ‘female life course that does not peak in girlhood or conclude with marriage’ (p. ). Chapter highlights the protest against a monolithic conception of old age as decline in the short fiction of Freeman and Jewett; Freeman contests this ‘pathologization of old age’ (p. ) with her contented elderly characters and Jewett theorizes a ‘temporality of old age’ (p. ) that is ‘inherently oppositional to the demands of power, capitalism, and gender’ (p. ). In the final chapter, Edelstein revisits the fiction of James, oen considered ‘the only mature American novelist’ (p. ), and shows how his work denaturalizes the association of adulthood with independence, instead registering interdependence and caregiving as forms of unacknowledged maturity. Adulthood and Other Fictions has much to offer the fields of age studies and nineteenth-century American literature but also queer theory, feminism, and disability studies. Edelstein’s intersectional approach reveals age as a missing link that invigorates established arguments about discipline and power in these fields. Furthermore, the book pushes scholars to examine our emphasis on youth (for example, the...
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