Creative Professionals Research Articles

Temperament and creativity – implications for mental health and education

Creativity is a complex phenomenon, which level is affected by variables such as intellectual competence, temperament, personality and emotions. Research shows that patients with bipolar affective disorder have a higher level of creativity than healthy controls. The model of affective temperament developed by Hagop Akiskal enables the research on relationships between predispositions to bipolar disorder and creativity. Previous studies on the relationship between affective temperament and creativity are conducted by comparing temperaments of representatives of creative professions and people outside this group, as well as by studying the relationship between affective temperament and creativity assessed both subjectively and through objective tests. However, the temperamental traits contributing to creative potential have their downside, as they have been linked to higher risk of psychological and emotional problems. They may also be related to poorer educational and academic achievement. The article presents up to date research on the relationship between affective temperament and creativity, as well as mechanisms explaining them. It also discusses the relationship between temperament, mental health, and educational achievement, as well as its implications for psychological and pedagogical interventions.

Can Artificial Intelligence Replace Humans in Industry?

The article considers the possibility of replacing humans with artifi cial intelligence (AI) in industry. An overview of the current capabilities and achievements of AI in industry is presented. Examples of the successful use of AI and its advantages are given. The material describes positions that cannot be replaced by AI. It is emphasized that creative professions, managerial and strategic positions require creative thinking, emotional intelligence and the ability to make complex decisions, which is not yet available to AI. Although AI has signifi cant potential to improve production processes, a complete replacement of humans remains unlikely in the near future due to existing limitations and challenges. The article presents an analysis of the current capabilities and prospects of AI in industry, as well as recommendations for the state and business on the effective implementation of these technologies.

Creative employment as a modern resource of socio-economic recovery of Ukraine

The article's main idea is to substantiate the importance of creative employment for Ukraine's socio-economic recovery. Human capital, its creative element, can accelerate the transformation of a raw economy with its export orientation into a new economy dominated by technology and technologies inherent in Industry 4.0. The use of methods of dialectical analysis, synthesis, generalization, systemic, strategic, and process approaches, and techniques of abstraction made it possible to reveal the high potential of creative employment for preserving existing jobs and generating new jobs, making it attractive to investors. The systematization of the thoughts and work of domestic and foreign scientists regarding the content of creative employment is of theoretical and practical importance. In accordance with the defined goals and objectives, the conceptual principles of "narrow" and "broad" approaches to the content of creative employment are summarized and deepened. It was found that, according to the "narrow" approach, creative workers are mainly people of art and creative professions, people employed in the media industry, and specialists in the field of information systems and technologies, for which individual work is characteristic. According to the author's position, in accordance with the "broad" approach, creative employment takes place in all branches and spheres that produce material, cultural, and spiritual goods, as well as in management activities. This concept not only brings new knowledge to socioeconomics but also has practical significance for determining the scope of creative employment and evaluating state social and economic policy. The study concluded that creative employment is not an artificial phenomenon detached from technical and social progress. Its development is connected primarily with the increase in the economy's and the social and humanitarian sphere's need for innovative developments, which are subsequently commercialized. According to the author, new industrial relations are formed on this basis, which are gradually transformed into partnership ones.

The Paradigm of Creative Class in a Global Milieu

This paper discusses the creative class as a new layer of contemporary society that drives entrepreneurship, innovation and dynamism of economy. Current social and economic transformations are caused by new factors which affect the emergence of creative class. The potential of creative professionals has become one of the major means of the national development as it contributes to maximizing welfare, enriches consumption and improves standards of living. Creative class is a strategic input for companies and government agencies looking for more effective communication and new ways to stand out. The purpose of this study is aimed at the in-depth clarifying and summarizing of the theoretical background about creative class in a global milieu, including its specific lifestyle, and how it relates to other concept such as creative employment. The underlying argument is that creativity is one of the constructs of those skills, knowledge and abilities required by the modern labor market in the face of globalization challenges. The presented findings of the paper include a more holistic approach to identifying a range of determinants and metrics important for the successful promotion of creative employment. In light of these findings, the article concludes with discussing the rise of creative class in a global scale.

