New Fragments and Further Excavation of the Bellerophon Mosaic from Croughton. Michael Dawson and David Neal write: In 1991 part of a mosaic floor depicting Bellerophon slaying the Chimaera was exposed on land belonging to the Rowler Estate at Croughton, Northants.1 The pavement was photographed and reburied and the site subsequently assessed by English Heritage prior to scheduling in 1995. During the course of investigation, geophysical survey and trial-trenching established that the mosaic had been laid in a stone-built house, which was part of a more extensive settlement first occupied in the late second century. In 1998 the Rowler Estate changed hands and the potential to place the mosaic on display beneath a cover building was discussed by the new owner with English Heritage.2 In 2002 proposals to create a cover building were accepted in principle as the basis for a Scheduled Monument Consent application. As a result the Bellerophon pavement was fully excavated (fig. 1), together with an adjacent area to identify possible locations for stanchions and building foundations,3 where estate staff also believed a second mosaic had been discovered during the 1990s. The excavations indeed revealed the fragmentary remains of a second, probably figured pavement. The Bellerophon mosaic was first described (summarised here) and illustrated by Neal and Cosh.4 This note brings that description up to date, with the revised painting (fig. 2). The scheme of the mosaic comprises three panels, a central square (Panel A) flanked on the east and west sides by long rectangles (Panels B and C respectively). Panel A is a square defined by simple guilloche, with oblique bands of guilloche across the corners to create an octagon. Within, and tangential to, the sides of the octagon is a pair of interlaced squares in simple guilloche. In the spaces created by the interlaced squares are red triangles, and between the interlaced squares and the octagonal panel are grey and red lozenges with white centres outlined by grey dentilled bands. Three triangular panels at the corners of the panel survive and all contain a red heart-shaped leaf with curving stems. The central circle contains Bellerophon, viewed from the south, riding the winged horse Pegasus and slaying the Chimaera, all worked in a linear style. Bellerophon, shown looking behind him, holds a spear in his outstretched right hand. He wears a white tunic and breeches and across his chest and over his right shoulder is a red cloak, possibly fixed by a rounded grey brooch or clasp on his right shoulder. Pegasus is depicted with his hind legs stretched out behind him and, although damaged, the front legs also appear to have been extended originally as if flying. His wing passes in front of Bellerophon and its top edge is confused with, and parallel to, the spear. The Chimaera, with its feline head facing upwards, spits fire as a spear threatens to pierce its mouth. The mane is clearly represented on the front of the beast. From the back of the Chimaera rises the head of a goat, with its open mouth breathing fire. The tail, turned across the back of the animal, bears the head of a serpent. In front of the Chimaera are nine single grey tesserae on a field of white, which may be an attempt to represent water as a reference to Pegasus' spring-making qualities.5 To the right and left of Bellerophon's head are five red crosses, perhaps intended to represent stars in the sky as an allusion to the apotheosis of Pegasus as he rose into the heavens.6 Much of Panel B, on the east side, has been destroyed by ploughing, but what survives is almost identical to Panel C. The latter is bordered by a band of simple guilloche, outlined grey with red and white strands,