Sheikh Jackson Joel Gordon (bio) Feature, Starring Ahmad al-Fishawi and Magid al-Kidwani, 2017, 93 Minutes, Directed by ' Amr Salama, and Produced by Muhammad Hifzi and Hani 'Usama This is a movie that can no longer be watched without noting the release since its production of a critically acclaimed, albeit ever controversial documentary chronicling the accusations of child sexual abuse against the "King of Pop," Michael Jackson. I have not seen "Leaving Neverland" (Dan Reed, 2019), but the longstanding charges are impossible to ignore in its wake. The ghost of Michael Jackson, it seems, is destined to haunt us, even if we can never truly shake off his music or stop replicating his moonwalk. Khalid, (starring Ahmad al-Fishawi) the lead character in Sheikh Jackson, is also haunted, but only partly by the superstar singer, whose death he learns of early on in the film. Happily married and the father of a precocious, slightly rebellious young daughter, Khalid is a troubled figure plagued by nightmare visions—the film opens to a dream sequence of him being buried alive—that drive him to sleep under the bed. He does so, he tells his psychotherapist, modeling an early hero of Islam, so that he remembers he is always a step away from the grave. Regularly devout, clad in a crisp white galabiyya and deliberately scrubbing his teeth with a miswak, he occasionally sends his wife and child downstairs to her mother's apartment so he can pray and meditate in solitude. He is also an aspiring imam, who leads a local congregation in evening prayers, and narrator-producer of fire and brimstone religious videos that are as gruesome as his dreams. He is seeing a therapist because he no longer can cry when leading prayers, and that, he fears, indicates a waning of faith. His backstory, revealed in a series of flashbacks, prompted by the therapist's query, narrates the times in his childhood and adolescence in which he recalls crying. The first time is upon learning of the death of his mother, the same day he had been reprimanded at school for writing a perverse (shaz) essay in which he converses with God. He is left to contend with his father, Captain Hani, (starring Magid al-Kidwani), owner of a local weight-lifting club, who harbors fears that his spindly, later longhaired son, known in school as Duda, is not quite man enough. His father's fears are stoked by the teenager's growing infatuation with Michael Jackson, albeit initially inspired by attraction to Shirin, a female classmate with whom he sneaks private moments and shares music cassettes on the daily bus-ride to school. Before long, and initially unbeknownst to his father, Duda—who will morph into Jackson—has purchased the full outfit—sequined [End Page 110] hat, sunglasses, white glove, spats, to which he adds an open white blouse over a white undershirt—and is practicing his dance-moves behind a closed bedroom door. Soon, he is ready to test his talents at a local disco competition. But his father will tolerate no such dalliances. He knows Michael Jackson only as a bisexual (mukhannas). He chastises Khalid for not attending to his lessons and moves gym equipment into the apartment, hoping to enforce an exercise regime. At a particularly delicate moment in Khalid's evolving relationship with Shirin, he encourages him to become more physically aggressive and to stop fearing the first-kiss. A blowup, impacted by Khalid's panic at Shirin's own boldness, leads him to leave home and Alexandria for Cairo and to move in with a sympathetic uncle, his mother's brother, who undertakes, off-screen, his religious instruction. Fifteen years later—the flashbacks take place between 1991 and 1995, the present is 2009—Khalid struggles to keep to the straight and narrow. The most striking thing about Sheikh Jackson is its honest treatment of religion. Khalid's behavior is not quite normative, but he is able to lead a happy, normal life within the confines of his persistent gaugeing of the permissible versus of the forbidden. He wears a ring with a meter on which he keeps tab of good and bad thoughts...