Development Of Artistic Practices Research Articles

К вопросу о ценообразовании произведений искусства в процессе исторического развития художественных практик

In modern art practice, the issue of formation of symbolic and economic value of works of art remains acute and relevant. In the history of art art historians, curators, and art critics used to determine symbolic value. The issue of formation of economic value of works of art is still debatable. The task of the study is to identify features of the pricing of works of art inherent in individual periods of the development of artistic practices in a historical context. The authors address the issue retrospectively, considering the relationships between art and market, originated in the 18th century in Holland. The paper conducts a detailed analyze of the epistolary heritage of P. M. Tretiakov, concluding that in the 19th century it was the professional environment that acted as a regulator of the pricing of works of art. Economic conditions of the 20th century in the domestic art put to the forefront state insurance or state order, therefore the volume of payment of works depended on regalia and social status of an artist. The situation of the beginning of the 21st century brought not only new forms and mechanisms to the art market as Internet trading, corporate collecting, art banking, but also new problems that influenced the pricing process.

Творчий потенціал медіа мистецтва та його використання в сучасній художній практиці

The article is devoted to pressing issues of art, the use of its creative potential in artistic practice. Scientific and technological progress of the 20-21 centuries had a significant impact on the artistic culture, contributed to a significant transformation of artistic practices. One of the areas of transformation was the creation of objects based on the synthesis of science and art, with the involvement of the creative efforts of scientists and artists. Such objects contributed to the visualization of innovative scientific ideas, contributed to the adaptation of man to the modern technological environment. The development of artistic practices on a technological basis allows you to pay attention to the phenomenon of modern art. The analysis of scientific approaches to the definition of the concept of media art is carried out. Media depends on the development of technologies, the connection with the latest technologies, the special quality of objects allows us to analyze the creative potential of art, to study the features of using in modern practice. Media inherits in many respects the creative discoveries of avant-garde from the beginning of the 20th century. Representatives of this movement were the first to draw attention to the achievements of scientific and technological progress as a source of artistic creativity and appreciated the significance of the movement and the exchange of information for public life. Media transforms information technology into a means of artistic expression and artistic communication; Media seeks to create an intellectually and emotionally rich information environment conducive to unleashing the creative potential of the individual.

Вплив технологій звукозапису на створення та трансляцію музичного твору

The article is devoted to the analysis of the influence of technology evolution on the process of producing and replicating works of art. There is a transformation of musical creativity, which occurs due to the opportunities that arise because of sound recording technologies development, processing and reproduction of musical sound. The process of performing a musical pieces and actually creating it are experiencing great improvisation. Live looping enables recording and playing looped audio samples in real time using special devices or software. The ability to create audio tracks and to use them in "real time" can concern both the concert activity of leading and well-known musicians, recordings in professional studios of performers of different genre and style directions, but the most expedient and influential are those who create compositions in "amateur" single. This expediency is based on the spectrum of practical application of one's own voice, which is impossible without devices equipped with such a technology. The development of artistic practice is not possible beyond the cultural context. Changes in one of the cultural spheres associated with emergence of ability to record audio, emergence of new technologies, software – necessarily lead to essential or structural modifications in other areas. Using the principle of live looping allows you bypass most of the links associated with the show business infrastructure. However, the essence and stages of creative process remain largely unchanged. Improvisation, which is proclaimed as the main form of presentation of musical material while using live looping, becomes a pledge of creative maturity and skill of the performer, who acts as a composer, arranger and sometimes even a conductor. The development of the technological level helps create artistic projects, the appearance and implementation of which will depend on one person.

ДО ПИТАННЯ РОЗВИТКУ НАРОДНОЇ МАНЕРИ СПІВУ В СУЧАСНІЙ КУЛЬТУРІ УКРАЇНИ

ДО ПИТАННЯ РОЗВИТКУ НАРОДНОЇ МАНЕРИ СПІВУ В СУЧАСНІЙ КУЛЬТУРІ УКРАЇНИ

La tambora lobana: acercamiento a un proceso de investigación de campo, divulgación y apropiación con fines pedagógicos

La tambora es una manifestación de tradición oral que celebran los habitantes de los municipios ubicados en las riberas del río Magdalena, principalmente al sur de los departamentos de Bolívar, Cesar y Magdalena. El presente artículo se centra en tres municipios de la Subregión de Loba que divulgan dicha manifestación, y tiene como propósito evidenciar la importancia que puede representar la investigación de campo de carácter etnográfico para incentivar procesos investigativos en el desarrollo de las prácticas artísticas al interior del aula de clase. A continuación, se presenta una etnografía musical como alternativa metodológica emergente, que contempla la realización de algunas transcripciones del son de tambora y las dinámicas internas del contexto sociocultural. Así mismo, su divulgación en circuitos académicos y la apropiación de dichas estructuras rítmico-melódicas con fines pedagógicos.Palabras clave: tambora, investigación etnográfica, subregión de Loba, músicas, enseñanza.

O Espaço Virtual, a Arte Digital e o Ensino das Artes Visuais – Relações de Interinfluência

Given the variety of current art practices resulting of the interplay and relationships between the virtual space, the digital area, and the society, we are seeking to develop new ways in the educational process according to new paradigms, proposing new educational projects. In the field of visual arts are addressed topics related to digital art and development of artistic practices in virtual space, such as new media art, referring to works by artists such as Manfred Mohr, Charles Csuri, Gerhard Mantz, Vuk Cosic, Jodi.org and Cornelia Sollfrank. In this field, it was also studied the importance of software for digital art production and the development of individuals. Keywords: ; ;;;

Neoliberalism, Historiography, Identity Politics

This article argues that the history of Latino Theater is coemergent with the rise of neoliberalism in the United States and suggests that many of the major shifts in Latino theater production must be viewed within the development of artistic practices impacted by privatization, the development of transnational labor markets, and the incursion of market-based practices in arts funding. In doing so, it breaks with the decade-by-decade historiography of most Latino theater histories and with traditional understandings of identity-based art movements that posit a revolution-and-retrenchment argument from the 1960s to the present. The authors consider the funding records of major Latino theaters, their conditions of production, and the historiography embedded in the plays of Chicano, Nuyorican, and Cuban American artists.