Artificial intelligence in media communications and creative professions: threats and opportunities

Artificial intelligence in media communications and creative professions: threats and opportunities

Advances in communication tools and techniques for enhancing collaboration among creative professionals

Advances in communication tools and techniques for enhancing collaboration among creative professionals

Overlapping genetic influences between creativity and borderline personality symptoms in a large Dutch sample

Creativity and mental disorders are sometimes seen as intertwined, but research is still unclear on whether, how much, and why. Here we explore the potential role of shared genetic factors behind creativity and symptoms of borderline personality disorder (BPD, characterized by mood swings and randomness of thoughts). Data were collected from 6745 twins (2378 complete pairs) by the Netherlands Twin Register on BPD scores (PAI-BOR questionnaire) and working in a creative profession (proxy for creativity). First, we tested whether there is an association between BPD symptoms and creative professions. Results confirmed that individuals scoring higher on the BPD spectrum are more likely to have a creative profession (Cohen’s d = 0.16). Next, we modeled how much of this association reflects underlying genetic and/or environmental correlations—by using a bivariate classical twin design. We found that creativity and BPD were each influenced by genetic factors (heritability = 0.45 for BPD and 0.67 for creativity) and that these traits are genetically correlated rG = 0.17. Environmental influences were not correlated. This is evidence for a common genetic mechanism between borderline personality scores and creativity which may reflect causal effects and shed light on mechanisms.

Comparison of EEVEE and Cycles Rendering Performance in Blender 3.5 in the Context of Interactive Visuals for 3D Animation

This research aims to compare the performance of two rendering engines, namely EEVEE and Cycles, available in Blender 3.5, in the context of developing interactive visual 3D animation. The rendering engine is a key element in 3D animation production, and the right choice between EEVEE and Cycles can have a significant impact on the final animation result. In this research, we conducted a series of experiments and analyzes to evaluate rendering speed, the quality of the resulting images, and the ability to achieve the visual effects desired by the animator. The results of this research provide deep insight into the strengths and limitations of each rendering engine in interactive 3D animation scenarios. These findings can help animators, game developers, and similar creative professionals make more informed choices when choosing a rendering engine that suits their project needs. Thus, this research contributes to the development of rendering techniques in the growing 3D animation industry.

Artistic creativity in the cultural diplomacy: opportunities and boundaries

The subject of the study is the semantic content of cultural diplomacy. The relevance of addressing this topic is determined by the specifics of the current stage of development of international relations, when cultural diplomacy finds itself in a situation of sharply narrowed opportunities amid the intensification of counterproductive strategies of “cancel culture.” The purpose of the work is to trace the features of the disclosure of values and meanings of the period of recent sociocultural turbulence. The objectives of the study are 1) to clarify the nature of the attitude of representatives of creative professions to the political and ideological realities of the time; 2) highlight the difference between the dichotomies “political / non-political” and “official / unofficial”; 3) establish the significance of each part of these dichotomies in solving the problems of cultural diplomacy; 4) to trace theoretical and practical approaches to the components of these dichotomies on the part of representatives of artistic culture in the light of the paradigm of meaning-making as a key value of culture; 5) determine the possibilities and boundaries of interaction between representatives of creative professions and the political context of their activities. The research methodology is based on an integrated approach based on data from cultural history, cultural anthropology, and political psychology within the framework of the theory of intercultural communication. The key method used is categorical analysis, as well as discourse analysis, which allows us to trace blocks of value preferences, taking into account the characteristics of current historical and cultural processes. The novelty of the study lies in identifying the possibilities and boundaries for the development of cultural contacts in an era of current turbulence (primarily political), when, against the backdrop of the intensification of “cancel culture,” the possibilities for such interactions are reduced.

Is American Horror Scarier? The Difference Between Chinese and American Horror Games

Fear is a result of human evolution to warn with the highest speed when faced with danger. With the continuous development of the entertainment industry, more and more horror games have entered the public's vision and been loved by everyone because they give people a sense of adventure and excitement. By comparing the horror games released by China and the United States in recent decades, this paper will study the differences and sources of Chinese horror and American horror as well as the development trend and suggestions of the two under the influence of cross-cultural communication in the future. The study concludes that in the current era of multicultural exchange, game producers and other creative professionals must strike a balance between maintaining the uniqueness of their work and embracing different cultural influences, in a way that not only promotes appreciation and understanding of various cultures but also creates innovative and engaging work.

The Effect of Technology Integration, Work-Life Balance, and Job Stress on Employee Well-Being in the Art Industry in Jakarta

This quantitative study investigates the impact of technology integration, work-life balance, and job stress on employee well-being within the art industry in Jakarta. Through a cross-sectional survey of 150 professionals, data were collected and analyzed using Structural Equation Modeling with Partial Least Squares (SEM-PLS 3). The measurement model assessment confirmed the reliability and validity of the measurement instrument, while the structural model estimation revealed significant direct and indirect effects among the variables. The findings indicate that technology integration positively influences employee well-being, while work-life balance and job stress play significant roles in shaping employee welfare. These results underscore the importance of organizational strategies and interventions aimed at promoting a healthier, more supportive work environment within the art industry. The study contributes to a deeper understanding of the factors influencing employee well-being in the context of creative professions and provides valuable insights for organizational leaders, policymakers, and practitioners.

