Color Of Love Research Articles

The Colors of Love: Multiracial People in Interracial Relationships

The Colors of Love: Multiracial People in Interracial Relationships

Review of “The Colors of Love: Multiracial People in Interracial Relationships”

Review of “The Colors of Love: Multiracial People in Interracial Relationships”

The Colors of Love: Multiracial People in Interracial Relationships

The Colors of Love: Multiracial People in Interracial Relationships

Http://habibiaislamicus.com/index.php/hirj/article/view/184

The tradition and history of writing travelogues in Urdu language is not more than one hundred years old. There are also a large number of travelogues of Hajj and Umrah towards the Holy Hijaz in Urdu literature. Among these travelogues Mustansar Hussain Tarar’s two travelogues “Towards the Holy Kaaba” and “Night in the Cave of Hira” are quite famous, in which we see different colors of love of Allah and his Prophet. The purpose of this article is to give a brief overview of Mustansar’s both travelogues.

Non-Muslim Pakistanis’ Loyalties and their Services for Interfaith Harmony in Pakistan

Loyalty and reliability have always been the aim of high ranked societies, striving for better living. Loyalty and reliability are like a flower that blooms out of pleasant and friendly atmosphere, found online people with similar mind-sets, wanting to achieve prosperous goals. Envy, hatred and jealousy don’t give loyalty a chance to flourish instead, they remove it immediately. This passion only grows and propagates in the atmosphere of love, kindness and great heartedness, while it withers away and ends slowly in the hostile environment. Every citizen in Pakistan is a servant and well-wisher of Pakistan. The loyalty of Muslim community is appreciable at its place, but non-Muslim citizens are also heading forward in serving Pakistan. It is only through this unity that the conditions of stress and misconceptions can be eliminated among one another. In this article, in the historical context of Pakistan, it is sought to clarify that non-Muslims of Pakistan, like the Muslim citizens of Pakistan, are loyal and faithful to Pakistan and love the soil of their homeland, so that their haters get involved in the color of love, and the fortunes of mutual misunderstandings can be eliminated and the honorable citizens of Pakistan can promote peace and prosperity for Pakistan.

Book Review: The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families by Elizabeth Hordge-Freeman

Book Review: The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families by Elizabeth Hordge-Freeman

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

The Color of Love: Racial Features, Stigma and Socialization of Black Brazilian Families

Journal of Family Theory & ReviewVolume 9, Issue 1 p. 131-135 Book Review The Color of Love: Racial Features, Stigma and Socialization of Black Brazilian Families Renada Goldberg, Renada Goldberg University of Minnesota Twin CitiesSearch for more papers by this author Renada Goldberg, Renada Goldberg University of Minnesota Twin CitiesSearch for more papers by this author First published: 02 March 2017 https://doi.org/10.1111/jftr.12186Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat Volume9, Issue1March 2017Pages 131-135 RelatedInformation

Book Review: Elizabeth Hordge-Freeman, The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

Book Review: Elizabeth Hordge-Freeman, <i>The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families</i>

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families. By Elizabeth Hordge-Freeman. Austin: University of Texas Press, 2015. Pp. xiii+311. $29.95.

<i>The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families</i>. By Elizabeth Hordge-Freeman. Austin: University of Texas Press, 2015. Pp. xiii+311. $29.95.

Book Review: The Color of Love: Racial Features, Stigma and Socialization in Black Brazilian Families

Book Review: The Color of Love: Racial Features, Stigma and Socialization in Black Brazilian Families

