Digital Mass Media Research Articles

Analisis Pesan Moral Pada Film Bayi Ajaib Tahun 2023

Mass communication broadly is an activity carried out between one or more people to convey messages through print, electronic or digital mass media with the expectation of reciprocity. One of the media used to convey messages is film. Film is a mass media that is considered effective in conveying messages compared to other communication media. Film is a new means used to disseminate entertainment that has become a previous habit, as well as presenting stories, events, music, drama, comedy and other technical presentations to the general public. Films not only serve entertainment functions, but also contain informative, educative and even persuasive functions. In the current era, there are many types of films that educate film lovers, especially in Indonesia. There are various types of films including drama, romance, comedy, action and horror, such as the film Miracle Baby 2023. The film Miracle Baby 2023 is one of the Indonesian horror films which will be shown in Indonesian cinemas in January 2023, which tells the story of two young people. -sama wants to become rich, but in the wrong way. This magical baby film also contains many moral messages. Moral messages are statements that convey instructions, regulations, or invitations regarding societal conventions, morality, and culture so that humans can live better and as material for self-evaluation in actions. The moral messages contained in the 2023 Magic Baby Film are: 1) moral messages in the category of human relationships with God , 2) moral messages in the category of human relationships messages in the category of human relationships with themselves, and 3) moral messages in the category of human relationships with other humans.

Business Management Strategy of Cirebon Local TV Mass Media

In today's digital era, local TV mass media face various challenges, such as increasingly fierce competition from digital mass media and changes in people's media consumption patterns. This requires local TV mass media to innovate and develop in order to survive and compete. The main objective of this study is to identify, analyze, and describe business management strategies used by local TV mass media in Cirebon. This study used qualitative research methods. Data will be collected through in-depth interviews with key stakeholders in local TV stations and literature studies. The data that has been collected is then analyzed in three stages, namely data reduction, data presentation, and conclusions. The results showed that Cirebon's local TV mass media implemented various business management strategies, such as content strategies, marketing strategies, and financial strategies. However, the business management strategy implemented by Cirebon's local TV mass media is still not optimal

Choice Of Digital Mass Media Daily Newspaper Luwuk Post As A Source Of Public Information

The rapid development of technology is directly proportional to the development of mass media. The presence of the internet in people's daily lives has had a major impact on the sustainability of mass media. One of them is the daily print media LuwukPost, which inevitably has to improve itself to welcome the new era, namely digital mass media. The emergence of this new media changes the way people get information through the media. To be able to continue to compete as a source of information that is of interest to the public, Luwukpost mass media must innovate by means of digitalization. In writing this scientific work, it was only limited to conducting a literature study using the digital mass media, the daily newspaper Luwukpost, as a source of public information. The choice of digital media allows professionals in the mass media field to convey news and present information and entertainment using a variety of information. Based on the results of the research conducted.

Общественно-политические телеграм-каналы «Репортер» и «Лентач» как новые медиа

The article describes new digital mass media that engage users in content creation and distribution. The research covered the content published in Telegram channels Reporter and Lentach between November 29 and December 12, 2021. The analysis revealed such properties of new media as interactivity, hypertextuality, convergence, digital content, and media environment. The channels use the Telegram platform to interact with readers. They cover the entire range of socially significant topics in typical journalistic genres. However, Reporter specializes in a qualitative analysis of socially significant topics, while Lentach reflects the event agenda in an ironic and sarcastic manner. The research prospects have two main tasks: 1) to identify the optimal forms of formation and promotion of content for messengers and social networks; 2) to develop models of interaction with the audience. The results of the study can be applied by media community workers, media analysts, and new media researchers.

