Salih, Sara. 2011. Representing Mixed Race in Jamaica and England from Abolition Era to Present. New York: Routledge. $125 hc. $88 sc. 204 pp.In Representing Mixed Race, Sara Salih approaches her topic, she puts it, by working against contemporary academic grain, which has frequently sought to uncover and examine affect, interiority, psychic operations of racial identity, whether of oppressor or oppressed (3). Instead, she grounds her cultural critique in specific statutory laws and sort of overt and covert references to them found in British colonial and postcolonial texts, beginning with what she calls subject-constituting legal and nonlegal (eighteenth-century) discourses from Britain's Caribbean colonies. Salih's approach, which enables her to situate her discussion of mixed-race characters in relation to jurisprudential (human and civil rights) discourses of their day, handily suggests ways to apply her methods to other artworks from other places and different times. Her discussion of evolving presentation of mixed-race subject is greatly enriched by her frequent reference to present-day theorists and cultural critics, among them Giorgio Agamben, Hannah Arendt, E. K. Brathwaite, Pierre Bourdieu, Judith Butler, Jacques Derrida, Lee Edelman, Michel Foucault, Paul Gilroy, Orlando Patterson, and Ann Pellegrini.In her historico-theoretical introductory chapter (subtitled Mulatto in Law and Literature), Salih presents in considerable detail background information, legal documents, critical theory, and research questions conditioning her analysis of study's focal literary and cinematic texts. The chapters that follow engage in nuanced analyses of A Woman of Colour (Anonymous 1808), Marly: Or, a Planter's Life in Jamaica (Anonymous 1828), Dinah Craik's Olive (1850), Richard Hill's The Lights and Shadows of Jamaican History (1859), a range of writings by and about Mary Seacole (1805-1881), Wilkie Collins's Armadale (1866), and two twentieth-century films, Mona Lisa (1985) and The Crying Game (1992). This wide array of legal and literary texts is not so sprawling at first it may appear, for Salih proposes in this volume to illustrate coherently the processes of normalization and consolidation of norms regarding legal status, nature, and character of persons of mixed race-and to do so over three centuries' worth of historical and cultural changes.Accordingly, her project requires that her focal texts align themselves not so much with each other with shifting contextual discourses dominant from era to era. Her first chapters, for example, examine impact of slavery- era laws on colonial fiction about tragic mulattos. Later, she treats influence of abolition and Darwin (among others) upon prevailing nineteenth- century discourses on racial evolution and degeneracy these relate to fictionalized treatments of mixed-race characters. Finally, she shows how-in later fiction and twentieth-century film-same-sex taboos condition popular images of mixed-race figures in sexual relationships with whites.In eighteenth century, Salih makes rigorous efforts to document with crucial but little-known archival evidence, social standing of mulattos in Caribbean became legally problematic in ways determined by their visibly mixed bloodlines and by precedent-setting, but often contradictory, legal rulings on personhood (as opposed to chattel status) and property rights of mixed-race offspring of land-owning white citizens. Salih's sophisticated discussion of Marly and A Woman of Colour is contextualized not only by historical and legal factors implicit in their specific storylines and jurisprudential systems and times, but also by recent theoretical and scholarly analyses of discursive violence visited upon slaves and their descendants by laws that pressured mixed-race persons as a collective to redefine themselves according to existing terms of law, rather than refusing and rejecting these terms altogether (21, emphasis in original). …