Costume Pattern Research Articles

Retracted: Application of Nanomaterials in Visual Effects of National Costume Pattern Design

Retracted: Application of Nanomaterials in Visual Effects of National Costume Pattern Design

A Comparative Analysis between Real and Virtual Stretchable Tight-Fitting Clothing

In order to expand the utilization range of 3D virtual clothing systems in the field of tight clothing, this study attempted to provide more in-depth research data to confirm the utility of CLO software in the field of tight-fitting clothing by comparing and evaluating the appearance similarity of 3D virtual clothing. In this study, the target outfit is selected as a basic short-sleeved top (Garment 1 without lining and subsidiary material), basic short-sleeved top with lining (Garment 2), chest cap (Garment 3), and chest cap (Garment 3-1) to determine the similarity among factors that may affect the appearance similarity of 3D virtual clothing. The costume pattern was digitized into YUKA CAD, the real fitting body was implemented in CLO through the 3D scan, and a 3D virtual image was produced. Then, Garments 1 to 3 were photographed and analyzed by evaluating the similarity between real and 3D virtual images on a 5-point scale to 10 experts. The results of this study are as follows. First, on evaluating the similarity between the real and 3D virtual images of Garments 1, 2, 3, and 3-1, the garments were seen that the implementation of lining insertion was similar and well-executed. There was no significant difference in the evaluation score of all garments to affect the usefulness of the CLO, although the difference between the evaluation scores of all garments was not significant, it was noted that the score of Garment 3 was the lowest, followed by Garment 3-1.

Application of Nanomaterials in Visual Effects of National Costume Pattern Design

Nanomaterials refer to new materials that are constructed from a unit structure of one to one hundred nanometers according to certain organizational rules. The purpose of this paper is to apply nanomaterials in the study of visual effects of ethnic dress pattern design. This paper first gives a brief overview of ethnic costumes, including the status quo, development, characteristics of ethnic costumes, and also studies the pattern design and visual effects of ethnic costumes, as well as the image shaping of pattern design. Then, the content of nanomaterials is elaborated. Finally, nanomaterials are applied in the design of ethnic costumes, and they are compared with traditional ethnic costumes, and the functionalities of the costumes and the visual effects of pattern design are observed, respectively. The results show that the overall average score of the visual effect test of ethnic dress pattern design using nanomaterials reaches 8.54 points, which verifies its effectiveness.

Research on Digital Restoration of Plain Unlined Silk Gauze Gown of Mawangdui Han Dynasty Tomb Based on AHP and Human–Computer Interaction Technology

In 1972, the Plain Unlined Silk Gauze Gown unearthed from the Mawangdui Han Dynasty tomb in Changsha, Hunan Province, China, received attention from various fields such as archeology, cultural relics conservation, textile and costume because of its light texture and exquisite craftsmanship. However, due to it being unearthed decades ago and imperfect preservation measures being used, it has been increasingly damaged by the influence of the external environment. Therefore, there is an urgent need to carry out archeology, restoration and protection of the Plain Unlined Silk Gauze Gown. In this paper, the Plain Unlined Silk Gauze Gown is taken as the research object, and the costume pattern is obtained through 3D interactive pattern-making technology. Then virtual simulation technology is used to digitally restore the Plain Unlined Silk Gauze Gown in combination with the fabric, color and pattern of the costume. Finally, the Analytic Hierarchy Process (AHP) and the fuzzy comprehensive evaluation method are introduced to evaluate the virtual simulation effect of the costume. The results show that the virtual simulation effect of the Plain Unlined Silk Gauze Gown is very good. From the results of the costume restoration, the AHP captures the uncertainty in the process of costume virtual simulation evaluation, quantifies the judgments with weights, reduces the subjectivity of the evaluation process, and provides a scientific and effective method for evaluating the virtual simulation effect of ancient costumes.

제주도 전통 수의(壽衣)의 전형(典型)에 관한 실증적 고찰

The traditional shroud of Jeju-do not only maintains a unique costume pattern different from that of the land, but its manufacturing technology is valuable in terms of historical, academic, and functional aspects of traditional clothing. It is well worth acquiring, preserving, and transmitting the traditional Jeju shroud in its original form. Therefore, this study examines the typical Jeju-do traditional shroud. The results of examining the types and characteristics of Jeju traditional shroud through literature research, interviews, and empirical research methods are as follows. The traditional men’s shroud in Jeju is an undershirt, red ginseng, and jeogori over the top, and underpants, pants, strings, and gaiters as the bottom, and a durumagi and dopo as outerwear. The components of the simplified shroud also include a durumagi and an applicator. In some cases, the durumagi, usually made in one piece and worn inside the application, is also called ‘furime,’ a Jeju dialect meaning durumagi. The traditional women’s shroud in Jeju is briefs, underpants, unlined skirt, lined skirt, under jeoksam, unlined jeogori, lined jeogori for the top, and Jang as the outerwear. The original form of the Jeju-style Jangot can be found in the Durumagi in terms of the length, collar shape, and side part, and there are narrow sleeves and wide sleeves. A cloth used to cover the face is called a black hosang in Jeju. The men’s black hosang are all angled except for the crown, decorated with status symbols on the back and a face covering on the front. The black hosang worn by women made a three-dimensional shape with a wrinkled crown and a round plate attached to the top, and a face covering was attached to the center of the front slit. The change of the funeral system has made the change of traditional shroud inevitable, but it is still necessary to understand and preserve the tradition of a traditional shroud, and it is judged that reasonable measures suitable for modern cremation culture should be sought.

