Ecological Thought. By Timothy Morton. Cambridge: Harvard University Press, 2010. ISBN 978-0-674-04920-8. Pp. 163. $39.95. In his latest book, Timothy Morton provides those scholars who are interested in growing field of ecocriticism but not sure what all fuss is about with a provocative, accessible introduction to radical implications and intriguing possibilities that ecology offers for cultural theory. Those looking for literary analysis or an overview of current state of environmental literary theory should turn elsewhere--starting with Lawrence Buell's excellent, if now slightly dated, Future of Environmental Criticism: Environmental Crisis and Literary Imagination (2005). In Ecological Thought, Morton leaves behind close textual analysis, high-level theory, and, thankfully, impenetrable prose, of his previous book, without Nature: Rethinking Environmental Aesthetics (2007). Instead, he offers a series of probing thought experiments and far-reaching cultural and theoretical analyses that explore ecology's cultural implications. Morton's style embodies provocative irony that he argues ecological thought demands as he takes on role of the irritating Columbo-style guy at back of room, one who asks unanswerable question (115). So while many of Morton's answers suggest that his conception of ecological thought is not as radical as he thinks it is, or as it perhaps should be, his questions challenge scholars in liberal arts to wrestle with consequences of ecology's recent scientific discoveries. In his introduction, Morton helpfully pushes standard boundaries of environmentalism, as he did in his previous book, by claiming, Ecology can do without a concept of a something, a thing of some kind, 'over yonder,' called Nature. This Nature connotes hierarchy, authority, harmony, purity, neutrality, and mystery, all ideas that Morton rejects (3). Instead, he proposes, The ecological thought is thinking of interconnectedness.... It is a vast, sprawling of interconnection without a definite center or edge. It is radical intimacy, coexistence with other beings, sentient and otherwise--and how can we so clearly tell difference? (7-8). One of key ways that Morton develops this thought is by drawing on thinking of Darwin, whom he positions alongside Freud and Marx as one of forerunners to post-structuralism (62, 65, 118). Thus, at beginning of his book he asks, Are we ready to admit world of mutation and uncertainty that Darwin opens up? (18). In Thinking Big, his first chapter, Morton jumps into this world, combining Milton's cosmic vision in Paradise Lost with Tibetan culture and Darwinian biology to argue that environmentalists need to ditch notions of local and place in favor of what he terms mesh (28). This allows us to imagine interconnectedness of all living and non-living (28), and Morton uses it to describe interrelatedness of all things and absence of any fixed, teleological identity (30-31, 44). Because of our existence in mesh, and hence our intimate familiarity with others, Morton, drawing on Levinas and Derrida, proposes that we should conceive of other as stranger[s] (41). Morton expands definition of strange strangers in his chapter Dark Thoughts, to include not only animals and humans, but also other life forms and even artificial intelligence (71ff). Drawing on Darwin's thought, Morton imagines an existence with no fixed identities; he argues we live in an ecological with who are simulated (69), queer (81-87), contaminated (66), and mutagenic (87), and thus we need to learn to love disturbing, disgusting beings who share this life with us (92). Morton develops this ethical account of how we should choose to live entangled with other strange strangers from Levinas' reflections on severe responsibility that derives from our encounter with face of another. …
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