Emotions Of Love Research Articles

Beyond likes: the persuasive potential of romantic parasocial relationships with influencers

While existing studies emphasize the crucial role of amicable parasocial relationships in influencing the audience, research on the persuasive potential of romantic parasocial relationships with influencers remains limited. These relationships, characterized by a blend of physical and emotional love, are believed to be particularly intense. Therefore, we aim to investigate the persuasive impact of romantic potential with influencers, which may lead to the development of romantic parasocial relationships. Specifically, we analyze the influence of romantic potential (no romantic potential vs. romantic potential) and its interaction with follower status (follower vs. non-follower) on romantic parasocial relationships, evaluative persuasion knowledge, and subsequently purchase intention. Conducted among German social media users (N = 220), our experiment revealed no significant main effects of romantic potential on evaluative persuasion knowledge and purchase intentions. However, we found a significant indirect effect of romantic potential on the dependent variables mediated by emotional love but not physical love. Additionally, a significant interaction effect revealed that while the formation of the physical dimension in romantic parasocial relationships occurs relatively quickly, emotional affection requires a longer period to develop. This study significantly contributes to our understanding of persuasive dynamics in influencer marketing and opens avenues for further research.

Relayed Revolutionary Sentiment: Chinese Appropriation of Russian Nihilism in Popular Literature

ABSTRACT This article examines the relay translation of William Tufnell Le Queux’s (1864–1927) Strange Tales of a Nihilist, which the prominent Chinese translator of nihilist fiction, Chen Jinghan 陳景韓 (1878–1965), completed based on Matsui Shōyō’s 松居松葉 (1870–1933) Japanese rendering. By exploring the transcultural process through which a story of Russian nihilism traveled from Europe to East Asia, the author tests the translatability of the revolutionary structure of feeling across different cultures. The author reveals how English and Japanese media and literature inspired Chinese interpretations of Russian nihilism, and how a key Chinese translator channeled his own revolutionary commitments through intensive borrowing of traditional Chinese literary motifs and narrative devices. As a result, the Chinese vision of nihilism diverged from nihilism’s Russian political connotations and was assimilated into a thrilling cultural topos of vengeful assassination plots in Chinese popular culture. Ultimately, this transculturation of revolutionary sentimental, which aroused sinicized emotions of love and revenge, not only generated public sympathy for nihilists in China but also motivated Chinese revolutionary actions.

The Effect of Color on People's Emotions

Psychologists have studied the relationship between color and people's mental health and found that color can affect people's emotions. Generally speaking, red means happiness and enthusiasm. It makes people feel warm and full and stimulates the emotion of love. Yellow means happiness, brightness, cheerfulness, and joy. Green means peace and gives people a sense of peace, tranquility, and gentleness. Blue gives people a quiet, cool, comfortable feeling, make people open-minded. Gray makes people feel depressed and empty. White and black are the two poles of vision. Black makes people feel solemn, depressed and sad. White makes people feel elegant, pure and light. Research confirms that black can distract people's attention and make them feel depressed and dull. Long-term living in such an environment, people's pupils are extremely enlarged and numb. Over time, it has a negative impact on people's health and longevity. The rooms are arranged in a white, clean sense, but the white contrast is too strong, easy to stimulate pupil contraction, causing headache and other diseases. In a word, different colors can bring different effects on people's emotions and change their psychological activities. So People's personal experience shows that color has an important impact on people's psychological activities, especially with emotions.

Representation of Emotion in Conceptual Metaphor With Food Lexicon in Japanese Language

Human communication has linguistic variations. One of which is at the semantic level. Humans may produce meanings to express emotions. Besides denotative, connotative meaning is often present formed through metaphor. Metaphors are human creativity result based on cognitive processes adapted from sensory receptive results and meaning comparisons determined by surrounding objects. Food, one of the most familiar objects, can be a symbol of expression of an emotion. However, if a metaphor is not equipped with knowledge of meaning, then its delivery will not succeed. Therefore, this study is aimed to answer the problems of what Japanese metaphors related to food are found and how conceptual metaphors with food lexicon are formed. The primary data sources were the Weblio corpus and songs in Japanese. Secondary data sources were literatures supporting this study, namely the book 180 Common Native Japanese Figures of Speech in Regular Conversation from Sei (2018) and the Shin Meikai Kokugo Jiten Japanese dictionary. The data were collected through listening and documentation methods with note-taking technique. This study applied the metaphor identification theory of Knowles and Moon (2006) and the conceptual metaphor theory by Lakoff and Johnson (1980). The data collected were determined by vehicle, topic/tenor, and grounds to be further analyzed. Data analysis was conducted by descriptive-qualitative method. The results show that conceptual metaphors with the food lexicon in Japanese express the emotions of love, sadness, and fear. The representation of emotions in food is useful for providing easy understanding with everyday objects

What about Love?

