An impressive volume, Company Curiosities describes the history of the East India Company with a specific focus on the contributions of company naturalists, illustrators, and collectors. A monopolistic British corporation that controlled trade between England and India–Southeast Asia, active between 1600 and 1874, the East India Company “contributed voluminously and systematically to the sum of the riches reaching British collections.” Particularly during the first quarter of Queen Victoria’s reign, there was an obvious and natural connection between the company’s collections, Victorian acquisition, cabinets of curiosity, and the rise of natural history museums. Not only did the company provide thousands of collected objects for exhibitions and private individuals, but its imported concepts and designs influenced many types of British manufacture and architecture.A particularly interesting aspect of this history is that it predates the development of naturalists as specialists: many of the company’s collectors, botanists, and illustrators also held positions as surgeons, judges, and surveyors employed by the company. Generously illustrated, Company Curiosities chronicles European “discovery” of numerous species of mammals, plants, and birds, as well cave paintings, fossils, and human artifacts. Numerous illustrations are provided, including portraits of significant company figures, specimen drawings, architectural details, and artifacts. Of particular note are the beautiful biological illustrations drawn by both local and company artists, which are exquisite in their detail of observation and execution. A highlight, and the book’s cover illustration, is Tipu’s Tiger, a bizarre wooden structure depicting a life-sized tiger mauling a prone man, which had a mechanical crank that could, when turned, alternately produce roars, groans, and oddly celebratory melodies.Detailed and meticulous, Company Curiosities will appeal to any reader interested in the history of Western exploration, natural history, and the troubled relation between Europeans and the peoples of colonized nations. The extent and detail of this book require a dedicated reader with particular interest in India, Victorian Britain, and colonization – the general reader will likely wish for shorter descriptions. In particular, specifics from the “Company Collects” chapter will interest students of the history of science. The many illustrations add significantly to the narrative. This history is very much told from a European point of view and is chilling in recounting the millions of artworks, artifacts, and specimens removed to Britain. The moral aspects of removing these animals and artifacts from their native India are far from self-evident in the text – a significant omission in these days of increased reckoning with the consequences of colonial power. India’s reaction to this pillage can easily be seen in the famous Tipu’s Tiger. As the Royal Tiger devours him, the European, wearing the red jacket of an East India Company official, lifts his hand to express his “helpless and deplorable condition.” It is easy to see the not-so-subtle representation of the Sultan Tipu’s desire to put an end to British domination.
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