WHEN living near Croydon aerodrome during the earlier part of the war, I noticed that the higher-pitched sounds apparently given out from an aeroplane flying nearly overhead varied with the height of my ear above the ground; thus, by bending down to one-half one's normal height, the pitch of this higher note rose an octave. I have on many recent occasions confirmed this result. This phenomenon is most noticeable when standing on a smooth road or lawn, and is scarcely distinguishable on a rougher surface, such as a hayfield; the logical conclusion is therefore that it is due in some manner to reflection from the ground. The pitch of the note varies also with the angle of elevation of the aeroplane, and is not generally audible unless this is more than about 45°. Since the pitch rises continuously as the head is lowered, the apparent explanation is that the note is due to the interval between the arrival of the direct and reflected waves from impulses radiated from the aeroplane—that is to say, no note of this definite pitch comes through the air from the aeroplane, only a regular, or irregular, succession of impulses, the time periods of which have no relation to the observed note, for it is obvious that merely bowing to the aeroplane could not alter the pitch of any note it might be giving out. (It is well known that a note of much lower pitch, due to the engine, is always present, but it is not in this sound that the variation takes place, although it is possible that these are the waves from which the variable high note is produced by reflection.) The pitch of the sound with which we are concerned is thus due to the fixed interval between the arrival of the direct and reflected impulses, and thus depends upon the height of the observer and the angle of elevation of the aeroplane. An interesting deduction from the discovery is that the ear is able to appreciate pitch from a succession of double impulses, if the interval between the elements of each double impulse is constant.
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