Shifts In Color Appearance Research Articles

Color appearance shifts depending on surface roughness, illuminants, and physical colors

Texture is an important synesthetic design element used in textile products. The three-dimensional surface of texture changes the amount and angle of reflected light causing a color appearance change from its original color. In this work, for a wide range of colors, it was quantitatively analyzed how the color appearances change depending on different textures and illumination, such as CIE standard illuminants A, F11, F2, and D65. It was found that strong-textured fabrics (with a surface roughness Ra of 0.46 mm) had larger hue appearance changes and consequent overall color appearance changes from their true colors due to illuminants than non-textured papers (with a surface roughness Ra of 0.03 mm). Between two types of fabrics with different textures of 0.21 and 0.46 mm, however, there was no significant difference in the magnitude of color appearance changes, indicating that the difference in surface roughness greater than 0.43 mm can produce significant differences in color appearance changes induced by illumination. It was also found that the magnitude and direction of color appearance changes under different CIE illuminants differed significantly according to the physical chroma and hue of the surface.

Influence of Stimulus Size on Simultaneous Chromatic Induction.

Chromatic induction is a major contextual effect of color appearance. Patterned backgrounds are known to induce strong chromatic induction effects. However, it has not been clarified whether the spatial extent of the chromatic surrounding induces a chromatic contrast or assimilation effects. In this study, we examined the influence of the width of a center line and its flanking white contour on the color appearance when the line was surrounded by chromatic backgrounds. A strong color shift was observed when the center line was flanked by white contours with the L/M- and S-cone chromatic backgrounds. There was a difference between the optimal widths of the center line and the contour for the shift in color appearance for the L/M-cone chromaticity (0.9 and 1.1–1.7 min, respectively) and the S-cone chromaticity (8.2–17.5 and 0.9–2.5 min, respectively). The optimal width of the center line for the L/M-cone was finer than the resolution-limit width of the chromatic contrast sensitivity and coarser than that of the luminance contrast sensitivity. Thus, the color appearance of the center line could be obtained by integrating broad chromatic information and fine luminance details. Due to blurring and chromatic aberrations, the simulated artifact was large for the darker center line and S-cone background, thus suggesting that the artifact could explain the luminance dependency of the induction along the S-cone chromaticity. Moreover, the findings of this study reveal that the dominant factor of the color shift is neural instead of optical.

Switchable Photonic Bio-Adhesive Materials.

A soft photonic bio-adhesive material is designed with real-time colorimetrical monitoring of switchable adhesion by integrating a responsive bio-photonic matrix with mobile hydrogen-binding networking. Synergetic materials sequencing creates a unique iridescent appearance directly coupled with both adhesive ability and shearing strength, in a highly reversible manner. The responsive photonic materials, having a physically hydrogen-bonded chiral nematic organization, vary their adhesion strength due to a transition in cohesive and interfacial failure mechanism in humid surroundings. The bright color appearance shifts from blue to red to transparent and back due to a change in pitch length of the chiral helicoidal organization that also triggers coupled changes in both mechanical strength and interfacial adhesion. Such reversible strength-adhesion-iridescence triple-coupling phenomenon is further explored for design of super-strong switchable bio-adhesives for synthetic/biological surfaces with quick remotely triggered sticky-to-nonsticky transitions, removable conformal soft stickers, and wound dressings with visual monitoring of the healing process, to colorimetric stickers for contaminated respiratory masks.

Grouping ambiguous neural representations: neither identical chromaticity (the stimulus) nor color (the percept) is necessary.

