in the lowly Directorate-General of Communication , indeed, in its lowliest Department of Culture. While becoming head of this department had been a promotion in position and title for Fenia Xenopoulou, Culture is beneath her ambitions. When her department is tasked with coming up with a “big jubilee” sort of affair to celebrate the commission’s “birthday,” she thus quickly hands this down to subordinate Martin Susman. Such a jubilee seems direly needed because, in sharp contrast to the positive poll ratings of the EU Council, president, and Parliament , the EU Commission has gotten a bad rap. It is, after all, the EU’s powerful (and unelected ) “enforcer.” Susman is an EU idealist (and an Austrian intellectual ) and thus believes that any such “jubilee” should celebrate the commission’s foundational idea(l). (These are among many entertaining evocations of fellow Austrian Robert Musil’s classic The Man without Qualities.) For Susman, the foundational idea(l) of the EU is a lapidary “never again” to world war and especially the Holocaust. But how to celebrate? Round up all the survivors ? Not even Steven Spielberg has such a list! But the obsessive records kept by the Nazis in a nearby deportation center identify all the individuals on the last transport out. Also identified are the handful who escaped thanks to an attack on the train by Belgian resistance fighters. And lo and behold, escapee David de Vriend is right here in Brussels, just retired to an assisted-living home. Meanwhile, Brussels has its own international problem. There’s been an assassination, and, in the havoc wreaked by the pig, the assassin has made his escape. Police Inspector Brunfaut is on the case. But he’s suddenly ordered to drop it—on highest authority. NATO? The CIA? No, the order comes from a much higher organization : no one must know that its operative had shot the wrong man. Then there is Florian Susman, new president and hence head lobbyist of the European Pig Producers, now in Brussels to see how little brother Martin can help him in the commission. En route later to a meeting in Budapest, he’s slowed down by a mass of refugees crossing the border and then almost killed by a cab driver who is racing Books in Review Cixin Liu Supernova Era Trans. Joel Martinsen. New York. Tor Books. 2019. 352 pages. SUPERNOVA ERA is the fifth novel by Chinese sci-fi author Cixin Liu to come out in English translation since 2014, and this doesn’t even include the collection of his short fiction (The Wandering Earth) and his numerous stand-alone stories in US/UK magazines. While this might seem like a lot of Liu in a short amount of time, anglophone readers should be immensely grateful to translators Ken Liu and Joel Martinsen for giving us the opportunity to read so much imaginative and ambitious science fiction. Known for his detailed scientific explanations of phenomena both on the micro and macro level, Liu offers us a complex and fascinating thought experiment in Supernova Era. Written just after the Tiananmen Square massacre in 1989 but only published in China in 2004, this is a novel about how quickly human civilization can come to the verge of collapse in the face of an undetected supernova. Liu devotes seven pages near the beginning of the novel just to a description of exactly how this one particular star was born, how it matured, and then how it collapsed in on itself, sending a blast of intense radiation straight into our solar CIXIN LIU 88 WLT WINTER 2020 SUPERNOVA REMNANT CASSIOPEIA A / NASA/JPL-CALTECH/STSCI/CXC/SAO system, which bathed the Earth for a week. Very quickly, doctors and scientists realize that anyone over the age of thirteen will die within a year due to the radiation’s irreversible physical effects. The adults’ desperate race against time to train their children in their own jobs so that those children can keep the world running leads to a period of “Inertia,” in which the new Children’s World continues functioning seemingly as before. It doesn’t take long, though, for critical systems to shut down and mass panic to break...
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