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

The Many Colors of Love in Niẓāmī's 'Haft Paykar:' Beyond the Spectrum

This article is a study of the many 'colors' of love in Niẓāmī Ganjavī's Haft paykar ( The Seven Figures ), with special attention paid to the (evidently) dichotomous poles of white (purity) and black (concupiscence). The argument is divided into four sections: after introducing the Haft paykar and summarizing some of the scholarship that has been done to crack the code of its color symbolism, I survey these thematic poles as they occur in several landmark medical, philosophical, and poetic texts of Islamic tradition. This provides the basis for an in-depth discussion of the Stories of the Black and White Domes in the Haft paykar , where I observe how the two episodes, when read from this context, seem to support a linear progression from 'black' love to 'white,' with the latter presumably marking the point of apotheosis. In the final section, however, I consider how the stories resist such a straightforward reading, and indeed recursively feed into each other in such a way to suggest that neither color of love can fully exist or function without the other. I propose that the contrast of white and black in the Haft paykar is not sufficiently read as a static dichotomy of symbols; it rather evokes a dynamic interplay of light and shadow that hints at a reality beyond the sum of its parts, a pre-prismatic totality of which all colors of love are merely those refractions visible to the naked eye.

The Color of Love: &lt;em&gt;Madamismo&lt;/em&gt; and Interracial Relationships in the Italian Colonies

This article focuses on madamas , colonized women who provided comforts of home to male Italian settlers in East Africa. While the madamas represented only a small fraction of colonized women in the Horn of Africa, they emerged as a key feature of the Italo-African encounter and dominated colonial discourses on and representations of native women. Native women were stereotypically represented as Black Venuses, voyeuristically gazed at and petrified in atemporal settings without any sociocultural specificity and dismissed as victims of Italian colonialism, or as dangerous and mysterious objects. Even early colonial narratives that expressed some sympathy for the violated indigenous people were unanimous in portraying the madamas who consorted with Italian men as sorceresses, femmes fatales, spies, witches, or manipulators. The madamas were often blamed for Italian military incompetence and for turning many Italian men into insabbiati, literally covered with sand and figuratively gone native. Historians, ethnographers, and writers have inevitably tended to concentrate on the colonizers rather than on the colonized, and on the sexuality of white males in nineteenth- and twentieth-century colonialism. Based on emerging studies on the historical nature of madamismo in Eritrea, and its cultural implications, this article attempts to bring a gender corrective to the dominant discourses surrounding madamismo and to account for the experiences, legacies, and voices on the color of love in colonial times from the colonized perspective.

Color of Love

Color of Love

Loving Women

Loving Women Dear Arlene: So much time has passed since you explained how germs move about the O.R., not with wings like butterflies, but on dust particles and a sneeze. I think of November's early Sunday morning, how we unfolded green sterile drapes, wrong, in triangles, like bandannas for an outlaw's face, how we all laughed, nervous students in scrubs. I didn't know then science was so hard, everything bound to scalpels. You were right about the surgeons: they never thought anything was funny. It was amazing to learn nurses could pass silence like instruments with their eyes, a curved needle looking exactly like the moon's spine, and the red vault of the body was so much like an apple, growing soft at its heart. I wish now I'd been a better talker. When I see purple, I always feel sad, like this berry stain on my daughter's blouse. Sometimes I want to cry over the plums stacked in the market. They look so much like my mother's eyes. Lines of purple were painted on your forehead the last time I saw you, sleepy against white sheets in bed. Do you see what I mean? I was thirty-eight and wanted to say thank you for helping me with part of my life. But your sisters were there by the flowers, the daffodil's slow jazz horn, the blue sea in your eyes. It came out all wrong, like a three-year-old reading a dictionary. I know purple is not the color of love; it's all anger and pain, a chalice without wine, a woman with her tongue cut out. —Jeanne Bryner 43 ...