Multiple regions, each with the same ambiguous chromatic neural representation, are resolved to have the identical perceived color more often than chance [Proc. Natl. Acad. Sci. USA93, 15508 (1996)PNASA60027-842410.1073/pnas.93.26.15508; J. Opt. Soc. Am. A35, B85 (2018)JOAOD60740-323210.1364/JOSAA.35.000B85]. This reveals that the regions are grouped, but it is unclear whether they are grouped because each one has the identical competing representations of the same stimuli (that is, the same chromaticities) or, alternatively, identical competing representations of the same colors one sees. The current study uses chromatic induction, as in Nat. Neurosci.6, 801 (2003)NANEFN1097-625610.1038/nn1099, to disentangle whether grouping depends on identical (though ambiguous) stimulus chromaticities or on perceived colors, by (1) inducing one chromaticity to appear in two different colors or (2) inducing two different chromaticities to appear in the same color. All stimuli were equiluminant gratings with chromatic inducing and test fields. Three observers were tested, first completing color matches to measure induced color-appearance shifts and second completing grouping measurements using interocular-switch rivalry, a method with rivalrous dichoptic images swapped between the eyes at 3.75 Hz [J. Vis.17, 9 (2017)1534-736210.1167/17.5.9]. Each of two separate areas, one above and one below fixation, had dichoptic rivalry. The two sets of regions had either identical or different chromaticities that could appear either as the same color or not. Observers reported their percepts when both areas above and below fixation were grouped by color or by chromaticity (or neither in an additional experimental condition). All conditions showed significant groupings for every observer, including when neither color nor chromaticity was identical in a "group." Moreover, there was never a significant effect of chromaticity versus color for any observer. This is the result expected if neither color nor chromaticity must match between two regions in order for them to be grouped and suggests that, instead, some other feature drives grouping.

Experimental method for measuring color appearance shifts in high-dynamic-range luminance conditions.

We present an experimental method to determine color appearance shifts under high-dynamic-range conditions. A couple of light booths with variable luminance provide high-dynamic-range luminance conditions, and a perceptual color shift between the two booths is determined using color appearance matching. For red, green, yellow, and blue groups of four surface color samples, color shifts were measured for nine subjects under a dual illumination at background luminance levels of $100\,\,{{\rm cd/m}^2}$100cd/m2 and $4700\,\,{{\rm cd/m}^2}$4700cd/m2. We observed significant perceptual hue shifts toward blue with magnitudes of 2.5 to 3.9 and 5.0 to 6.9 CIELAB units, for the red and green samples, respectively, and decreases in chroma for most samples when changed from low to high luminances.

The color appearance shifts of woven fabrics induced by the optical blending of colored yarns

This study investigated the effect of individual yarn colors and their blending on the color appearance of woven fabrics by comparing them with solid colors. Woven fabrics often obtain their colors through blends of different colored yarns. When the blends are seen from far enough away, the individual yarn colors are optically mixed in our eyes and perceived as a new solid color that is not actually present. To examine this optical color mixing effect, red, yellow, green, and blue yarns were woven together to produce 36 fabrics in a wide range of colors, the values of which were measured spectrophotometrically. The spectrophotometric values were generated as solid color images on a calibrated cathode ray tube (CRT) monitor. Then the fabrics were scanned and the scanned images were displayed beside their corresponding solid color images on the CRT monitor to assess their differences in lightness, colorfulness, and hue. The results showed that, although the fabrics and their corresponding solid colors had identical CIELAB color values, they appeared significantly different in terms of all lightness, colorfulness, and hue. It was found that the lightness differences of fabrics from solid colors vary with the overall L*, C*, and h° of the fabrics, the colorfulness differences vary with the L*, C*, and h°, and the number of yarn colors in the fabrics and the hue differences vary with the h°. Based on these effects, color appearance models to predict the perceived lightness, colorfulness, and hue of woven fabrics were developed.

Appearance of Achromatic Colors Under Optimized Light Source Spectrum

Light source spectrum can be optimized for object reflectance to reduce the energy consumption by reducing the amount of light absorbed by surfaces. While the feasibility of this approach to architectural lighting has been demonstrated, this concept has only been tested with objects of highly saturated colors. Here, the color appearance of 24 Macbeth ColorChecker test samples, which includes achromatic surfaces (i.e., gray, black, and white), illuminated by optimized theoretical test spectra and reference light sources (incandescent, equal-energy radiator, and phosphor-coated white LED) were calculated using a color space based on the International Commission on Illumination's (CIE) color appearance model, CIECAM02-UCS. Results show that energy consumption could be reduced to between 39% and 90%, with small shifts in color appearance, when considering all object colors. When lighting is optimized for achromatic test samples, energy consumption and light absorption were reduced more than when optimized for colorful surfaces, with imperceptible shifts in color appearance.

