Fan Communities Research Articles

Behavior and Identity Construction of Online Fan Community—Taking Pocket 48 as an Example

With the development of new media, online social platforms have gradually emerged and improved, greatly changing the interaction between idols and fans, and even between fans and fans. This article takes Pocket 48, an exclusive derivative application of the SNH48 idol group, as an example to explore the fan groups’ interactive behavior and identity construction. Through participant observation and in-depth interviews with 15 fans, the study found that fans’ interactions on the Pocket 48 platform not only significantly enhanced their emotional connection with their idols, but also experienced gradual development in self-expression and identity. process. Through long-term interaction and participation, fans’ emotional investment in idols and communication with other fans continue to deepen, gradually forming a solid identity. This research provides a new perspective for understanding the progressiveness and complexity of modern social media in individual identity construction, revealing how online communities influence users’ identity development through continuous interaction mechanisms.

Along came this song

This article explores the use of songs in fantasy televisual media, considering what types of songs are being sung, where they are placed within the context of the show, and by whom they are being sung. I analyze elements of culture and character that enhance worldbuilding as well as explore the use of repetition through leitmotifs, context, and intertextual references. I focus on songs from The Witcher: Blood Origin , Game of Thrones , and The Witcher. Invoking Petra Zimmerman’s concept of the “semantic co-text” (2013), I examine the context of each song, including what occurs before and after the choice for characters to sing, considering what drives them to the point of song and what it adds to their internal story. This, combined with a hermeneutic approach to semiotic analysis, allows for a close reading of the lyric text. Finally, I draw together the analysis through a consideration of the phonaesthetic choices ( Fimi 2010 ) and the performance of each song as an act of “musicking” (Small 1998) to consider them as individual moments as well as connected motifs within the broader fantasy context. Songs in longform fantasy media enrich the fabric of the text and provide audiences textual clues to hook into and return to. Music is integral to cultural practices; therefore, when examining texts which create new fan communities and new fantastic contexts, it is imperative to pursue the elements which support interior authenticity and allow audiences to accept the context and authority of the story being told.

Identity Construction in Fan Community: An Analysis of Online Discourse among (G)I-DLE Fans in Mainland China on Sina Weibo

Fandom has become a social and cultural phenomenon reflecting practical activities in the fan community. The prevalence of social media and online fan communities has facilitated the transnational industries of Korean popular culture (K-pop) in mainland China. Fans are enthusiastic about creating posts dedicated to their idol(s) or music bands to broaden the influence of the celebrities and establish personal connections with them. The unique interaction patterns in the K-pop fan community reflect the process of fans’ identity identification and construction. This article explores how mainland fans employ discursive strategies to construct their identity and legitimize their behaviors on social media. A total of 80 posts in (G)I-DLE Super Topic made by mainland China netizens have been collected from Sina Weibo. The findings illustrate the construction of both individual and collective identities among fans, which are shaped by various contexts and different communicative purposes. Further analysis explores the potential impact of fans' identities within online communities on the K-pop market in mainland China.

Identity Construction in Fan Community: An Analysis of Online Discourse among (G)I-DLE Fans in Mainland China on Sina Weibo

Fandom has become a social and cultural phenomenon reflecting practical activities in the fan community. The prevalence of social media and online fan communities has facilitated the transnational industries of Korean popular culture (K-pop) in mainland China. Fans are enthusiastic about creating posts dedicated to their idol(s) or music bands to broaden the influence of the celebrities and establish personal connections with them. The unique interaction patterns in the K-pop fan community reflect the process of fans’ identity identification and construction. This article explores how mainland fans employ discursive strategies to construct their identity and legitimize their behaviors on social media. A total of 80 posts in (G)I-DLE Super Topic made by mainland China netizens have been collected from Sina Weibo. The findings illustrate the construction of both individual and collective identities among fans, which are shaped by various contexts and different communicative purposes. Further analysis explores the potential impact of fans' identities within online communities on the K-pop market in mainland China.

