Creative Transformation Research Articles

Диагностика понимания драматического произведения младшими подростками: обоснование критериев

<p>The article discusses the problem of evaluating literary text understanding by teenagers aged 11–12. Theoretical analysis showed that the evaluation and development of dramatic text understanding is the most underestimated problem in pedagogical, philological, and psychological research. The diagnostic assessment «Understanding of Dramatic Texts» consists of two parts. The first part allows you to estimate the level of following reading skills: paratext interpretation; the ability to understand the emotional tone of the work; the ability to «recreate» the image of a literary hero; the ability to disclose the author’s claim. In this part of the study, the material used as the survey basis is presented by Alexander Vampilov’s dramatic work «Date» (1961). The second part of the discussed method is based on the creative transformation task. Aesop’s fable «The Liar» was used as epic text to be made into dramatic texts by the learners. The children’s works analysis allowed us to evaluate the formed within the study framework reading attitudes which are necessary for dramatic text decoding and understanding. We assessed the results in terms of form and content. The diagnostic assessment was conducted in three trial stages. First, we ran and recorded conversations with a reference group, which included 16 specialists in the field of philology and theater. This step allowed us to determine evaluation criteria. Grade 5–6 students took part in the second stage of testing. This stage made it possible to shorten and adapt the questionnaire for working with schoolchildren. In the third stage, the methodology was adapted for written implementation</p>

Enhancing Rural Revitalization: A Study on the Creative Transformation of Agricultural Heritage among Ethnic Minorities in Heilongjiang, China

Enhancing Rural Revitalization: A Study on the Creative Transformation of Agricultural Heritage among Ethnic Minorities in Heilongjiang, China

Research on the Advantages of Spreading Excellent Values in the New Media Era: A Case Study of the Web Mini-Series Escape from the British Museum

With the development of the new media era and the continuous maturation of internet technology, many new forms of media have emerged, with short videos arising in this context. Some high-quality short videos, focusing on promoting outstanding traditional values, have become hot topics in contemporary communication. These videos, with distinct characteristics of the times, have become one of the important ways for major media to undergo creative transformation. Therefore, this paper uses Escape from the British Museum as a case study to analyze the advantages of short video media communication on social media platforms in the context of new media, aiming to promote the high-quality development of short video media.

Cross-cultural Art Curation and Urban Space Revitalization

In the complex environment of globalization and digitalization in the 21st century, Bourriaud's "Relational Aesthetics" provides a theoretical basis for us, emphasizing that the value of works of art as a medium of social interaction lies in building relationships between audiences. Taking this as a starting point, the concept of generalized curation transcends the material boundaries of traditional curation. focus on the Lefebvre’s triadic concept of space production, which intergreate realities of landscapes and urban forms, and the conceptual, planned representation through designs. Additionally, it encompasses the symbolic dimensions that influence social identities toghther to illustrate the dynamic nature of spatial existence (Lefebvre, 2012, p81-84). These theoretical frameworks provide a solid theoretical basis for understanding how art curation promotes cross-cultural communication in the context of globalization and how it integrates with urban spatial revitalization. The parallel forum of "Broad Curation and Urban Public Art Power" under the theme of "Resonance · Breaking the waves" of the 2024 Hainan International Cultural and Creative Week, as a dialogue media platform that brings together global wisdom, provides a frontier exploration for the creative transformation of art curation concepts and urban public space. This paper aims to share the perception of the participants and explore the impact of the results of this forum on the field of news communication, especially the urban cultural narrative and public art communication strategy.

Marches on Rome: Historical Events and Creative Transformations

Marches on Rome: Historical Events and Creative Transformations

Application Research of AIGC Enabling Intangible Cultural Heritage (ICH) Music Creation in Wisdom Teaching

With the rapid development of society, people's understanding of traditional culture and music and art is becoming more and more diversified, the depth of the growing demand for cultural experience, the current development of science and technology, the integration of culture and tourism industry, the status quo of intangible cultural heritage (ICH) and the policy background and other factors interacting with each other, not only for the integration of culture and tourism to provide new opportunities, but also for the inheritance of tourism and ICH and the development of a new challenge, more AIGC technology in the application of AIGC technology in the field of music creation and culture and tourism provides a broad market space. Based on the current situation of music creation and ICH culture, this paper will deeply analyses the significance and effect of AIGC technology empowering ICH music creation in wisdom teaching, and provide a new application path for the creative transformation and innovative development of ICH culture.