Motion Alters Color Appearance.

Chromatic induction compellingly demonstrates that chromatic context as well as spectral lights reflected from an object determines its color appearance. Here, we show that when one colored object moves around an identical stationary object, the perceived saturation of the stationary object decreases dramatically whereas the saturation of the moving object increases. These color appearance shifts in the opposite directions suggest that normalization induced by the object’s motion may mediate the shift in color appearance. We ruled out other plausible alternatives such as local adaptation, attention, and transient neural responses that could explain the color shift without assuming interaction between color and motion processing. These results demonstrate that the motion of an object affects both its own color appearance and the color appearance of a nearby object, suggesting a tight coupling between color and motion processing.

Chromatic induction from surrounding stimuli under perceptual suppression.

The appearance of colors can be affected by their spatiotemporal context. The shift in color appearance according to the surrounding colors is called color induction or chromatic induction; in particular, the shift in opponent color of the surround is called chromatic contrast. To investigate whether chromatic induction occurs even when the chromatic surround is imperceptible, we measured chromatic induction during interocular suppression. A multicolor or uniform color field was presented as the surround stimulus, and a colored continuous flash suppression (CFS) stimulus was presented to the dominant eye of each subject. The subjects were asked to report the appearance of the test field only when the stationary surround stimulus is invisible by interocular suppression with CFS. The resulting shifts in color appearance due to chromatic induction were significant even under the conditions of interocular suppression for all surround stimuli. The magnitude of chromatic induction differed with the surround conditions, and this difference was preserved regardless of the viewing conditions. The chromatic induction effect was reduced by CFS, in proportion to the magnitude of chromatic induction under natural (i.e., no-CFS) viewing conditions. According to an analysis with linear model fitting, we revealed the presence of at least two kinds of subprocesses for chromatic induction that reside at higher and lower levels than the site of interocular suppression. One mechanism yields different degrees of chromatic induction based on the complexity of the surround, which is unaffected by interocular suppression, while the other mechanism changes its output with interocular suppression acting as a gain control. Our results imply that the total chromatic induction effect is achieved via a linear summation of outputs from mechanisms that reside at different levels of visual processing.

Color shifts caused by perceived structure-from-motion

When a figure is segmented from a chromatic background using stereoscopic depth, only weak shifts in color appearance are found (Shevell & Miller, 1996). When, however, a figure is segmented from ground by percepts of transparent layers, shifts in color appearance are large (Wollschlager & Anderson, 2009). Color appearance, therefore, may depend critically on the specific perceptual attributes that segment an object from its chromatic background. This study shows that changes in color appearance due to chromatic adaptation depend on a cortical neural representation at the level of three-dimensional object perception. Shifts in the color appearance of an equilateral-triangle test (0.125 deg in area) were measured using a red/green hue cancellation technique following adaptation to a larger reddish background [L/(L+M) = 0.75, S/(L+M) = 0.2]. The test was perceptually segmented from the background using structure-from-motion so the overall percept was a separate triangular test field on a distinct background. The background was sprinkled with small dots (same chromaticity but slightly higher luminance) that were (i) stationary, (ii) randomly located on each successive frame, or (iii) presented so they were perceived to move coherently over time to create the percept of a 3D sphere. An important feature of the experimental design was that retinal adaptation within 1 deg of the test field was constant in all conditions. When the dot motion created the percept of a 3D sphere, the color shift induced by the background was reduced for three observers, compared to the stationary-dots condition. Randomly relocating dots on each frame also caused some reduction in the influence of the background, but significantly less reduction than when the dots gave the percept of a 3D sphere. In sum, central neural mechanisms of object perception significantly alter the color-appearance changes caused by a given chromatic adapting light. Meeting abstract presented at VSS 2013

Large shift in color appearance induced by motion in context

Large shift in color appearance induced by motion in context

Unperceived patterned chromatic backgrounds induce large shifts in color appearance

Unperceived patterned chromatic backgrounds induce large shifts in color appearance

Evaluation of early state of cyanopsia with subjective color settings immediately after cataract removal surgery

