Ingrid Pollard is a British artist whose art photographs try to emphasize the identity of the black population in an environment to which she does not belong. Through lines of identity visual art, she introduces the viewer to a story that has been evolving for years in her world. Intertwining and emphasizing Otherness through the detailing of black life confirms the question of „Who are you?“, and the meaning lies in the artist’s depictions in the vastness of British landscapes. The paper will show the disability of identity through photographs of the Pastoral Interllude collection and try to compare Bauman’s theory of non-belonging to the real environment and the constant striving for a fixed identity. As a starting point for this work, works of art created in the twentieth century depicting portraits of blacks in the everyday situations of British streets and outdoor natural spaces. The historical background of two lost identities that create their selves through life. The visual arts of the time took the space of deliberately emphasizing the original identity through depictions of artistic photography, especially portraits. The anti-essentialist direction will be proven by deliberate shots of photography in environments that are not specific to the time in which Ingrid Pollard’s identity remained trapped. National identity in the photographic world will be highlighted by Ingrid Pollard faithfully portraying the social visual cues that produce the image of a nation and fully embracing character, while reviving the idea that photography is a transmitter of identity.