ABSTRACT: Aim: The research objective is to analyze selected three churches by architect Professor Adam Lisik realized on mining damage. The research conducted on the basis of the creative output of the prominent Polish architect of religious buildings is presented. The research is intended to show how difficult design conditions and locations on mining damage affect the functional and solid form of the churches. Methods: The following research methods were used to conduct the study: in-situ research of the objects in question, literature analysis, analysis of conceptual sketches and design documentation of the objects, interview with the author of the projects. The research of the objects takes the form of an expert assessment by the author of the article. Results: All three examples of churches built on high categories of mining damage show different projection solutions: square, regular hexagon, ellipse. The shapes used make it possible to obtain a compact projection with interesting aesthetics of shaping the interior space. The architect also showed a lot of freedom in shaping the various masses of the buildings. Limitations of the decision of the OUG (District Mining Office) for the architect not only did not constitute an obstacle, but on the contrary inspired the search for new solutions, giving satisfaction to the creator of the sacred temple. Conclusion: The results of the study allow us to conclude that the limitations of high mining damage categories (III and IV) did not limit creative freedom. It can be summarized by saying: large-scale religious buildings can be successfully implemented on mining damage. Much depends on the knowledge, skills, creative workshop and vision of the architect. Originality: Limitations of mining damage can pose creative challenges to architectural and structural designers. By complying with the principles of structural safety, one can break stereotypes and create architecturally interesting masses and spaces and interiors. Constraint can become an inspiration for creating new forms of architectural expression. Keywords: architecture, churches, design, construction, construction, mining damage, symbolism.
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