Copyright Infringement Detection Research Articles

Using knowledge graphs for audio retrieval: a case study on copyright infringement detection

Identifying cases of intellectual property violation in multimedia files poses significant challenges for the Internet infrastructure, especially when dealing with extensive document collections. Typically, techniques used to tackle such issues can be categorized into either of two groups: proactive and reactive approaches. This article introduces an approach combining both proactive and reactive solutions to remove illegal uploads on a platform while preventing legal uploads or modified versions of audio tracks, such as parodies, remixes or further types of edits. To achieve this, we have developed a rule-based focused crawler specifically designed to detect copyright infringement on audio files coupled with a visualization environment that maps the retrieved data on a knowledge graph to represent information extracted from audio files. Our system automatically scans multimedia files that are uploaded to a public collection when a user submits a search query, performing an audio information retrieval task only on files deemed legal. We present experimental results obtained from tests conducted by performing user queries on a large music collection, a subset of 25,000 songs and audio snippets obtained from the Free Music Archive library. The returned audio tracks have an associated Similarity Score, a metric we use to determine the quality of the adversarial searches executed by the system. We then proceed with discussing the effectiveness and efficiency of different settings of our proposed system.Graphical abstract

User-Generated Content and Copyright Liability: Assessing the Role of User in Copyright Infringement Detection

User-generated content (UGC) exists in various formats on digital platforms, including images, audio, and videos. The capital market has turned UGC into profitable products, benefiting content creators and game companies. This reciprocal relationship presents opportunities in the digital market. However, due to current legislation and public sentiment, UGCs lack sufficient protection under intellectual property laws. This research aims to investigate the copyrightability of user-generated videos in the game industry. Specifically, it seeks to justify the copyright protection of user-generated game videos and propose potential solutions. Furthermore, this paper acknowledges live streaming recordings as a distinct type of game video. The entertainment industry's exponential growth, especially in video games, has sparked a surge in game live streams and videos among gamers. However, this has also led to copyright infringement issues, particularly with fair use defenses. The Copyright Act of 1976 grants exclusive rights, and game videos and live streams infringe on reproduction, display, public performance, and distribution rights. While recognizing the social value, the current statutory framework, like the DMCA, is ineffective. Implementing improvements like a new compulsory license would address copyright issues and foster creativity. A flexible legal standard allowing commercial and fair use would promote economic development, social harmony, and cultural enrichment, while failure to do so could hinder freedom of expression and innovation.

Are our clone detectors good enough? An empirical study of code effects by obfuscation

Clone detection has received much attention in many fields such as malicious code detection, vulnerability hunting, and code copyright infringement detection. However, cyber criminals may obfuscate code to impede violation detection. To date, few studies have investigated the robustness of clone detectors, especially in-fashion deep learning-based ones, against obfuscation. Meanwhile, most of these studies only measure the difference between one code snippet and its obfuscation version. However, in reality, the attackers may modify the original code before obfuscating it. Then what we should evaluate is the detection of obfuscated code from cloned code, not the original code. For this, we conduct a comprehensive study evaluating 3 popular deep-learning based clone detectors and 6 commonly used traditional ones. Regarding the data, we collect 6512 clone pairs of five types from the dataset BigCloneBench and obfuscate one program of each pair via 64 strategies of 6 state-of-art commercial obfuscators. We also collect 1424 non-clone pairs to evaluate the false positives. In sum, a benchmark of 524,148 code pairs (either clone or not) are generated, which are passed to clone detectors for evaluation. To automate the evaluation, we develop one uniform evaluation framework, integrating the clone detectors and obfuscators. The results bring us interesting findings on how obfuscation affects the performance of clone detection and what is the difference between traditional and deep learning-based clone detectors. In addition, we conduct manual code reviews to uncover the root cause of the phenomenon and give suggestions to users from different perspectives.