The Impacts of Text-to-Image Generative AI on Creative Professionals According to Prospective Generative AI Researchers: Insights from Japan

The growing interest in Japan to implement text-to-image (T2I) generative artificial intelligence (GenAI) technologies in creative workflows has raised concern over what ethical and social implications these technologies will have on creative professionals. Our pilot study is the first to discuss what social and ethical oversights may emerge regarding such issues from prospective Japanese researchers – computer science (CS) graduate students studying in Japan. Given that these students are the primary demographic hired to work at research and development (R&D) labs at the forefront of such innovations in Japan, any social and ethical oversight on such issues may unequip them as future knowledge experts who will play a pivotal role in helping shape Japan’s policies regarding image generating AI technologies.

ECOSSISTEMA DE INOVAÇÃO E A INDÚSTRIA CRIATIVA

The purpose of the present research was to investigate the agents involved in an innovation ecosystem within the realm of the creative industry, drawing on relevant international literature. The interest emerged from the need to assess the existence of international examples identifying new innovative protagonists. To this end, a systematic review of publications indexed in the Web of Science database was undertaken, using the content analysis method based on Bardin (2016). After developing the protocol for filtering and analysis, 46 articles published on the platform between 2020 and 2024 were identified and examined. It is possible to observe that the discussion about innovation ecosystems and the creative industry transcends regional boundaries, addressing the need to integrate both urban and rural areas. This integration is achieved through the creation of innovation districts, innovation zones, creativity collectives, creative cities, and smart cities, all spaces guided by sustainability concerns, with the purpose of unifying the interests of industry, civil society, government, and academia. For the effective generation of innovative products, it becomes indispensable to have creative professionals endowed with specific managerial skills, supported by well-defined business models and organizational flows. Furthermore, it is essential to maintain constant attention to aspects related to intellectual property rights and the implementation of public policies that promote the development of the creative industry.

Free Milieus, Creative People: An Investigation of Creative City Policy in Istanbul from the Perspective of Governmentality

This paper analyzes the creative city policy for Istanbul, which has recently become a popular throughout the world. Cities are expected to be creative milieus that foster free circulation of people, ideas, and interactions for economic growth, global competitiveness, and social development. Drawing on Foucault and governmentality studies, this paper first argues that the creative city policy is a neoliberal political rationality that seeks to stimulate individuals' creative capacities through structuring urban space. Neoliberalism includes the de-governmentalization of state and the active participation of non-state actors in the governing processes. Second, using examples from street gentrification, industrial heritage re-functioning, and co-working spaces in Istanbul, this paper dissects how creativity, freedom, and economic growth intersect in urban space and how a broad coalition of political parties, state agencies, local authorities, non-governmental organizations, small-scale cultural entrepreneurs, and creative professionals have been formed around the creative city. As a result, creative city policy is a form of governmentality that includes official documents as well as spatial strategies of a heterogeneous coalition of state and non-state actors.

Amplifying Generative AI's Impact on Creative Content: Maximizing Neural Network Potential

In a world increasingly driven by technology, the field of creative content production stands on the initiative of a revolution. This paper explores the cutting-edge advancements in Generative Artificial Intelligence (GAI) & its profound impact on creative content creation. By leveraging the power of neural networks, GAI has the potential to transform how we generate, consume, and interact with creative works across various mediums. The paper begins by explaining the core principles of GAI, simplifying complex concepts for readers. It explores the fascinating world of neural networks, demonstrating how these intricate systems learn and replicate creative patterns and styles similar to human thinking. But the fascination doesn't end there. As the story progresses, the paper reveals the diverse benefits of GAI for creative professionals and enthusiasts alike. From transforming content creation processes to enabling personalized experiences and simplifying automation, the possibilities seem limitless. However, every technological wonder comes with its own set of challenges and considerations. This paper navigates through the ethical maze surrounding GAI, addressing concerns such as prejudices, copyright issues, and the intricate balance between human and artificial creativity. It advocates for responsible and moral practices in the use of GAI, ensuring that this potent tool is employed for the betterment of society. Yet, the most compelling feature lies in the introduction of a groundbreaking innovation: the "Investigate" algorithm. This algorithm, a culmination of advanced techniques including reinforcement learning and evolutionary optimization, promises to enhance GAI's impact by expanding the boundaries of neural network potential even further. It intrigues readers with the promising potential of a future where AI continuously improves itself, leading to the creation of increasingly sophisticated and innovative creative content. In conclusion, this paper calls upon readers to embark on a journey of discovery and innovation, inviting them to explore further into the realm of GAI's impact on creative content production. Through the examination of neural network potential and the moral considerations that come with it, we stand on the threshold of a new era in creativity and innovation.