Innovative Development of Zhuang Excellent Traditional Culture in the Era of Integrated Media

Chinese culture represents the rich tapestry of various ethnic traditions. The development of these diverse cultures is essential for the overall prosperity of Chinese civilization. Therefore, promoting the innovative advancement of the Zhuang ethnic group's traditional culture can bolster their cultural confidence, preserve the diversity of Chinese culture, strengthen national identity, foster ethnic unity and progress, enrich spiritual and cultural life, and support rural community development. In today's rapidly evolving integrated media landscape, driven by information technology, the innovative development of the Zhuang's traditional culture encounters significant opportunities. In this study, we first explored the value foundation of innovative development of excellent traditional culture of the Zhuang ethnic group in the era of integrated media. Then, we analyzed the promoting effect of integrated media technology on the innovative development of excellent traditional culture of the Zhuang ethnic group in the new media ecological environment. Finally, we summarized how to fully utilize new technological means, create an integrated media matrix, and leverage resource integration advantages to achieve innovative development of excellent traditional culture of the Zhuang ethnic group. The research results are conducive to deeply exploring the contemporary value of excellent traditional culture of the Zhuang ethnic group and activating its cultural vitality, continuously promoting the creative transformation and innovative development of excellent traditional culture in China, thereby promoting the prosperity and development of cultural undertakings and cultural industries.

Influences of VR technology on the effect of museum narrative based on embodied cognitive theory: a case study of the opium war museum

Purpose With an increasing array of new technologies and devices emerging as novel approaches to museum narratives, scholars are intrigued by the narrative effect they produce. Within this context, this study aims to conduct a quantitative case study on the influencing mechanisms among technology embodiment, technology attachment, museum narrative effect and perceived museum image based on embodied cognitive theory (ECT). Design/methodology/approach By introducing the Opium War Museum, Dongguan City, Guangdong Province, China, as an empirical case study, the authors collected data, through questionnaires, from 425 visitors who had experienced virtual reality (VR) technology in the museum. The data was then analyzed by using the maximum likelihood estimate for structural equation modeling. Findings Technology embodiment and technology attachment have significant positive correlations with the museum narrative effect. Technology attachment provides a partial mediating effect between technology embodiment and the museum narrative effect. The perceived museum image moderates such mediating effects of technology attachment. Originality/value This study brings the emerging idea of developing visitor experiences with VR through expanding the applications of ECT in the museum scenario. First, the authors identified the underlying interaction patterns between various factors that influence the museum narrative effect. Second, the authors verified that technology can optimize the museum narrative effect and help the creative transformation of cultural relics and culture. This study also provides practical recommendations to improve the technological service experience and strengthen the “audience-centric” management concept of museums

Multi‐Dimensional Knowledge System and Ontology Construction of Qi Culture from the Meme Perspective

ABSTRACTThis paper deconstructs the profound context of Qi Culture from the perspective of Meme and constructs a structured and systematic knowledge description framework. It is useful for exploring the core values and promoting the creative transformation and innovative development of Qi Culture. The research process involves collecting user discussions and research data about Qi Culture from multiple sources, and then using the BERTopic model and qualitative analysis methods to obtain diverse examples of Qi cultural elements. Afterwards, from the Meme perspective, Qi cultural memes are extracted to construct a domain ontology, thereby achieving multi‐dimensional semantic knowledge description of Qi Culture. This study helps to reveal the core elements of culture and their relationships, and will provide strong theoretical support for the integration and utilization of cultural resources.

Research on the Development Strategy of Cultural and Creative Products of Libraries from the Perspective of Consumer Behavior

ABSTRACTIn recent years, there has been a notable trend and exemplary practice among libraries in effectively developing cultural and creative products. This endeavor not only foster the creative transformation and innovative development of culture, but also meets the escalating demand for high‐quality cultural consumption. Focusing on the consumption behavior of library culture and creative products in China, underscores the critical consideration for libraries, including the evolution of the consumption themes, addressing the symbolic consumption demands, creating new consumption scenarios, enhancing product quality, and augmenting consumer service awareness. Our findings highlight the importance of product diversity and aesthetic appeal, the fulfillment of commemorative value and social value, and the balancing of emotional and cognitive satisfaction in consumer demand. Moreover, the effective integration of both online and offline channels and leveraging the influence of Key Opinion Leader (KOL) are recommended marketing strategies. Regarding pricing, consumers are sensitive to price, preferring products of high quality and originality within reasonable price ranges. Finally, the study highlights the significance of enhancing the overall purchase experience and service quality, which significantly influence subsequent consumption behavior.

Culture Transcends the Ocean: Research on Chinese-style Games as a New Carrier for International Communication of Chinese Culture —Taking the global impact of Black Myth: Wukong as an Example

In the context of exploring the creative transformation and innovative development of Chinese culture, this paper focuses on how Chinese-style games can help the international dissemination of the "culture +" strategy. Through an in-depth analysis of the current status of Chinese online games going overseas, this paper reveals the competitiveness and cultural influence of domestic games in the global market. This paper specifically analyzes the market size and growth trend of Chinese online games, and elaborates on the distribution of games in overseas markets. Taking "Black Myth: Wukong" as an example, it demonstrates the successful experience of Chinese-style games in cross-cultural communication. This paper proposes strategies and suggestions for Chinese online games going overseas, including clarifying the target market, localizing adjustments, choosing appropriate distribution channels, and formulating effective marketing strategies. In addition, this paper emphasizes the important role of Chinese-style games in inheriting and innovating Chinese culture and promoting the "going out" of culture, and looks forward to the future development trend of Chinese online games going overseas.