‘Your Analysis Is as Useless as Your Ovaries’: Women Football Fans’ Experiences on Social Media

This article provides an original contribution to the field of sports fandom by investigating the experiences of women football supporters on X (formerly Twitter). Drawing on data from an online survey of 1624 women supporters of UK-based men’s football teams, the study examines their digital interactions, gendered challenges, and subsequent coping strategies. Significantly, this study is the first to apply and extend Pope et al.’s (2022) Model of Men’s Performances of Masculinities, offering a new theoretical perspective and refinement of the original model. Through a thematic analysis, the results reveal the gendered dynamics that shape this specific sporting environment, highlighting the crucial role of social media in facilitating football-related discussions and promoting fan communities. At the same time, the study exposes the gender-based stereotypes, abuse, and discrimination that women face when expressing their identities and opinions within male-dominated football spaces. These insights not only advance understanding of gendered interactions in sports fandom but also call for enhanced measures to ensure safer online environments for women football fans.

Science Fiction in the Anthropocene

This article catalogs major recent trends in ecological science fiction (sf), focused primarily on sf published after the completion of N.K. Jemisin's paradigm-setting Broken Earth trilogy in 2017. Major subdivisions in the genre include dystopian and antiutopian narratives about climate collapse, technocratic solutionism, reckoning with climate change as a colonial project, intergenerational conflict, and posthuman formulation. Noting that sf both as literary genre and as fan community encompasses a wide range of political perspectives ranging from reactionary hypercapitalism to utopian socialism, the article does not seek to advance any particular political position but rather seeks to name the major currents of political and ethical debate within sf in this moment of ecological crisis. The article concludes with a brief discussion of the way the sf genre, in reframing the present as the history of multiple possible futures, calls on us to act to shape that future toward human thriving.

Inspiring Contributions: Fan Leaders’ Directives and Encouragement in the Chinese Online Celebrity Fan Community

Abstract In the neoliberal era, there is a new phenomenon where numerous fans follow fan leaders’ instructions to make tangible or intangible contributions to support celebrities, which has exacerbated economic polarization. Although past studies have explored fan empowerment in the Internet era, fan leaders’ promotion effect has remained unstudied. This study aimed to discover fan leaders’ role in guiding fans’ contributions in the Chinese fan community. By integrating a two-step flow model and participatory culture theory, it used qualitative content analysis to analyze 410 posts and 972 comments in the Chinese singer Song Yaxuan’s fan community from February 3 to 10, 2023. Through an inductive approach, four main themes were derived from results: (1) task delegation and empowerment; (2) user-friendly instructions and seamless communication; (3) highlighting a sense of crisis and putting pressure on fans; and (4) fostering a collective mindset. The findings revealed fan leaders use different techniques and the top-down structure in the community to encourage fans to give voluntary contributions of money or time to the celebrity’s development. Theoretically, this study showed internal operation logic in Chinese fan community. Practically, the study shed light on how to lessen the harmful consequences of neoliberalism’s features within the Chinese entertainment industry and realize healthy development.

Convergence or distinctiveness? Exploring how geographic location influences fan behavior in online fan communities

PurposeThis article examines how geographic location (i.e. local or nonlocal) influences fans’ communicative convergence or distinctiveness in the context of an informal online fan community (i.e. Twitter [X]). Nonlocal fans, who live geographically distant from the team they support, derive distinctiveness and belonging from supporting a team from afar. This study considers how these needs materialize in online communication.Design/methodology/approachText mining and textual analysis were employed to collect and evaluate tweets (N = 12,865) in terms of expressed emotion. Tweets were evaluated using the NRC VAD sentiment lexicon (i.e. valence, arousal, dominance) and then categorized based on geographic location and in-group/out-group status. The resulting groups were then analyzed with a two-way multivariate analysis of variance (MANOVA) to examine how geographic location relates to the expressed emotion of tweets.FindingsThe findings indicate nonlocal fans expressed statistically greater arousal compared to local online community members, reflecting their distinctiveness as nonlocal fans. Nonlocal and local fans expressed similar degrees of valence and dominance in their language, suggesting nonlocal fans converge communication behavior, seeking social approval from the salient online fan community.Originality/valueThis study suggests that geographic location influences communication behavior in online fan communities. Moreover, nonlocal fans may be valuable, and underutilized, advocates for sports teams in online community settings.