Research on Embroidery Feature Recognition Algorithm of Traditional National Costumes Based on Double-Layer Model

In order to improve the visual communication ability of traditional national costume patterns, it is necessary to carry out image texture intelligent matching processing. A traditional national costume embroidery feature recognition algorithm based on a double-layer model is proposed. The traditional national costume pattern texture intelligent information acquisition model under the double-layer model is constructed to carry out texture imaging and feature segmentation of traditional national costume patterns, extract the texture histogram of traditional national clothing pattern and national design language, carry out texture segmentation and automatic matching under the two-layer model according to the histogram distribution, enhance and optimize the texture information of traditional national clothing pattern, extract the edge contour feature points of traditional national clothing pattern, and complete the embroidery feature recognition of traditional national clothing. The experimental results show that the designed recognition algorithm has high integrity and accuracy.

Principles of Pattern Modification of Court Costume in Ming Dynasty in 3D Simulation

Due to the particularity of ancient Chinese costume patterns, algorithm errors often occur in 3D simulation of ancient Chinese costume, resulting in failure of costume simulation. When reconstructing those costumes with research value, the influence of the garment structure on the effect of the garment model should be taken into account, and the garments should be reconstructed with real patterns. However, in order to reduce the algorithm errors in the costume simulation process, the authenticity of the pattern must compromise the limitations of the software algorithm， that is, the original pattern of costume must be modified. This paper, taking the court costume of Ming Dynasty as the research object, summarizes the parts where algorithm errors occur in the virtual simulation process of court costume. Through specific experiments, the effect of costume models made by different patterns is compared, the modification method of Ming Dynasty costume pattern in CLO3D is explored. The pattern modification principle that can eliminate algorithm errors in simulation process to the greatest extent is determined, and a set of court costume pattern used for 3D simulation is established. This pattern modification principle is applicable not only to the Ming Dynasty court costume, but also to all the ancient costumes with the same structure as them, which provides the theoretical basis and experimental method for the establishment of other ancient costume models.

중국 소수 민족 판요족 복식의 문양을 응용한 가방 디자인 연구

중국 소수 민족 판요족 복식의 문양을 응용한 가방 디자인 연구

Research on the Application of Li Nationality Costume Pattern in the Cultural and Creative Clothing Product Design of Wenzhou She Nationality Tourism Area

"Distinctive costume patterns of Li nationality" is the precipitation of history, the accumulation of culture, and the crystallization of diligence and wisdom of people Li nationality. In Wenzhou She nationality tourist area, the design of cultural and creative clothing products badly needs such history, culture and wisdom. This paper focuses on "the analysis of the distinctive costume patterns of Li nationality" and "the application of the distinctive costume patterns of Li nationality in the cultural and creative clothing product design of Wenzhou She nationality tourism area". It is hoped that the ingenious application of the "distinctive custom patterns of Li nationality" will bring new inspiration and ideas to the design of cultural and creative clothing products in Wenzhou She tourism area.

A Survey of Hani Traditional Costume Pattern Preference from the Perspective of Contemporary College Students and Its Application in the Field of Design

With the rapid development of economy and the constant impact of various foreign cultures, more and more traditional costume patterns of ethnic minorities have gradually declined or even disappeared, and the Hani nationality, as an ancient inhabitant of Yunnan, is no exception. In order to inherit and carry forward Hani national culture and apply the element of traditional national costume pattern to modern design better, this paper takes the symmetry and balance, harmony and contrast, rhythm and rhythm as independent variables, and esthetic preference as dependent variables, and carries out three groups of three-factor mixed experiments. The results from the experiments indicates that contemporary college students prefer "symmetry", "contrast" and "rhythm" in the expression of Hani costume patterns under the classification of the rules of formal beauty, and there are differences in their professional backgrounds, which provides theoretical basis for the design practice of Hani costume patterns. In conclusion, design strategies of Hani costume patterns in various fields on the basis of the results from the experiments were put forward in this paper.