Abstract This article examines the representation of love in two contemporary Nigerian novels, Abubakar Adam Ibrahim’s Season of Crimson Blossoms (2015) and Akwaeke Emezi’s The Death of Vivek Oji (2020). Inspired by bell hooks’s understanding of love and Dani d’Emilia and Daniel B. Chávez’s manifesto Radical Tenderness Is … I suggest the concept of defiant love as a tool for analysing love as a form of civic dissent in these novels. ‘Defiant love,’ as I understand it, embraces the complementary duality of love as emotion and action. Consequently, to allow the emotion of love to evolve in violent and patriarchal circumstances already constitutes dissent with the status quo. I argue that the two novels explore relationships and alliances that defy patriarchal structures, in particular gender norms and heteronormativity. Season of Crimson Blossoms and The Death of Vivek Oji depict the potentiality of defiant love, be it between a middle-aged widow and a young man, or queer young people, in socio-political contexts of continuous political and ethnic tensions, oppression and violence. The novels negotiate what constitutes dissent and what role affects play in moments of civic dissent.

1930년대 대중가요의 어휘와 언어문화 현상

This paper examined the vocabulary of Kim Hae-song's song to understand the characteristics of vocabulary use in the lyrics of the 1930s. Kim Hae-song was a singer, songwriter, and performer representing the 1930s. Since he wrote lyrics in various fields regardless of the genre of music, he can grasp the phenomenon of language and culture in the 1930s through his vocabulary of lyrics.
 First, the use of vocabulary in Kim Hae-song's song was examined. The lyrics of Kim Hae-song's song have various vocabulary reflecting the language and cultural phenomena of the 1930s. In this era, traditionally, not only Chinese characters close to the superstrum and native languages corresponding to the substratum were mixed, but also Japanese was forced against one’s will. On the other hand, due to the influx of Western culture, Western languages, including English, have flooded in. The vocabulary of Kim Hae-song's lyrics also reflects the situation of the times, taking on complexity. In other words, native, Chinese, and foreign languages are used in combination in the lyrics of Kim Hae-song's song.
 Second, the vocabulary expression aspect of Kim Hae-song's song was examined. Kim Hae-song's lyrics were diverse by reflecting the language culture of the times. This is because it was necessary to select such a vocabulary and express the object convincingly. It can be divided into descriptive expressions of characters, figurative expressions of love, and playful expressions of objects. Descriptive expressions of characters were expressed as if they were describing characters aiming for old and new culture as in narrative literature. In the figurative expression of love, the expression of affection was not dealt directly, but the emotion of love was added to the image of the audiovisual by comparing it to the object. In the playful expression of the object, the lyrics are added with fun through the method of humor and joke.
 Third, the language-cultural phenomenon of the vocabulary of Kim Hae-song’s song was surveyed. Representative examples include the expansion of awareness of everyday language, universal use of negative expressions, and ambivalent attitudes toward old and new culture. It can be said that the expansion of awareness of everyday language was established when the words of the time encountered a new language. In the universal use of negative expressions, in a society at the time when old and new cultures were mixed, those who value tradition disapproved of admiring Western culture, and those who pursue Western culture could criticize those who adhere to traditional culture, so negative expressions were commonly used. The ambivalent attitude toward the object is generally treated negatively for tradition, but it is concentrated on women, and it is often positive for Western culture, and in that case, it is common to evaluate men positively.

The Influence of Persian Poetry on Urdu Ghazal

Urdu ghazal is a poetic form that encapsulates the emotions of love, loss, and mysticism, resonating deeply with readers across cultures. While the origins of ghazal can be traced back to Arabic poetry, its most significant development occurred in the Indian subcontinent, heavily influenced by Persian poetry. This paper highlights the historical context and literary techniques that Persian poetry introduced to Urdu ghazal, enriching its thematic depth and aesthetic appeal.

“An Itchin ’Roun the Heart You Can't Get at to Scratch”: Exploring the Emotion of Love in Black Enslaved Communities of the Nineteenth Century

Through adopting a history-of-emotions framework, this article explores romantic love within Black enslaved communities of the antebellum and early postbellum South. Whilst several historians have already explored the emotion of love in enslaved emotional communities, there is a growing understanding by scholars of the history of emotions that emotions, including love, are not always adequately historicized, and have perhaps been taken at face or written value. In some contrast to previous historical scholarship, this article argues that the love, as expressed and experienced within Black enslaved communities, was complex, contentious, and far from monolithic.