From Fandom to Fadeaway: Unpacking Factors Contributing to Anime Dropout

ABSTRACTThis study explores a case of anime dropout/disengagement to understand media information users. Particularly, this study identifies elements in anime (e.g., Tropes) that prevent audience from continue watching what they had started (i.e., dropout/disengagement). A content analysis of 226 posts from MyAnimeList.net, an online anime database and fan community, suggests that the major elements that motivate audience dropout are Plot/Narrative, Tropes, Artwork/Visual Style, Characters, and Mood. The expectation gap and sunk cost also contribute to disengagement. This study presents a way to enrich anime metadata through analyzing the identified elements. Additionally, this study suggests that understanding anime disengagement may contribute to the search and recommendation of anime.

Participatory Censorship With Illusory Empowerment: Algorithmic Folklore and Interpretive Labor beyond Fandom

This article explores the cultural complexities of participatory censorship among young Chinese netizens, particularly within and beyond fan communities, through a digital ethnographic lens. By examining the interplay between social media practices and state governance, the study introduces the concepts of algorithmic folklore and interpretive labor to elucidate how fans engage in censorship as both a routine task and a form of ideological negotiation. Through immersive participant observations and in-depth interviews with 25 informants involved in fan conflicts, the findings highlight that while fans perceive their participation in reporting as a form of empowerment, this engagement paradoxically reinforces state control and self-censorship. The study argues that the dynamics of fan conflicts are intricately linked to broader political contexts, where fans become both agents and subjects of censorship. Ultimately, this research underscores the cultural complexities of participatory censorship, revealing the ways it can obscure deeper systemic inequalities and exploitation within the framework of cultural governance in China.

The Impact of K-pop Merchandise on the Consumer Behavior of University Students in Shanghai

K-pop merchandise, as one of the main trends in current fashion development, is continuously expanding its audience and influence, particularly among teenagers. This paper conducts a comprehensive study on the impact of K-pop merchandise on the consumer behavior of university students in Shanghai through surveys and interviews. It aims to analyze the consumption behaviors and preferences of these students concerning K-pop merchandise, thereby exploring the significant effects of K-pop merchandise on this student group. The study finds that the consumption behavior of Shanghai university students regarding K-pop merchandise has long-term characteristics. Their purchasing decisions are directly influenced by their internal economic levels and indirectly by the external behaviors of fan communities. However, the cognitive and rational levels of university students are also improving, and their consumption behavior towards K-pop merchandise is shifting towards more rational and value-based decision-making. Overall, the influence and reach of K-pop merchandise are growing, and it is expected to have a sustained impact on the consumption behavior of university students in Shanghai in the future.

Popular Culture

Abstract Scholarship on the creation and circulation of forms of popular culture has always been concerned with questions of audiences and reception. Initial theorizations of audiences as overly credulous, easily swayed masses have long been significantly complicated to account for more active participation. One of the key drivers of this move of framing audiences from passive to active has been the emergence of the discipline of fandom studies. Today, the field is truly multidisciplinary, encompassing popular culture and media studies, literary studies, communication studies and psychology, marketing and tourism studies, amongst others. Additionally, while fan communities have always been transnational and transcultural, the explosion of cross-cultural phenomena like the Korean Hallyu Wave (the worldwide popularity of Korean media texts and celebrities) has brought renewed attention to the interconnected nature of the contemporary global mediascape. Even as it has expanded, one of the main challenges to the discipline has been criticism that it has overemphasized aspects of fan identity, such as gender identity and sexual orientation, while neglecting the role of race. This critique challenges the structure of the field, whereby certain critical genealogies, methodologies, and even fandoms themselves, are granted a canonical and universal status while others are seen as tertiary. This review of published works in popular culture studies focuses on studies of fandom that aim to break these silos, selecting three publications that address different aspects of today’s globalized fandom mediascape to underline the necessity for fandom scholars to expand their understanding of how these spaces are interconnected. Thematically, the review considers how these publications address and extend three core interests of fandom studies: 1. Digital Platforms and Politics; 2. Identity and Community; and 3. Transcultural Flows.