Exploring local, experimenting with transnational: Producing Turkish television series

This study explores the factors influencing the rising global appeal of Turkish TV series, focusing on the production process and economic dynamics with the global and local media distribution of these dramas. It assesses how market-driven media production conditions and creative professionals’ roles influence the creation of Turkish series by interviewing nine industry insiders. The study found that market-oriented media practices and executives’ understanding of Turkish audience preferences significantly direct the creative output, which is predominantly aimed at local viewers.

You See a Wall, I See Blue Skies: A Perception-Based Model of Constraints and Creativity

ABSTRACT Creative professionals from those in the DJ Booth to the writer’s room and in the C-Suite to the R&D department have demonstrated and argued for the importance of constraints for creativity. In contrast to this view, the empirical and academic literature on constraints has produced less conclusive and resounding results on the constraint-creativity relationship. In this paper, I argue that creativity researchers have focused too heavily on constraints such as a “main effect” on creativity and as a result, over constrained our own thinking in this area. In line with recent and emerging work, I propose a framework that shifts our thinking away from a direct influence of constraints on creativity, to one driven by perceptions of constraints based on individual and situational factors. Following, suggestions for future research and advancing our thinking in this area are proposed.

The role of bipolar disorder and family wealth in choosing creative occupations

Research in psychology and medicine has linked mental health disorders, and particularly bipolar disorder (BD), to employment in creative professions. Little is known, however, about the mechanisms for this link, which could be due to biology (primarily through a person’s genes) or environmental (through socioeconomic status). Using administrative data on mental health diagnoses and occupations for the population of Denmark, we find that people with BD are more likely to be musicians than the population, but less likely to hold other creative jobs. Yet, we also show that healthy siblings of people with BD are significantly more likely to work in creative professions. Notably, people from wealthy families are consistently more likely to work in creative professions, and access to family wealth amplifies the likelihood that siblings of people with BD pursue creative occupations. Nevertheless, family wealth explains only a small share of the correlation between BD and creative employment.

Artificial Intelligence and the question of creativity: Art, data and the sociocultural archive of AI-imaginations

Increasingly artificial intelligence (AI) is employed by artists for creative purposes. At the same time, AI causes significant concerns among creative professionals in terms of copyright violations and possible job loss. To understand how it may be possible to (co)create with AI this article will enter into conversation with Indian artist Harshit Agrawal who is both a designer with Adobe and an artist who works with AI for creative purposes. Introducing the concept of the sociocultural archive comprising AI imaginations as they have featured in popular culture, this article suggests that when we seek to understand how we now live, work and create with AI in the ‘present’, we must also interrogate how this was once envisioned in the ‘past’. This will facilitate a more productive approach to AI for the ‘future’.

Which Idea to Pursue? Gender Differences in Novelty Avoidance During Creative Idea Selection

Despite women having made significant progress in the modern workforce, gender gaps are still evident in creative work. In this paper, we propose that, although women and men are equally capable of generating creative ideas, gender differences emerge during the idea-selection stage. Specifically, compared with men, women engage in higher novelty avoidance during idea selection—the degree to which one selects an idea that is less novel than the most novel idea one has generated. In two laboratory studies and a field survey involving creative professionals, we found significant gender differences in novelty avoidance during idea selection and identified women’s concerns about social backlash when pursuing highly novel ideas as one explanatory variable. We also experimentally manipulated gender compositions of the evaluation panel and found that women’s novelty avoidance tendency during idea selection was reduced when they were informed about the presence of women evaluators. Finally, novelty avoidance during idea selection has an inverted U-shaped relationship with idea success; because women tend to engage in higher novelty avoidance than men, novelty avoidance in women (but not men) has a negative impact on the success of their ideas. By examining gender dynamics at specific stages, our work offers theoretical and practical insights regarding gender disparities in creative work. Funding: M. Jin extends appreciation to the National Natural Science Foundation of China [Grants 72202003, 72091314, 72172006] for financial support. The authors also gratefully acknowledge the Singapore Ministry of Education’s Social Science Research Thematic Grant [Grant MOE2017-SSRTG-042]. Supplemental Material: The online appendix is available at https://doi.org/10.1287/orsc.2022.16176 .