多标签分类的传统民族服饰纹样图像语义理解

多标签分类的传统民族服饰纹样图像语义理解

Oroqen Decorative Pattern Design and Research on the Application of Creation Thought

The dress had distinctive regional and national costume pattern design theme forms simple and delicate rough and chic and unique style dress patterns through the investigation analysis of the patterns of dress of the Oroqen nationality clothing patterns of the decorative techniques and design theme from the theme selection, design, use of color, form 4 aspects of research the patterns of the characteristics of the Rukai clothing patterns hierarchy, life custom, ancestor worship, spirit, carry forward the traditional cultural connotation shows the Rukai people for a better life of love and longing for the Rukai clothing patterns research may promote the costume cultural heritage and protection for the modern design reference the essence of national culture and the creation inspiration. This article mainly from the Oroqen nationality clothing patterns modelling techniques and related materials and other aspects of the analysis, in order to have a more in-depth understanding of the design and creation of the decorative patterns of other ideas.

The Influence of Traditional Auspicious Thoughts on Chinese Belly-Band Patterns

The traditional bellyband pattern is an artistic form of Chinese national culture and the art carrier of the national history, culture and ideologies as well. In the past decades of years, as the appeal is launched nationally for more efforts in transmitting Chinese culture, studies on traditional bellyband culture are on the rise nationwide. The visualized analysis of bellyband related studies during 2001 to 2017 indicates the rising trend in costume pattern study in terms of historical, cultural value as well as artistic aesthetics. As analyzed, Chinese traditional bellyband patterns are closely related to traditional auspicious thoughts in terms of Yin-yang and Five-element thoughts, Nature-man unity, Neutralization and Mean thought and Confucianism and Taoism, and they have become a cultural language by being infiltrated into the costume culture with different symbolic meanings. Therefore, what is endowed in the patterns of bellybands not only embodies auspicious thoughts and the national cultural spirit, but also interprets and expresses the feelings, reflecting the strong desire of people for the auspicious life and prospective future since ancient times.

Pattern research in the digital humanities: how data mining techniques support the identification of costume patterns

Costumes are prominent in transporting a character's mood, a certain stereotype, or character trait in a film. The concept of patterns, applied to the domain of costumes in films, can help costume designers to improve their work by capturing knowledge and experience about proven solutions for recurring design problems. However, finding such Costume Patterns is a difficult and time-consuming task, because possibly hundreds of different costumes of a huge number of films have to be analyzed to find commonalities. In this paper, we present a Semi-Automated Costume Pattern Mining Method to discover indicators for Costume Patterns from a large data set of documented costumes using data mining and data warehouse techniques. We validate the presented approach by a prototypical implementation that builds upon the Apriori algorithm for mining association rules and standard data warehouse technologies.

티베트 복식 문양에 나타난 종교적 상징성

티베트 복식 문양에 나타난 종교적 상징성

Graphic Reconstructing and Application Research of Traditional Auspicious Pattern in the Customization for Haute Couture

Costume pattern carries massive traditional culture and national spirit. It has important significance on people’s life and records the historical process of a nation. The topic of the paper starts from Chinese traditional auspicious pattern, summarizes the combination, layout and implied meaning of pattern through the analysis on the special shape and formal beauty; analyzes and research the cultural spirit and plastic art of traditional auspicious pattern. It makes analysis on the graphic language of traditional pattern and formal language under modern design thinking, finds new graphic language in reconstruction and innovation, this new form may have no direct relation with traditional pattern, but it could invisibly convey traditional spirit, which could better reflect the aesthetic taste of modern design to make Chinese traditional essence possess times spirit and reach the internal spirit unity between people and costume.

Research on the Procedure for Computer-Aided Pattern Design of Uygur's Flowered Hats

Xinjiang Uygur’s flowered hats is famous all over the world, it leads the world of headwear of variou nationalities within China by the variety of styles, the various ways of how to emroider pattern design and exquisite manufacture. It is unusual even in national costumes art of the world. The poupose of this study is to analyze Uygur's headwear, study the rules of Uygur's headwear pattern, analyze the characteristic of the basic pattern, research on the procedure for computer-aided pattern design of Uygur's flowered hat, explore the application of computer-aided design in traditional costume's pattern design and to realize application exploration of computer- aided design in designing of costume and dress adornment.

朝鮮時代の結婚礼服にみられる文様の意匠的な特徴と吉祥観念 : 朝鮮時代後期の結婚礼服に用いられた文様分析を通して(ポスターセッション方式による研究発表概要)

朝鮮時代の結婚礼服にみられる文様の意匠的な特徴と吉祥観念 : 朝鮮時代後期の結婚礼服に用いられた文様分析を通して(ポスターセッション方式による研究発表概要)