“Joss is (no longer?) Boss”: three layers of cancelling in the joss whedon fan community

ABSTRACT Over the past few years, and in the aftermath of the #MeToo movement, increased attention has been devoted to the practice of “cancelling:” the withdrawal of support from someone whose values, action or speech are deemed unacceptable. While social justice advocates see cancelling as a tool advancing equality and inclusion, the pejorative term “cancel culture” has quickly earned a contested status and was used by opposers to warn against a “takeover” of “woke” values. The Joss Whedon fan community, centered around a creator celebrated for advancing feminist agendas in popular culture, is an intriguing site within this broader controversy. The aim of this study is to explore how fans navigate the ambivalences inherent in cancelling a previously-valued creator, and the tensions between promoting liberal values and protecting objects of fandom. Drawing on 20 in-depth interviews with Whedon fans and former fans, we propose a framework conceptualizing cancelling as consisting of three layers: cancelling the emotional relationship towards the creator, cancelling his works, and promoting cancelling as an ideological choice. The framework is helpful in understanding the broader tensions inherent in the practice of cancelling, in the context of culture and gender wars.

Correction to: Boys’ Love (BL) Literacy Products Consumption as Leisure and its Impact on perceptions of LGBTQ + People: a Case Study of the Chinese BL Fan Community in North America

Correction to: Boys’ Love (BL) Literacy Products Consumption as Leisure and its Impact on perceptions of LGBTQ + People: a Case Study of the Chinese BL Fan Community in North America

Why Spend Time Chasing Stars?: Identity Construction in K-Pop Fan Communities

Why Spend Time Chasing Stars?: Identity Construction in K-Pop Fan Communities

The emergent community of esports fans in Japan: an analysis of motivations and preferences

ABSTRACT Purpose/Rationale This study examines esports players’ and viewers’ motivations in Japan to inform market segmentation and strategy for industry stakeholders. Design/methodology/approach Employing purposive sampling, data from 500 Japanese esports participants were collected through an online survey including behavioural, motivational, and demographic factors. Cluster analysis was applied to identify distinct groups. Findings Results revealed three unique clusters each for players (all-rounder players, immersive fun seekers, and skill-based players) and viewers (casual viewers, entertainment-excitement seekers and skill appreciation seekers), with each exhibiting distinct motivations and preferences. Socio-economic factors did not significantly differentiate clusters, but fan behavioural patterns were useful in characterising them. Practical Implications Our study provides insights into Japan’s market preferences for console gaming and skill development and guides stakeholders in targeted strategy development for market engagement and growth. Research Contribution By applying the Uses and Gratifications theory within the Japanese context, this study enhances esports online community research by revealing distinct segment characteristics in a culturally unique setting and enriches esports interaction understanding. Originality/value This study sheds light on the motivations and preferences of esports players and viewers in Japan’s emerging market, offering valuable insights for stakeholders to better understand and engage their audience.

Penggunaan Akun Twitter Sebagai Media Komunikasi Di Kalangan Penggemar Musik Korean HIP HOP

Social media is media created to facilitate communication for humans. Twitter is one of the social media that is currently used by many people, not only to communicate but also to write opinions, to news. Fans as a community gather online through social media Twitter. These fans are joined in a community for the presence of a brand. Indonesia is ranked 1st as a country that talks about K-Pop on Twitter the most. Apart from talking about K-Pop, Twitter users also talk about other music genres such as Korean Hip-Hop. Base on social media Twitter, is an account that accommodates people who have the same interests to share information and communicate. The purpose of this study is to find out how social media Twitter becomes a medium of communication for fans of Korean Hip-Hop music. The research method used is a case study with a qualitative approach. The data analysis technique used in this study was by conducting interviews with six informants and one triangulator. The results of the study show that through User- Generated Content it produces an active community of Korean Hip-Hop music fans on the @khhfess account. That way the role of fans on the @khhfess account is very influential in the growth of the Korean Hip-Hop community on Twitter. This proves that Twitter social media can be the right communication medium for a community to discuss and share information.

