BUELL, LAWRENCE. The Dream of the Great American Novel. Cambridge, MA: Harvard University Press, 2014. 584 pp. $39.95. The Dream of the Great American Novel. It's a big concept--and Lawrence Buell has written a big book. Weighing in at over five hundred pages, this is twice the size of most scholarly monographs. Buell's astonishing range and trademark versatility are immediately evident. His account of the great American novel (or GAN as he calls it, breathing new life into Henry James's acronym) offers sustained discussion of The Scarlet Letter, Moby-Dick, Uncle Tom's Cabin, Hucklebeny Finn, The Great Gatsby, An American Tragedy, U.S.A., Absalom, Absalom!, Invisible Man, Gravity's Rainbow, and Beloved, as well as briefer treatment of dozens of additional novels including The Grandissimes, The Marrow of Tradition, Gone with the Wind, and Grapes of Wrath. To say that very few scholars could treat this range of texts is an understatement indeed. Buell advances four interrelated points. First, the dream of the GAN began shortly after the Civil War and has proven remarkably resilient, a case for which this book offers rock solid evidence. Second, GAN contenders tend to be acutely aware of their predecessors and often comment on them intertextually (for instance, Buell looks at Invisible Man as a response to Hucklebeny Finn). Third, GANs are tied up with nation-building but critical of American exceptionalism arguably Buell's most important point, though one set aside for long stretches as he pursues other ideas. Finally, Buell anatomizes GANs as following four distinct templates. Three of those templates derive from plot and thematics. There is the up-from story of self-making such as The Great Gatsby and An American Tragedy, the romance of the divide focusing on conflict among races, ethnicities, or regions such as Beloved and Absalom, Absalom!; the meganovel that uses a fictional microcosm to comment on the failed promise of American democracy, such as U.S.A. and Gravity's Rainbow. The fourth template reflects forces more external to the literary work: when a novel is referenced and imitated repeatedly (often by multiple media), it can, as in the case of The Scarlet Letter, attain GAN status retrospectively. While Buell organizes the book around these four templates, providing examples over a large swath of time, it proceeds less as an anatomy than as a very readable, if recursive, account of a large chunk of literary history. The historical depth is extended by Buell's adopting a constellation approach, surrounding a detailed reading of a central text with briefer mention of many related works. …