Wordsworth's comparison of Excursion to AntiChapel of a gothic sets up an implicit contrast between contemporary Anglican values in 1814, and medieval, Catholic, or pre-Reformation past. He continues analogy by explaining that his minor Pieces. . .when they shall be properly arranged, will be found by Reader to have such connection with main Work as may give them claim to be likened to little Cells, Oratories, and sepulchral Recesses, ordinarily included in those Edifices (1814 viii-ix; Cornell ed. 38) (1) His ideal or attentive readers included Bishop of London and Anglican clergy whose high commendations he cited in a letter to his brother Christopher (MY II 171). These readers would have noted Catholic allusions: Cells and Oratories were part of Catholic churches where monks and nuns had prayed for others' souls while for Anglicans, an oratory was simply a domestic chapel. Similarly, a Recluse would have been a celibate member of an enclosed monastic order. In a poem that was to help reclaim and renovate war-weary world of 1814, Wordsworth's simile reveals contradictions between Catholic or pre-Reformation past and contemporary Anglican culture as a source of ethical value. Medievalism was only defined as a style and state of mind in Victorian period, when Ruskin divided Western history into a trinity of ages that represented not only historical moments but also cultural perspectives, namely, classicism, medievalism, and modernism (Ruskin 153): indeed, when Wordsworth wrote Excursion word medieval was yet to enter English language. (2) Examples of medievalism nevertheless appear as soon as thinkers and artists detected difference and distance between themselves and Middle Ages. Medievalism is adoption of style and / or values of Middle Ages, usually prompted by a need to find a critical distance from present. Unlike Antiquarianism, where pastness is primary source of value, medievalism looks for value by contrasting style, ethics, and society of past with present. For Wordsworth and many of his contemporaries, problem with Middle Ages was domination of Roman Catholic Church. Histories of England, even David Hume's version which is largely unsympathetic towards religion, claimed that, after Norman Conquest, William I depressed English identity (I 248), allowing his archbishop Lanfranc to promote the interests of papacy (I 226). Yet perhaps values could still be found in Middle Ages, and each of four speakers in Excursion represents a slightly different interpretation of such values. Wanderer is associated with minstrel tradition, while Solitary's retreat from world connects him with recluse or Hermit. Pastor creates a more chivalric view of Middle Ages, especially his narrative of Sir Alfred Irthing. Finally, Poet's medievalism is less distinct, but he is attracted to ideas of tradition and nationhood. In combination, these perspectives contribute to a uniquely Wordsworthian, Reformed medievalism. full expression of Wordsworth's medievalism is Ecclesiastical Sketches (1822), a sonnet sequence on history of English Church begun around December, 1820, after a walk with Sir George Beaumont through different parts of his Estate, with a view to fix upon Site of a New Church which he intended to erect (Jackson 137). The Catholic Question, which was agitated in Parliament about that time, kept my thoughts in same course; and it struck me, that certain points in Ecclesiastical History of our Country might advantageously be presented to view in Verse (Jackson 135). Wordsworth's sonnets and his notes to Ecclesiastical Sketches reveal a new, or rather re-formed, narrative about history of English Church, which Robert Southey was also developing in Book of Church (1824). …