Spiritual Mourning with Tears in Armenian Christianity from the Fifth to the Tenth Century

Spiritual Mourning with Tears in Armenian Christianity from the Fifth to the Tenth Century Jesse Siragan Arlen (bio) In recent years, increasing scholarly attention has been paid to the study of the emotions across different historical periods.1 Inspired in part by the number of fruitful studies produced by scholars working in the adjacent field of Classics,2 Patristics scholars have also turned their attention to the study of the emotions.3 One of the most investigated areas has been the emotional cluster of grief, mourning, and tears.4 The same level of attention to the historical study of the emotions [End Page 109] in the late antique or medieval period has not yet spread to Armenian studies. This paper aims to contribute toward that end by extending the scholarly discussion of the emotional constellation of mourning, compunction, and tears into the Armenian milieu, looking in particular at a treatise on the subject by Anania of Narek (ca. 910– 990), first abbot and co-founder of the monastery of Narek. This article proceeds by first summarizing some of the results of Patristics scholarship on this topic, providing an explanation of the practice of spiritual mourning with tears with reference to representative Greek and Syriac figures. Following this is a representative survey of spiritual mourning with tears in early Armenian texts and a more detailed examination of this practice as it figures in Narek monastery’s ascetic-mystical program, initiated by its first abbot Anania. Finally, I will mention one of the ways in which Anania’s teaching on this practice impacted his relative and most gifted disciple, Grigor (ca. 945–1003), [End Page 110] whose book of prayers, known as the Book of Lamentation (Մատեան ողբերգութեան) was composed, among other reasons, to be used to help people shed tears in prayer with God. Spiritual Mourning with Tears: A Concise Explanation Spiritual mourning with tears finds its meaning in the context of the cosmic drama of exile and separation from God that is a consequence of existence in a fallen world, and the process of restoration and salvation that God effected through the Incarnation. In a certain sense, it is derivative of the sacrament of baptism, which, in the Christian understanding, is the foundational means of restoring the separated individual to God. Baptism, however, may only be performed once. In the early Church, before the baptism of infants became normal practice, some decided to put off being baptized until late in life, so as to make sure that all of their sins would be eradicated in the once-for-all ceremony of baptism. The most famous such case is that of the emperor Constantine, who, we hear, waited until his deathbed to be baptized, so that all his bloody deeds of war and shady political maneuverings would be fully washed away before death.5 But when the baptism of young children became normal practice, a problem naturally arose. What about sins committed after baptism? How to purify oneself of those? It is here that spiritual mourning with tears finds its first importance. The nexus of sin, water, and purification led to confessional mourning with tears being understood as a second baptism.6 Mourning with tears over one’s sins is first and foremost a way of purification from sin, an affective physical response to separation from God and an expression of the genuineness of the repentance, or change of heart, that brings about restoration. The external, physical, and visible nature of tears was understood to render manifest the internal, spiritual, and unseen condition of the repentant heart. In later centuries, the prevailing emphasis on the emotion of fear (of judgement) in connection [End Page 111] with tears of repentance, gave way to a new emphasis on the emotion of love (for God) in connection with a higher order of tears, those that are shed during a later stage of the ascetic-mystic’s journey towards union with the divine. Spiritual Mourning with Tears in the Bible Before looking at some of the early Christian proponents of this practice, it is helpful to consider the biblical background that the church fathers drew from. The practice is informed first of all by the Hebrew Bible...

INFLUENCE OF SELECTED DETERMINANTS ON THE PERCEPTION OF BEACHES AS A TOURISM PRODUCT

INFLUENCE OF SELECTED DETERMINANTS ON THE PERCEPTION OF BEACHES AS A TOURISM PRODUCT

AN ANALYSIS OF METAPHOR USED IN ADELE’S SONG

This research aims to analyzed the types of metaphors and to analyzed the emotion of metaphor used in Adele's song. This research used the theory of Lakoff & Johnson (2003) and the theory of Kövecses (2010). In conducting this research, the researchers used 12 titles of Adele’s songs randomly as data source. This research used qualitative research method and in data analysis the researchers were identified, classified and interpreted. The result of this research was found 33 metaphors which divided into three types, there are 15 structural metaphor, 8 orientation metaphor and 9 ontology metaphor which separated into 3 types there were 3 entity, 3 container and 3 personifications. Moreover, the researchers found eight types of metaphor emotion in Adele’s songs, there were 7 emotion of anger, 1 emotion of happiness, 17 emotion of sadness, 6 emotion of love, 1 emotion of pride, Base on the analysis, the most frequently metaphors in the Adele’s songs are structural metaphor and the emotion of metaphor mostly used the metaphor of sadness.

