Reviewed by: Honor by Thrity Umrigar Jaid Wehrenberg Thrity Umrigar. Honor. Chapel Hill: Algonquin Books, 2022. 336 p. Thrity Umrigar's Honor explores the consequences of impossible love in the midst of honor killings and a divided India. A journalist herself, Umrigar provides a unique perspective of India through two protagonists: Smita Agarwal, a reluctant Indian American journalist sent to capture the story, and Meena, whose forbidden love resulted in her husband's murder at the hands of her own brothers. Umrigar's past as an immigrant from India undoubtedly provides authority for this difficult yet important work. In an unlikely triumph, Umrigar unites the romance genre, complete with an enemies-to-lovers trope, with the voiceless victims of honor killings. Unflinching in its portrayal of the complicated race relations of Muslims and Hindus, the novel uses the framework of romance to expose Old India's presence in New India's reality. Honor tells two parallel love stories, one doomed and one privileged, while simultaneously exploring a love-hate relationship with India as a complicated and complex mother country. Smita, whose specialty involves women's issues in foreign countries, has a troubled and mysterious history with India that is teased and eventually revealed towards the novels' close. Meena, a Hindu woman who is suing her [End Page 354] brothers for the death of her Muslim husband, is the subject of the seasoned journalist's endeavors. Smita is hesitant to form an attachment with Meena. However, Smita's own trauma with India makes her usual cold objectivity impossible. Although the stories of women killed for honor are numerous, they often feature the men who kill women to preserve their own reputation and honor. Most of Meena's story, told in italicized sections in her own voice, is the tender love story between her and her lover. The honor present in their love restores meaning to the term and results in the naming of their child. Not flinching away from Meena's horrific treatment, Umrigar tactfully tells her story as a victim without victimizing her. Meena's final act of bravery to protect her daughter and cruel mother-in-law demonstrates the active rather than passive position she plays. Meena's choice to sue her brothers draws media attention, and subsequently, the interaction with Smita and the progression of the plot. Honor killings in India are well documented, yet Umrigar's positioning of Meena solidifies the importance of her work. Meena and Smita take center stage, but India's presence is never absent. Smita's disgust towards India is personified in her developing relationship with Mohan. Mohan, a kind and proud son of gold miners, often argues that India is a beautiful place. Smita's frequent biting remarks against India are met with well-argued rebuttals by Mohan, causing readers to side with Mohan's seemingly more understanding approach. However, the author cleverly forces readers and Mohan to confront the realities of India through both women's stories. Meena's treatment by the chief of her village and her brothers begins to unravel Mohan. Later, Smita reveals her backstory, partly for her own relief, but also so that Mohan could finally see some of her own repulsion with India. Smita's family is forced to convert to Hinduism after a mob drags her and her brother, young children at the time, into the street and sexually assaults both of them while their neighbors do nothing. Smita's earlier comments about India no longer ring as harsh, and Mohan's defenses of India suddenly sound weak and uninformed. Rather than demonize and condemn India, however, Smita's confession and solace in Mohan allows her to appreciate India again. Mohan represents all of the best of India, and in his loving embrace, Smita can begin to form healthy attachments again. Honor does exactly what it sets out to do: restore honor not [End Page 355] just to victims of honor killings, but to India. By describing India as a home, a place where food and people are united under the dust that permeates everywhere, Umrigar allows readers, through Smita's own reunification with India, to see what Mohan and others see: the possibility of...
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