THE ORIGINS OF THE PROVINCIAL PHOTOGRAPHER’S CREATIVITY EARLY XX CENTURY A.A. ZIRAH

The work of the provincial Ufa photographer of the early XX century A.A. Zirakh does not go beyond the descriptive discourse in the literature of local lore. However, we believe that it is a phenomenon that needs to be interpreted from a historical and cultural point of view. We tried to understand what a small insurance employee was motivated by to selflessly give the last decade of his life to photography. The very analysis of photographs by A.A. Zirakh led to an appeal to the problem of the difference between history and memory. The surviving photographs indicate that A.A. Zirakh was more interested in the architecture and landscape of the city than in the events. This confirms the thesis that the artist considered his collection as a tool of memory, but not as a historical source. Memory, unlike history, is an area of individual perception. In this regard, our attitude differs from the one of the representatives of the "place of memory" concept. The nature of A.A. Zirakh's work is associated with the problem of the attitude of the Russian intelligentsia to the province. We believe that monotony is the defining mood of the provincial chronotope. But a creative person can’t control the time. A scholar is deprived of the opportunity to act as a subject of historical processes in province. The monotony and eventlessness of backwater time are changed only under the influence of the center. On the contrary, the monotony and, consequently, the meaninglessness of the landscape of the outskirts are amenable to creative transformation. Breaking out of the monotonous environment of familiar urban objects through photography, A.A. Zirakh forces to focus attention on them, to notice the uniqueness and thereby destroy the anonymity of the urban landscape.

Digital Marketing for the Cultural and Tourism Industry in the Three Eastern Provinces Research on Development Impact

In 2023, the General Office of the State Council issued several measures to unleash the potential of tourism consumption and promote high-quality development of the tourism industry. Local governments actively responded to national policies and promoted the development of cultural and tourism economy. The three eastern provinces are tourist destinations every winter, and their unique scenery and cultural sentiment make the Northeast region stand out during holidays. This winter, Harbin's ice and snow tourism has become popular, even sparking a competition frenzy among other regions in Northeast China and even the National Bureau of Culture and Tourism. This paper uses the SWOT model and PEST model to analyze Northeast China’s natural and human resources, so as to study the help and advantages of digital marketing for its innovation and development, the lessons learned will help to provide a powerful marketing tool and channel for the cultural tourism industry, and promote the creative transformation of the current stage in the development of cultural tourism in Northeast China and throughout the country.

On Chinese Traditional Culture and Its Creative Transformation and Innovative Development

Traditional Chinese culture originated in the ancient cultural period before the age of Shennong, which was created by the children of the Chinese nation who lived in the territory of China for generations, and this culture has been continuously inherited by the Chinese nation, which not only embodies the distinctive national characteristics, but also has a very long history. For the value of traditional culture to be realized in contemporary times, its creativity and innovation should be further developed. In this regard, the first thing we need to do is to find out the standard of excellent traditional Chinese culture, make creative changes to it, and make organic integration of the development of contemporary culture industry, so as to promote the socialist culture to embark on a more prosperous and flourishing road.

Современная цивилизация китайской нации в творческой трансформации традиционной культуры

Since the 18th National Congress of the CPC, General Secretary Xi Jinping has insisted on combining the basic tenets of Marxism and Chinese outstanding traditional culture, promoted the creative transformation and innovative development of outstanding Chinese traditional culture, and determined the direction of building the modern civilization of the Chinese nation. General Secretary Xi Jinping deeply understands the outstanding continuity of Chinese civilization, and uses elements of traditional culture to develop the core values of socialism. It promotes the humanistic spirit embodied in traditional culture, forming the spiritual family tree of Chinese communists, realizes the unity of Chinese civilization, constantly improves the socialist state system with Chinese characteristics, develops the potential of party workers, promotes the peaceful and inclusive character of Chinese civilization, and pursues the policy of building a Community of Shared Destiny humanity, proposes a Chinese global governance program.