Understanding of Reading Literacy of Z Generation in the Digital Era: Evidence from North Sulawesi

Literacy plays a very important role in life every day like the need gets information. User information as much as possible will respond to various information received especially information from digital media. This study aims to analyze now literacy read Z generation in Sulawesi north. The method used is method quantitative with a descriptive approach. Study this conducted with the Z generation sample in North Sulawesi. The results of this research in is showing that exists the phenomenon of the Z Generation in North Sulawesi always responds to various information that appears in digital mass media. Research results also show that the Z generation in North Sulawesi is very vulnerable and provocative from the information they get because of a lack of literacy reading so that still many Z Generation are affected as well as follow take a role in disseminating the information it contains news hoax. Studies conclude that literacy reading by Z Generation plays a very important role in increasing interest in literacy reading by using the information obtained from digital media and each other share about culture literacy good read so that no already affected news hoaxes.

Despre greșelile din limbajul presei digitale

"This article brings into discussion the quality of the Romanian language in the digital mass media. It presents the achievements of a mass-media language monitoring project, which involves the development of a dedicated application, described in the article, and the recording in its database of numerous quotations with language problems. Based on the registred facts, the article tries to summarize some benchmarks regarding the state of the language in the online mass media by clustering linguistic deviations into three categories: technical editing mistakes, linguistic analysis errors, and deviations due to the influence of the English language."

Database of digital media publications on maternal (family) capital in Russia in 2006–2019

The database contains data from publications of digital Russian-language media registered in the Russian Federation on the topic of maternity capital published in the period from May 10, 2006 to June 30, 2019. The database includes general data on publications on maternity capital in .csv formats (UTF-8 encoding). Full texts of publications are presented in .xml format. A specialized request was generated for the aggregator of publications of Russian-language digital mass media public.ru. In total, the database consists of 457,888 publications of 7,665 publishing houses from 1,251 settlements located in 85 regions of Russia. The database includes information about the date and type of publication, publisher, place of publication (municipality), texts about maternity capital, and numbers of unique positive, negative, and neutral words and phrases according to the RuSentiLex2017 dictionary, as well as full texts of publications.

Minor blind feature based Steganalysis for calibrated JPEG images with cross validation and classification using SVM and SVM-PSO

The spectacular progress of technology related to the information and communication arena throughout the past epoch made the internet a powerful media for faster communication of data. Though this technology is being admired at one side, there equally exists a challenge for safeguarding the data and privacy of information of a personal without any leak in the data and corresponding mistreatment. Hence, the proposed work primarily aims to investigate the internet communication as well as deter any unwanted happenings, which could occur because of the covert communication. The probable presence of hidden messages is inspected in the digital mass media using the technique of steganalysis. The distinctive features are to be identified, chosen and extracted for universal (blind) steganalysis and are decided by the format of image and its transformation. In this paper, the analysis is carried out in JPEG format images and 10% embedding with 10 fold cross validation. The technique of calibration is used to obtain an estimate of the cover image. Four embedded techniques that have been applied for stegananlysis are Least Significant Bit Matching, LSB Replacement, Pixel Value Differencing (PVD) and F5 respectively. Four different sampling like linear, shuffle, stratified and automatic are considered in this paper. The classifiers used for a comparative study are Support Vector Machine (SVM) and SVM- Particle Swarm Optimization (SVM-PSO). Several kernels namely linear, epanechnikov, multi-quadratic, radial, ANOVA and polynomial are used in classification. The classifier is trained to examine every single coefficient as a separate unit for analysis and the outcome of this analysis helps in finding the decision of steganalysis.

Формування соціально-інституційного конструкту цифрової дипломатії

Формування соціально-інституційного конструкту цифрової дипломатії

Peran Media Digital dalam Meningkatkan Partisipasi Politik: Studi pada Tirto.id di Yogyakarta

Digital mass media is expected to provide educational information about politics in order to raise the political participation of its readers. This article aims to explain the role of digital media in increasing political participation, the obstacles it faces, and its solutions, by looking at Tirto.id.This research was a descriptive qualitative research. Research data was collected through in-depth interviews and participatory observation and focus group discussion. They were complemented with literature study and online research to obtain secondary data. The result of this research was that as a digital media, Tirto.id exists with its vision and mission as press media in providing actual reports while maintaining credibility. To this day Tirto.id maintains the values and rules mandated in the press law to continue providing information, education, entertainment and social control . Tirto.id plays its role in increasing political participation, as seen in its readers’ many responses to its reports, especially with regard to political news which was connected to its social media. It is also evidenced in how Tirto.id keeps its credibility by giving data-based balanced information data, validated through data checking and independent research, as well as its writer columns, though the latter is still limited.