We evaluated cyanopsia by means of achromatic-point settings at several time points started from the day before intraocular lens (IOL) implantation for cataract removal surgery. We intensively measured the initial drift in color appearance; we started the measurement less than 30 min after eyepatch removal, and the measurement continued for several weeks. The shifts were mainly observed in the direction of color space that selectively varies short-wavelength-sensitive cone (S-cone) responses. The time constant of shifts in color appearance was estimated at the initial stage of cyanopsia by fitting exponential curves. The result of fitting suggests that color appearance is recalibrated during cyanopsia by some neural mechanisms with a time constant of several hours. It also became clear that the migration of the achromatic point becomes slower within approximately 12 h after eyepatch removal.

Standard definitions of chromatic induction fail to describe induction with S-cone patterned backgrounds

Inducing patterns that selectively stimulate the S cones can induce large shifts in color appearance. For example, a “peach” test-ring presented within contiguous purple and non-contiguous lime inducing rings appears pink while the physically identical peach test-ring appears orange when presented within contiguous lime and non-contiguous purple inducing rings (Fig. 1c). These shifts have been accounted for by a neural substrate which predicts that chromatic assimilation and simultaneous contrast can operate synergistically to produce large shifts with these patterns [Monnier, P., & Shevell, S. K. (2004). Chromatic induction from S-cone patterns. Vision Research, 44, 849–856]. Here, induction was measured for test-rings that stimulated the S cones either more or less than did the inducing rings. According to standard definitions of induction, color shifts for test s-chromaticities either lower or higher than both inducing chromaticities should be attenuated compared to test-rings of intermediate S-cone stimulation. On the other hand, a previously proposed model of induction predicted independence of the color shifts with test-ring s-chromaticity. Consistent with standard definitions of induction, a reduction in the magnitude of the color shifts for test-ring chromaticities either lower or higher in S-cone excitation than the inducing chromaticities was observed. Additional measurements with patterns that have been shown to isolate assimilation and simultaneous contrast were conducted. For these patterns, expectations based on standard definitions of induction suggested that the magnitude of the color shifts should be monotonic with the S-cone stimulation of the test-ring, and the direction of the color shift should reverse for test-ring chromaticities either lower or higher than both inducing chromaticities compared to test-rings of intermediate chromaticity. In contrast, the previously proposed model of induction based on a receptive-field with S-cone spatial antagonism predicted the color shifts should be independent of the test-ring chromaticity (Monnier & Shevell, 2004). Color shifts were generally independent of the level of the test-ring chromaticity, supporting the S-cone antagonistic model of induction.

Induction from a below-threshold chromatic pattern

Patterned backgrounds can induce large shifts in color appearance, even with patterns of only 10% S-cone contrast (S. K. Shevell & P. Monnier, 2005). The present study tested whether a background pattern could induce color shifts even at a below-threshold contrast. In the first experiment, S-cone contrast threshold for discriminating a pattern from a homogenous background was measured by a 2AFC procedure. Next, a test ring was inserted within the patterned background. With the test ring present, six of eight observers reliably distinguished trials with a patterned background from trials with a homogeneous field, even though the S-cone contrast in the pattern was too low to be discriminated from a homogeneous background. This suggested that a below-threshold S-cone pattern shifted the color appearance of the test ring; that is, the appearance of the test was used to discriminate whether the background was patterned or homogeneous. This was corroborated by asymmetric color matches, which revealed a color shift caused by subthreshold S-cone contrast within the patterned background.

Binocular rivalry between identical retinal stimuli with an induced color difference

An open question in color rivalry is whether alternation between two colors is caused by a difference in receptoral stimulation or a difference in the neural representation of color appearance. This question was examined with binocular rivalry between physically identical lights that differed in appearance due to chromatic induction. Perceptual alternation was measured between gratings of the same chromaticity; each one was presented within a different patterned surround that caused the gratings, one to each eye, to appear unequal in hue because of chromatic induction. The gratings were presented dichoptically with binocular disparity so the rivalrous gratings appeared in front of the surround. Perceptual alternation in hue was found for the two physically identical chromaticities. Stereoscopic depth also was perceived, corroborating binocular neural combination despite color rivalry (Treisman, 1962). The results show that color rivalry is resolved after color-appearance shifts caused by chromatic context, and that color rivalry does not require competing unequal cone excitations from the rivalrous stimuli.