Love Lasts Forever: An Exploration of Love Based on Works of Art

Love, as one of the most universal emotions, is also an important theme in artistic creation. Artistic creation derives from love, and the huge tension from emotion and creation produces heart touching works. Love links the boundary between art and life. People can find the traces of love in the works of art, so as to move from loneliness to the rebirth of love. It can be said that art works freshen human love emotion, so that love can exist in personal life or human history. Based on the discussion about love in art works, this paper will explain the relationship between love and art from several aspects: Love is the original driving force of art, art works are the depiction and record of love, art works are the vague of love, and art makes love not be forgotten.

Combining emotions: hope, anger, joy, and love in Israeli peace movements

ABSTRACT Focusing on the role of hope and emotions more broadly in the two newest peace movements in Israel – Women Wage Peace and Standing Together – this paper investigates how both movements ‘work’ on their activists’ emotions and combine emotions. A comparative and gendered approach sheds light on differences between the movements. While both were established in 2014–2015 and strive for the resolution of the Israeli-Palestinian conflict, each has distinct characteristics. Women Wage Peace is a women’s movement focused on reaching a peace agreement with the Palestinians, while Standing Together is a mixed movement with a holistic mandate of reaching peace and transforming Israel into a more egalitarian society. The paper draws on qualitative methodologies – in-depth interviews with Jewish and Arab-Palestinian activists, ethnographic work, and analysis of documents produced by the movements. It suggests that both movements consciously work on their activists’ emotions, but that Standing Together combines the positive emotion of hope with the negative emotion of anger (‘moral battery’), while Women Wage Peace combines the positive emotion of hope with the positive emotions of love and joy. The paper also argues that Women Wage Peace’s combination of positive-only emotions is part of an absolute politics of positivity that contrasts with Standing Together’s more limited politics of positivity. Possible implications include the value for peace movements to actively work on their activists’ emotions and trigger hope, which can be combined with negative or positive emotions, as movements consciously place themselves along the ‘politics of positivity’ spectrum.

Celebrating Emotion: A Study of Rasa in Qutban Suhravardi’s Mirigavati or The Magic Doe

Sufism began as a movement in Indian literature during the medieval period. It was during this period that a number of Sufi poets began writing in the vernacular and a new genre known as the ‘Prema kahāni’ or love story was developed. This genre, written in Hindavi, was a major development in the field of Sufi romances and marks the beginning of a new movement in the literary and devotional culture of the regional language. One of the most important features of these romances is that they are replete with emotions of love and devotion towards God. Sufi writers express these emotions through what the Sanskritic theory refers to as rasa or bhāva. The present article aims to bring out the various rasas or emotions generated by the Sufi romance Mirigavati or The Magic Doe by Qutban Suhravardi in the minds of the readers as they read this romance.

The Place and Role of Sino-Confucian Culture and Confucianism in World History according to Liang Shuming’s Thought on Life and Culture

Liang Shuming’s understanding of Chinese culture, which he conceived of as Sino-Confucian culture, and his understanding of Confucianism differ from the common and familiar understandings in the sinological academic world. It seems that the best way to understand Liang Shuming and his thoughts is in terms of his search for an authentic existence. In his scheme of three modes of world cultures (Western-pragmatic culture, Sino-(Taizhou 泰州-)Confucian culture, and Indo-(weishi-)Buddhist culture) and their historical succession (as given above), the conviction of Liang Shuming was that the imminent future mode of world culture would be that of the Sino-Confucian cultural attitude. He even prophesied that in the nearest future the emotion of love in its particular form as love between a man and a woman would be the greatest and the most formidable problem of this period, i.e. the period of the second domain of a conditional availability or non-availability of the object of desire, that is, of another mind or the will of another person. This domain is called by Liang Shuming the realm of human relationships, or a social problem for the solution of which Sino-(Taizhou-)Confucian culture is responsible. The author concentrates on the place and role of Liang Shuming’s understanding of Confucianism in his scheme of world history.