(Re)pozicioniranje umetničke muzike u savremenom tradicionalnom i digitalnom masmedijskom/radijskom kontekstu

This paper discusses, actualizes and problematizes the representation and treatment of art music in the context of contemporary mass media radio discourse, in its traditional and digital/internet formats. The thesis is that understanding the content of high culture and art music is key to the social and cultural progress of the audience, and that it implies the clear views of the creator of the work of art music, on the one hand, and the experience of the recipient - that is, the audience, on the other hand. In this context, traditional and digital mass media must continue to act as the main transmitters/mediators of musical creation. Through the prism of art music on the radio, the types and ways of the operation of contemporary (meta) mass media are detected, as well as the effect of the reception of elements of mass/media culture on the audience. The critical-analytical-interpretive method interprets the phenomenon of artistic music on the radio and contributes to the research of the impact on the audience with music as the key parameter of mass media discourse.

A Singular Value Decomposition Based Low-Computational Zero-Watermark Algorithm For Digital Right Management

Digital rights management (DRM) is a systematic approach used for protecting the exclusive rights in the digital mass media. It uses a set of technologies to control doubling and reproducing exclusive rights for the digital works and software. The digital watermarking is one of the powerful technologies that play a vital role in numeral rights management. In this paper, a low-computational zero watermark (ZW) algorithm has been projected. It depends on the singular value decomposition (SVD) and implemented on standard cameraman, Barbara, Lena and living room images without attack and with various attacks. The significant feature of this algorithm is that it does not fuse any watermarking in the given source image and hence the result of the zero-watermark algorithm is looking very similar to the source image. This zero-watermark property is obtained by using SVD approach in which the ZW sequence is computed in accordance with the equivalence of prior digits of major remarkable worth in every slab. The implementation consequences shows highest similarity measures of 0.8658 for cameraman image. Further, the computational cost of the algorithm is calculated as 4.442 msec of execution time for all the images under watermark embedder and watermark extractor phases. The PSNR values are calculated for the watermarked images for testing the robustness in the algorithm that is proposed, and the observations have shown the promising results against attack.

Looking at Painting as Watching Slow Video Art: An Intermedial Experience of Disruption in the Work of Corinne Wasmuht