Bezold–Brücke effect in normal trichromats and protanopes

Luminance-dependent change in color appearance--the Bezold-Brücke effect--was investigated in protanopes and related to that in normal trichromats. Spectral lights were presented at six luminance levels covering mesopic, low, and high photopic vision-across three log steps from 0.76 to 760 Td. To judge color appearance, a variant of the color-naming method was used with four primary basic color terms and a "White" response. This modification enabled us to examine apparent saturation changes along with the Bezold-Brücke hue shift. Color-naming frequency functions were acquired across ten presentations of each stimulus. Since protanopes name colors idiosyncratically, changes in color appearance cannot be quantified directly from the color-naming functions. To circumvent the difficulty, these functions were transformed into color similarity measures for analysis with multidimensional scaling purported to reconstruct individual color spaces. In these, luminance-dependent shifts in color appearance were represented by means of geometric displacements. We found that for normal trichromats, shifts measured in this way agreed with those derived in our study directly, and with the hue shifts reported in earlier studies. For protanopes, contrary to some models of dichromatic vision, changes in color appearance are significant and indicate superimposed shifts in hue and saturation. The results obtained for normal trichromats, especially for protanopes, imply that nonlinearity in the yellow-blue opponent system is insufficient to explain the Bezold-Brücke effect, given the nature of the saturation shift and the demonstrated divergence between unique hues and invariant hues.

Chromatic assimilation measured by temporal nulling

Chromatic assimilation is the shift in color appearance toward nearby light. Assimilation was measured using nearby light with time-varying chromaticity. This light induced time-varying assimilation within the test area. Assimilation was quantified by the amplitude of temporally varying test-area light – in counter-phase to the induced assimilation – required to null the assimilation. Unlike previous studies of assimilation, observers here judged only the steadiness of the test area, not its color. The inducing light was varied in luminance, temporal frequency and chromaticity. The measured assimilation could not be explained by only optical factors affecting receptoral quantal absorption. This implies a neural process contributes to assimilation. The nulling measurements showed also that assimilation was not induced independently within the L/M- and S-cone pathways.

The watercolor effect: Quantitative evidence for luminance-dependent mechanisms of long-range color assimilation

When a dark chromatic contour delineating a figure is flanked on the inside by a brighter chromatic contour, the brighter color will spread into the entire enclosed area. This is known as the watercolor effect (WCE). Here we quantified the effect of color spreading using both color-matching and hue-cancellation tasks. Over a wide range of stimulus chromaticities, there was a reliable shift in color appearance that closely followed the direction of the inducing contour. When the contours were equated in luminance, the WCE was still present, but weak. The magnitude of the color spreading increased with increases in luminance contrast between the two contours. Additionally, as the luminance contrast between the contours increased, the chromaticity of the induced color more closely resembled that of the inside contour. The results support the hypothesis that the WCE is mediated by luminance-dependent mechanisms of long-range color assimilation.

Chromatic assimilation: spread light or neural mechanism?

Chromatic assimilation is the shift in color appearance of a test field toward the appearance of nearby light. Possible explanations of chromatic assimilation include wavelength independent spread light, wavelength-dependent chromatic aberration and neural summation. This study evaluated these explanations by measuring chromatic assimilation from a concentric-ring pattern into an equal-energy-white background, as a function of the inducing rings’ width, separation, chromaticity and luminance. The measurements showed, in the s direction, that assimilation was observed with different inducing-ring widths and separations when the inducing luminance was lower or higher than the test luminance. In general, the thinner the inducing rings and the smaller their separation, the stronger the assimilation in s. In the l direction, either assimilation or contrast was observed, depending on the ring width, separation and luminance. Overall, the measured assimilation could not be accounted for by the joint contributions from wavelength-independent spread light and wavelength-dependent chromatic aberration. Spatial averaging of neural signals explained the assimilation in s reasonably well, but there were clear deviations from neural spatial averaging for the l direction.