Yellow light: the flowering of Asian American arts

Acknowledgments Introduction: What's in a Name Part I: The Written Word C.Y. Lee, Novelist: The Short Story That Changed My Fate Kim Yong Ik, Novelist: Home Again, 1945 (from Gourd Hollow Dance), From Elegy by Kim Udam Mitsuye Yamada, Poet: That Man, In Some Countries Diana Chang, Novelist and Poet: The Oriental Contingent Sook Nyul Choi, Memorist and Novelist: From Year of Impossible Goodbyes Maxine Hong Kingston, Memoirist and Novelist: From Tripmaster Monkey Peter Bacho, Novelist: A Family Gathering Arthur Sze, Poet: In Your Honor, The Redshifting Web Meena Alexander, Poet, Novelist, and Memoirst: Imagining Dora Darrell Lum, Fiction Writer and Playwright: Paint Garrett Hongo, Poet: Ministry: Homage to Kilauea David Mura, Poet, Memorist, and Performance Artist: The Colors of Desire Karen Tei Yamashita, Novelist: Siamese Twins and Mongoloids Chitra Banerjee Divakaruni, Poet and Fiction Writer: Clothes Kirin Narayan, Anthropologist and Novelist: Firoze Ganjifrockwala (from Love, Stars, and All That) Katherine Min, Poet and Fiction Writer: The Brick Stewart David Ikeda, Novelist: Roughie Part II: Images, the Spoken Word, Dance, and Music Flo Oy Wong, Artist: Made in USA: Angel Island Shhh, My Mother's Baggage, Baby Jack Rice Story: The Corner Beckoned Munio Makuuchi, Artist and Poet: From Lake Minidoka to Lake Mendota, Black Diamond, Rooting for Coal, Fairgrounds Called Camp Harmony?, Gathering the Lost Tribes under Blue-Spot-Tailed Golden Eagle Wings, Diane as Victory Garden--Even 1/16 Japanese Blood Ping Chong, Playwright: 98.6--A Convergence in 15 Minutes Genny Lim, Poet and Playwright: From La China Poblana David Henry Hwang, Playwright: Trying to Find Chinatown Velina Hasu Houston, Playwright and Poet: From Tea Dwight Okita, Playwright and Poet: Richard Speck, Asian Men on Asian Men: The Attraction Dan Kwong, Performance and Installation Artist: for Grandpa (from Monkhood in 3 Easy Lessons) Slant, Performance Group: Richard Ebihara, Wayland Quintero, Perry Yung: No Menus Please (from Big Dicks, Asian Men), Diary of a Paper Son (from The Second Coming) Christine Choy, Filmmaker: Stills from Who Killed Vincent Chin? Renee Tajima-Pena Filmmaker: Stills from America... or Honk if You Love Buddha Eric Koyanagi, Filmmaker: Stills from hundred percent Garrett Richard Wang, Actor: Response William David Charlie Chin, Musician, Composer, and Writer: Johnson's Store Chris Iijima, Lawyer, Singer, and Songwriter: Asian Song Nobuke Miyamoto, Dancer, Singer, and Songwriter: To All Relations/Mitakuye Oyasin, What is the Color of Love?, The Chasm Peggy Myo-Young Choy, Dancer and Choreographer: Response Jon Jang, Composer and Pianist: From Island: The Immigrant Suite Fred Ho, Musician and Composer: Response Jamez Chang, Hip-Hop and Rap Artist: Indiana Jones Chang, Longing for Home, Sai-i-ku, April 29 Ton Ger Xiong, Hip-Hop and Rap Artist: Go Hmong Boy Go Hmong Boy Go: A Rap, We Are Hmong: A Rap Permissions

The Color of Love

The Color of Love

Love styles and self-representations

This study focused on relationships between love styles and self-representations. The examination of these relationships was motivated by a review of Lee's (1973; The colors of love: An exploration of the ways of loving. Toronto: New Press) descriptions of the six different loving styles which suggests an overlap with a variety of personality measures. The Love Attitudes Scale (LAS), the Self-Consciousness Scale (SCS), the Self-Monitoring Scale (SMS) and a brief measure of self-esteem were administered to 185 subjects. The factor structures obtained in the present study were compared with those obtained in previous studies and revealed an almost exact correspondence for the LAS and the SCS and a close correspondence for the SMS. In general the predictions made between love styles and self-representations were confirmed. Two aspects of the results are discussed: the factor structures of the questionnaires and the importance of the results for theorizing about love styles.