Security through emotions: narratives of temporal and spatial belongings of the Polish Territorial Defence Forces

ABSTRACT Since Russia’s annexation of Crimea, militarization processes have started to take place in central and eastern Europe. In Poland, one element of this development is the establishment of Territorial Defence Forces (TDF) in 2017. They are assigned to support their local communities, to strengthen patriotism, and to provide a feeling of security among the local population. Drawing from official websites and social media accounts of TDF as well as from national security policy documents, this article examines the role of emotions with regard to the TDF’s task as security provider. By combining literature on emotions and narratives of belonging with security conceptions, the article argues that TDF contribute to security less through their military strength than through the spatial and temporal belongings they offer publicly. Spatial narratives of belonging contain emotions of love and affection towards home regions and the state with the aim of translating them into territorialized security practices. Temporal narratives of belonging refer to the Home Army and “cursed soldiers,” revealing strong emotional attachments to armed resistance and thereby providing a role model for contemporary security production. Simultaneously, TDF express their non-belonging to the socialist past as a further element to produce security.

Emotion of Love in Fitzgerald’s The Great Gatsby: A Rasaesthetic Perspective

This research article attempts to explore the emotion of love in Fitzgerald’s The Great Gatsby. The paper aims at finding how the love emotions are evoked in characters and how the spectators or actors experience these emotions while reading the novel. Fitzgerald’s novel is a depiction of the Americans living in the material world where they hanker after material bliss, forgetting human sensitivity. The text unfurls some issues like dream, hope, and desire to win love, which ultimately results in frustration and spiritual sterility in the Western country. Basically, the novel is about a man’s quest for wealth and dream. However, he utterly fails to realize these in the text. To analyze the text, I embark upon Indian Rasa Theory. As such, the Indian Aesthetics has categorized nine emotions. Thus, I use the critical perspective of Indian Aesthetics as a theoretical framework to advance the arguments. Particularly, the perspectives from Seldon Pallock and Peter Marchand are used in the textual analysis. Seldon Pallock marks that Rasa emancipates from the combination of factors, reactions, and temporary emotions. Findings drawn from the discussion are that love emotion out of nine emotions is available in some characters, events and description of scenes in the text. Furthermore, these emotions help appreciate the literary text through the notion of rasa theory.

When do adolescents feel loved? A daily within-person study of parent-adolescent relations.

Feeling loved has many benefits, but research is limited on how daily behaviors of one person in a relationship shape why someone else feels more or less loved from day to day. The parent-adolescent relationship is a primary source of love. We expected parent-reported warmth and conflict would explain daily fluctuations in how loved adolescents reported feeling. In a sample of 151 families (adolescent MAge = 14.60; 61.6% female) over a 21-day period, we used multilevel models to disentangle within-family (daily variability) and between-family (average levels) parent-reported daily warmth and conflict in relation to adolescents' daily reports about how loved they were feeling. Findings indicated adolescents in families with higher parent-reported warmth across days and higher adolescent-reported closeness with parents felt more loved by their parents, on average. At a within-person level, we found considerable day-to-day variability in how loved adolescents reported feeling that was partially explained by meaningful variability in both parent-reported warmth and conflict across days. On days when parents reported more warmth than usual and less conflict than usual, adolescents reported feeling more loved. Further, a significant within-day interaction indicated that the importance of days' parent warmth was greater on high conflict days, but when parents directed more warmth toward their adolescents, the difference between high- and low-conflict days was negligible. Theoretical implications for studying daily emotional love in parent-youth relationships and suggestions for parenting interventions that focus on daily practices of parent warmth are discussed. (PsycInfo Database Record (c) 2022 APA, all rights reserved).

Love, Power, and Gender in Seventeenth-Century French Fairy Tales

Love, Power, and Gender in Seventeenth-Century French Fairy Tales

EMOSI TOKOH DALAM NOVEL RUMAH HUJAN KARYA DEWI RIA UTARI (TINJAUAN PSIKOLOGI SASTRA)

AbstractThis study aims to analyze the forms of emotion contained in the novel Rumah Rain by Dewi Ria Utari. Theories used in this study include: Emotions, types of emotions, novels, behavioristic psychology, learning literature in schools, and lesson plans. The method used in this study is a descriptive method with a qualitative research form that uses a behavioristic psychology approach. The data source used is the novel Home Rain by Dewi Ria Utari in the form of data on positive emotions and negative emotions in the form of quotes, words or sentences. The data collection technique used is in the form of a documentary study and the tools used are the researchers themselves. Techniques to test the validity of the data in the form of adequacy of references and triangulation. Furthermore, the data analysis technique used is in the form of content analysis. The results of this study about the emotions of the characters in the novel in the form of (1) positive emotions including happy emotions, amazed emotions, love emotions; (2) negative emotions include sad emotions, angry emotions, hate emotions, fear emotions, revenge emotions; (3) implementation of learning, namely designing lesson plans from the aspect of curriculum, learning objectives of literature, selection of teaching materials, and readability, learning media, learning approaches, and evaluation of learning.Keywords: Characters Emosian, Novel, Literature Psychology