Book Review| April 01 2017 Review: Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq, by J. Martin Daughtry Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq, by J. Martin Daughtry. Oxford and New York: Oxford University Press, 2015. xi, 344 pp. Bruce Johnson Bruce Johnson BRUCE JOHNSON holds honorary professorships in music, cultural history, communications, and media at the universities of Glasgow and Turku (Finland) and at Australian universities including University of Technology Sydney. As government advisor on music policy he produced the legislation-changing report Vanishing Acts. He cofounded the International Institute for Popular Culture in Finland. Academic books include collections on jazz and totalitarianism, and on sound, memory, and space. In 2017 he holds a visiting chair in cultural sciences at the University of Gothenberg. Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (2017) 70 (1): 271–275. https://doi.org/10.1525/jams.2017.70.1.271 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Bruce Johnson; Review: Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq, by J. Martin Daughtry. Journal of the American Musicological Society 1 April 2017; 70 (1): 271–275. doi: https://doi.org/10.1525/jams.2017.70.1.271 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the American Musicological Society Search One distinctive feature of modernity is the proliferation of constructed sound, to the point where noise pollution is regarded as one of the greatest threats to human well-being. An ecology of violence invests the modern soundscape, encompassing the noise of industry, transport, and recreation. It is not simply organic damage but, insofar as the distinction remains viable, psychic damage. While this is especially true in situations of armed conflict, the threat is not confined to an abnormal “elsewhere.” The distinctiveness of the damage caused specifically by sound in armed conflict is one of degree and frequency, as documented in studies of the effects of both high volume and Low Frequency Noise (LFN).1 There is, as Daughtry says, a “kernel of potential violence that exists within all sounds” (p. 165). As in the general soundscape, so too in its bellicose sites, modernity has brought a new level of trauma, especially... You do not currently have access to this content.
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