Looking at Painting as Watching Slow Video Art:An Intermedial Experience of Disruption in the Work of Corinne Wasmuht Helen Westgeest (bio) Critics and scholars of contemporary art tend to consider slowness in particular as a feature of video art, owing to the fact that video is the time-based artistic medium par excellence. Quite a few distinctive works of video art are characterized by slowly changing images that serve as a statement against the fast and fleeting images commonly found in mass media. Reciprocally, many video installations require patience and close attention from viewers due to their complex temporal constructions, in stark contrast to the easily digestible images in mainstream cinema.1 The interest of these video artists in a slow-paced visual language fits into a more general pattern: the ongoing acceleration of information and production processes increasingly appears to have generated a longing [End Page 553] for slowness in various domains, as reflected in the "slow food" movement and the even more recent phenomenon of "slow travel." Although slow video artworks may seek to resist the accelerations of global technocapitalism, they do so through strategic interfaces with new technologies themselves. Through the use of slowness, the presumed immediacy and transparency of the medium are disrupted, in order to switch attention to the interfering act of mediation in visual communication. These days, the slow, time-consuming process of creating a painting can also be understood as an effort to counteract the seemingly endless and uncontrollable flow of immaterial images in digital mass media, in this case by means of a traditional medium. The authors of the preface to the 2015 exhibition catalog Painting 2.0: Expression in the Information Age even explicitly link the current "boom in painting" to the "explosion of new digital technologies and media."2 This exhibition focused in particular on the expressive and material nature of contemporary painting. The exhibition's title made me rather think of examples of contemporary paintings that evoke experiences of slowness as a dialectical response to this "explosion." For instance, when several years ago I observed the monumental and detailed figurative paintings by the German artist Corinne Wasmuht in the Kunstmuseum in Bonn, I was struck by the similarity between perceiving her paintings and slow-paced forms of video art. This experience made me curious of new ways of understanding that result from looking at a painting as if watching a slow video artwork. To find out, the paintings of Wasmuht seemed to be an interesting case study of "slow painting," even though I could not find any indication of the artist's particular interest in video art. To pursue the notion of slow painting in more detail, I went back to some of the catalogs of Wasmuht's exhibitions. The artist, who studied at the [End Page 554] Click for larger view View full resolution Figure 1. Corinne Wasmuht, Here Today, Gone Tomorrow (2007). Oil on panel (207 × 651.5 cm). Courtesy of the artist and Petzel, New York. Kunstakademie in Dusseldorf and currently lives in Berlin, has exhibited widely over the past two decades.3 I became particularly interested in her work entitled Here Today, Gone Tomorrow (2007) (Fig. 1). This painting, much like Wasmuht's other paintings from the past two decades, represents the multiple places that people pass on their way to somewhere else. It consists of countless fragments of images representing roadways, waterways, and boulevards inhabited by pedestrians, or at least by human shapes, most of whom seem to be walking in various directions. Wasmuht borrowed these images from mass media and digitally manipulated them to serve as the basis of a monumental horizontal tableau.4 The final work is the outcome of a meticulous procedure of applying many translucent thin layers of oil paint onto a white primed wooden panel.5 Since 1986, Wasmuht has been collecting images from mass media as a source of inspiration for her paintings—a strategy used by numerous other artists of the past century, from Robert Rauschenberg to Gerhard Richter. Over the course of the 1990s, she started to use her computer for composing and manipulating the composition of her paintings on the basis of her archive...

Mapping global forms, local materials and digital culture: towards a theory for comparative media studies

This article intends to argue for a comparative approach to media studies to be based on the recognition of a global encounter of cultures with the imperatives of modernity and industrialisation. As different as the capitalist development in question may turn out in respective areas, it will be argued that the divergent histories of modernisation nonetheless generate a common experience that connects the Global South and the Global North, the West and the non-West, the First, Second and Third Worlds. The article therefore argues for a theoretical approach that pays attention to the power relations existing between different geopolitical areas, yet refuses to epistemologically privilege a Eurocentric prism. Instead, it explores in what ways comparative media studies might deal with cultural forms that are wholly industrialised and relatively capital intensive in their provision, such as digital mass media that rely on telecommunication networks, computer hardware and subscription fees. Aiming to bridge the gap between text and context, the article calls for an analysis of media texts as signifying practices which seek to move their audience and users in specific discursive directions. As a compromise between capitalist form and local material, media texts are believed to provide cognitive maps to people that shape their understanding of being-in-the- world while providing them with means to deal with ideologies of capitalist modernity. The article begins with a general discussion of the question of theory in a postcolonial context, then goes on to focus on the move from world literature to world media, to finally conclude with a perspective on the relationship between text and context, especially with regard to digital cultures and their global as well as local negotiation.

Absurdity and Revolt in Cormac McCarthy’s <i>The Road</i>

Camus’ notions of absurdity and revolt remain relevant today, especially with respect to very recent developments in the growing role of electronic and digital mass media. Cormac McCarthy’s 2006 novel The Road, describing a father and child’s journey after the world as we know it has been destroyed, is used to highlight the nature of absurdity and revolt in their updated early 21st century version.

Digital Networks: The Medium of Globalization, and the Message

This paper looks at the convergence between business-information networks and those associated with digital mass media in light of the proposition that the digital networks represent the core medium of globalization. It looks at the new business-organization paradigm of virtuality associated with globalized digitized business and interprets this in light of communication theory, building especially on the legacy of Harold Innis.