Ritual, war, and tribute were three of the most important aspects of Aztec culture before they were conquered by the Spaniards in 1521. In this paper, I explore the significance behind tributary objects found in the Codex Mendoza by creating a paper Aztec warrior doll. The Codex Mendoza was a collection of 71 folios curated by the Spanish in 1542 that showcased Nahua culture and the Aztec tributary system. Using both the Codex Mendoza and a larger collection of Nahua history in the Florentine Codex, I contextualized my project in the rituals and history of Aztec culture pre-conquest. For my project, I created a fearsome animal helmet to showcase the fear factor used in ritual warrior costumes, emphasizing a feeling of movement seen in Nahua art by using a European volvelle to articulate the helmet's jaw. I further incorporated elements of indigenous “covering” found in illustrations of the Florentine Codex when considering the material of both the helmet and the cotton armor I recreated from the tributary items, using crumpled tissue paper to reflect the “chewed-up” style of paper covering idols of the warrior deity Huitzilopochtli. Referencing Aztec rituals was something I kept in mind throughout my project as I researched the significance of religious war objects like the temiotl (“god” or “sacred forelock”) and ihuiteteyo (design for war shield) on the dominant symbol of the shield. By analyzing Nahua rituals as seen in the Florentine Codex, I was able to explore the significance behind tributary warrior items in the Codex Mendoza and illuminate just how important materiality and ritual were to Aztec warriors. 
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