MANAGEMENT IN THE XXI CENTURY

A generalization of the evolution of management theories and practical implementation of management leads to the conclusion that in the modern environment, the accepted approaches to management have ceased to work. In the current conditions, classical management can no longer be effective. The situation of the functioning of enterprises in conditions of uncertainty and crisis, in the context of the consequences of a pandemic and military operations in our country, requires a reorientation of management on an anti-crisis basis. The authors studied the main trends in the development of the world economy in the 21st century, the features of the development of modern management in Ukraine, and determined the requirements for modern managers. An analysis of global experience in overcoming crisis conditions has led to the conclusion that the solution to complex issues of our time, including economic ones, lies in the formation of a new level of consciousness of managers at all levels. In this regard, a modern approach to management is proposed based on the use of a new type of management (Ukrainian management) as an alternative that will overcome the consequences of recent years and exit the crisis state onto a sustainable development trajectory. The paradigm of a new type of management as an innovative management system is focused on creative transformations of human and society towards the vector of humanistic evolutionary development. The innovative essence is that a manager at any level must learn to use the possibilities of his consciousness hidden until today and use in his work thoughts and ideas of higher orders of magnitude than thoughts and ideas from the usual point of view of a materialistic worldview. Such transformations will lead to an effective solution to immediate problems and tasks, ranging from the personal issues of an ordinary member of the team and society to planetary problems.

LA TRANSFORMACIÓN CREATIVA DE LA DESESPERACIÓN, EL ODIO Y LA VIOLENCIA

Creativity is an elixir of life and at the same time a continuous challenge. Before illustrating life and work of extraordinarily creative persons we here describe the “Big Five of Creativity”: Gifts and talents (1), skills and knowledge (2), motivation and discipline (3), openness and resilience (4), nurturing and challenging environments (5). These principles of creativity always interact and can lead to a creative transformation of despair, hate and violence. Using the examples of Mozart, Marie Curie, Goethe and Picasso it is shown that creative transformation of loss and despair as well as of rage, hate and violence is an essential aspect of every human’s cultural ac­tivity. Finally, everyday and extraordinary creativity are described as elementary means to lead a fulfilling personal life in social responsibility.

On the Development of Traditional Education Theory from China s Educational Thought

Guided by the important exposition made by the General Secretary at the National Education Conference on persisting in taking root in China, this paper discusses the connotation, classification, value and modern transformation of traditional education theory. The article holds that the traditional educational theory is a unique and far-reaching ideological system formed by the Chinese nation in the long-term educational practice, which contains many essences that transcend time and space, cross the country, are of eternal value and have contemporary significance. The article points out that the creative transformation and innovative development of traditional education theory is based on China s traditional education thought, with creation and innovation as the means and development as the driving force, which combines traditional education thought with the requirements of the times, endows it with new connotation of the times and modern expression forms, realizes the modern transformation, promotion and transcendence of traditional education thought, integrates the local civilization of China education with the world civilization, and finally establishes the China education system with world significance, which makes China s education thought and development model go global.

Heritage and Reinvention: A Cultural Narrative Study of Han and Tang Ceremonial Ceramics from the Perspective of Cultural Memory

Cultural memory is the interactive expression of past historical memory, identity recognition, and cultural continuity. The cultural inheritance of Han and Tang ceremonial ceramics is not only a simple reminiscence and "replication" of the past culture, but also a cultural reinvention rooted in the present and future, aiming to remedy the erosion and dissolution suffered in daily life. Constructing cultural inheritance through cultural memory requires reshaping memory in the context of "living inheritance" combining the cultural connotation of Han and Tang ceremonial ceramics with the conditions of the times, and endowing them with new contemporary significance. Through the living inheritance and modern reinvention of Han dynasty ceremonial ceramics, cultural memory forms a cultural transmission chain, identifying the cultural genes of Han and Tang ceremonial ceramics applicable in contemporary China, and facilitating their creative transformation and innovative development.

A parameter to featuring the cultural landscape genes of traditional settlements in China: a perspective of geographical information

Creative transformation and innovative development of traditional cultures is a pressing social need in China because of the deep reform and rapid socio-economic developments. It is crucial to understand the natural features of cultural landscapes of traditional settlements because they are indispensable components of these heritages. Although there are significant findings on the cultural features of traditional settlements, people still face substantial difficulties in using Geographical Information Systems (GIS) to directly handle their cultural factors due to a lack of theoretical models or described methods. To address this issue, at first, this study analyzed the component elements and contents of Cultural Landscape Genes of Traditional Settlements (CLGTS) from the perspective of Geographical Information (GI). Then, the concept “Feature Parameter of Geographical Information of CLGTS (FPGI-CLGTS)” was proposed based on the above. Simultaneously, the connotations, identification rules, and mathematical meanings of FPGI-CLGTS were also explored deeply. Next, this study developed the identification methods of FPGI-CLGTS. Finally, this study examined FPGI-CLGTS through an experiment on the spatial layouts CLGTS of six samples in Hunan, China. Through this study, FPGI-CLGTS has enormous potential to reveal the critical cultural features and values of traditional settlements.