LogoDet-3K: A Large-scale Image Dataset for Logo Detection

Logo detection has been gaining considerable attention because of its wide range of applications in the multimedia field, such as copyright infringement detection, brand visibility monitoring, and product brand management on social media. In this article, we introduce LogoDet-3K, the largest logo detection dataset with full annotation, which has 3,000 logo categories, about 200,000 manually annotated logo objects, and 158,652 images. LogoDet-3K creates a more challenging benchmark for logo detection, for its higher comprehensive coverage and wider variety in both logo categories and annotated objects compared with existing datasets. We describe the collection and annotation process of our dataset and analyze its scale and diversity in comparison to other datasets for logo detection. We further propose a strong baseline method Logo-Yolo, which incorporates Focal loss and CIoU loss into the basic YOLOv3 framework for large-scale logo detection. It obtains about 4% improvement on the average performance compared with YOLOv3, and greater improvements compared with reported several deep detection models on LogoDet-3K. We perform extensive evaluation on three other existing datasets to further verify on both logo detection and retrieval tasks, and we demonstrate better generalization ability of LogoDet-3K on logo detection and retrieval tasks. The LogoDet-3K dataset is used to promote large-scale logo-related research. The code and LogoDet-3K can be found at https://github.com/Wangjing1551/LogoDet-3K-Dataset.

Logo Detection Using Deep Learning with Pretrained CNN Models

Logo detection in images and videos is considered a key task for various applications, such as vehicle logo detection for traffic-monitoring systems, copyright infringement detection, and contextual content placement. The main contribution of this work is the application of emerging deep learning techniques to perform brand and logo recognition tasks through the use of multiple modern convolutional neural network models. In this work, pre-trained object detection models are utilized in order to enhance the performance of logo detection tasks when only a portion of labeled training images taken in truthful context is obtainable, evading wide manual classification costs. Superior logo detection results were obtained. In this study, the FlickrLogos-32 dataset was used, which is a common public dataset for logo detection and brand recognition from real-world product images. For model evaluation, the efficiency of creating the model and of its accuracy was considered.

Logo-2K+: A Large-Scale Logo Dataset for Scalable Logo Classification

Logo classification has gained increasing attention for its various applications, such as copyright infringement detection, product recommendation and contextual advertising. Compared with other types of object images, the real-world logo images have larger variety in logo appearance and more complexity in their background. Therefore, recognizing the logo from images is challenging. To support efforts towards scalable logo classification task, we have curated a dataset, Logo-2K+, a new large-scale publicly available real-world logo dataset with 2,341 categories and 167,140 images. Compared with existing popular logo datasets, such as FlickrLogos-32 and LOGO-Net, Logo-2K+ has more comprehensive coverage of logo categories and larger quantity of logo images. Moreover, we propose a Discriminative Region Navigation and Augmentation Network (DRNA-Net), which is capable of discovering more informative logo regions and augmenting these image regions for logo classification. DRNA-Net consists of four sub-networks: the navigator sub-network first selected informative logo-relevant regions guided by the teacher sub-network, which can evaluate its confidence belonging to the ground-truth logo class. The data augmentation sub-network then augments the selected regions via both region cropping and region dropping. Finally, the scrutinizer sub-network fuses features from augmented regions and the whole image for logo classification. Comprehensive experiments on Logo-2K+ and other three existing benchmark datasets demonstrate the effectiveness of proposed method. Logo-2K+ and the proposed strong baseline DRNA-Net are expected to further the development of scalable logo image recognition, and the Logo-2K+ dataset can be found at https://github.com/msn199959/Logo-2k-plus-Dataset.

Commentary on "Transpositions within user-posted YouTube lyric videos: A corpus study"

Responding to Plazak's corpus study on pitch and tempo transpositions in user-created music videos on YouTube, I suggest that such transpositions may have musically communicative intentions. Besides the nominal changes designed to defeat copyright infringement detection algorithms, I propose that pitch and tempo changes may be used for listener enjoyment. Some comments on the methodology of the experiment are included.

Audio Music Monitoring: Analyzing Current Techniques for Song Recognition and Identification

Abstractwhen people are attaching or interesting in something, usually they are trying to interact with it frequently. Music is attached to people since the day of they were born. When music repository grows, people faced lots of challenges such as finding a song quickly, categorizing, organizing and even listening again when they want etc. Because of this, people tend to find electronic solutions. To index music, most of the researchers use content based information retrieval mechanism since content based classification doesn’t need any additional information rather than audio features embedded to it. As well as it is the most suitable way to search music, when user don’t know the meta data attached to it, like author of the song. The most valuable application of this audio recognition is copyright infringement detection. Throughout this survey we will present approaches which were proposed by various researchers to detect, recognize music using content base mechanisms. And finally we will conclude this by analyzing the current status of this era.