Analyzing User Feedback on a Fan Community Platform 'Weverse': A Text Mining Approach

This study applies topic modeling to uncover user experience and app issues expressed in users' online reviews of a fan community platform, Weverse on Google Play Store. It allows us to identify the features which need to be improved to enhance user experience or need to be maintained and leveraged to attract more users. Therefore, we collect 88,068 first-level English online reviews of Weverse on Google Play Store with Google-Play-Scraper tool. After the initial preprocessing step, a dataset of 31,861 online reviews is analyzed using Latent Dirichlet Allocation (LDA) topic modeling with Gensim library in Python. There are 5 topics explored in this study which highlight significant issues such as network connection error, delayed notification, and incorrect translation. Besides, the result revealed the app's effectiveness in fostering not only interaction between fans and artists but also fans' mutual relationships. Consequently, the business can strengthen user engagement and loyalty by addressing the identified drawbacks and leveraging the platform for user communication.

The Elusive Fandom: The Problem Field of Foreign Fan Studies

The article is dedicated to an overview of English-language fan studies as an interdisciplinary research area. In particular, it discusses trends in the development of fan studies, various approaches to the conceptualization of fandom and fans, as well as the phenomenon of “aca-fans” and the specifics of research ethics in fan studies. The author traces the complex path of formation and transformation of fan studies into an independent subdiscipline recognized by the academic community. This path is marked by a series of “waves,” which reflect both different approaches to understanding the subject of study and changes in the status of fan studies as such. The spread of fan practices and communities emerging around objects of mass culture contributed to their normalization and mainstreaming. Fan studies also demonstrates changes in its focus: the issue of stigmatization of fans is receding into the background, and fandom analysis in the context of social inequality, participatory culture and media consumption is becoming relevant. Contemporary discussions within fan studies are aimed at rethinking the key notions and searching for new interpretations and concepts that overcome the limitations of previous approaches. One of the main topics of discussion is whether the focus of fan studies is still on the fan community (a tradition started by Henry Jenkins) or whether it also includes individual fans. In addition to revising the concepts and boundaries of the subject field, the article addresses methodological and ethical problems in this area. Particular attention is paid to the position of “aca-fans”, belonging to both the academia and the fan world. The article also shows how the perspective of fan studies is beginning to be applied in related social science disciplines. Since many communities and movements (political, consumer, cultural, etc.) function in some ways similar to fandom, turning to fan studies theories can deepen our understanding of these phenomena.

When TV neighbours become good friends: Understanding Neighbours fans' feelings of grief and loss at the end of the series.

Fans may experience significant upset and distress when a television series ends. However, grief and loss reactions to the end of a fictional series have seldom been investigated. It is likely that the degree to which such reactions are felt is influenced by viewing motives (e.g., pleasure, meaning making), connection to the series and its fan community, relationships formed with characters, including parasocial bonds and experiences of empathy, and tendency to engage with others' perspectives and emotions, including fictional characters. The purpose of this study was to examine predictors of fans' grief and loss reactions to the end of the television series Neighbours, which aired from 1985 to 2022. Fans (n = 1289) completed an online survey shortly after the screening of the final episode. The survey measured grief emotions and cognitions, acceptance that the series had ended, distress at the loss of a parasocial relationship with a favourite character, feelings of closure, and expressions of gratitude for the series. Predictors of these grief and loss reactions examined in the survey were viewing motives, fan identity, strength of a parasocial relationship formed with a favourite character, empathy towards that character, and tendency to take others' perspectives, experience empathic concern and personal distress, and tendency towards engagement with fictional characters. Greater grief and loss reactions were experienced by fans whose motives for watching involved being entertained and exposed to different lifestyles, who felt a stronger fan connection to the series, and who formed stronger parasocial empathic relationships with their favourite character. Factors such as gender, age, and empathic tendencies predicted various types of grief reactions. Understanding fan experiences when a long-running series ends advances theory and research on viewer parasocial relationships and engagement with media, as well as providing evidence that the loss of a series or favourite character can be viewed as a type of grief experience.