296 Reviews Friedrich Georg Jiingerprecisely from Nebel, at that time his teacher (as a substitute fora couple of weeks) of German and boxing, another of Nebel's passions, in Cologne (Nebel also told Boll that the teaching of boxing in the German schools originated in the mixed Anglophile/phobe inferiorityfeeling ('Minderwertigkeitsgefuhl') of the Nazis). The very firstletter in the correspondence (27 June 1938) is written by a still relatively young Nebel, anxious to learn what Jiinger thought of a piece of writing of which the latter was the main subject. The correspondence reached its peak in 194750 , the time when Jiinger,longing for a charismatic comeback on the German scene and tryingto counter numerous attacks in the press, rallied his supporters in a manner that was as energetic and dignified on the surface as it was manipulative and calculating in the background (the correspondence is an invaluable source for studying this early stage of Junger's post-1945 career). Nebel quickly gained Junger's confidence through public speeches and articles in his favour. Jiinger even feared lest these be perceived as a touch cloying at times; judging by the compliments Nebel was dispensing in his letters, Jiingerwas probably right (on 12 November 1948, forexample, Nebel wrote: 'Sie sind in der Prosa das, was Holderlin in der Poesie war. Sie lassen sogar Goethe zuriick' (p. 254)). The natural culmination of this process was Nebel's 1949 book Ernst Jiinger: Abenteuer des Geistes (the correspondence thoroughly docu? ments the writing process and Nebel's keeping Jiinger informed of the business at every twist and turn). Soon afterwards, however, Nebel was given to understand that he was not the only custodian of Junger's reputation. The letters furnish evidence of the mostly amicable but nevertheless palpable competition between Nebel and Armin Mohler for an insight into Junger's inner life as a writer and thinker, and indeed for his exclusive trust (which in the end he did not grant to either aspirant). The point of crisis was reached in 1951, when Jiinger broke offthe correspondence until 1960, apparently because of various indiscretions on Nebel's part. The previous intensity was not restored again until 1966-68. The edition by Ulrich Froschle and Michael Neumann, with the wealth of infor? mation contained in the letters and in the detailed and learned commentaries of the two editors (even Karl Marx is glossed in the commentaries, with a dutiful indication on page 595 of the main fields of his work, as well as his birth and death dates?is the situation in the humanities so desperate?), will become a most helpful research tool for scholars working on Ernst Jiinger and German literary and intellectual history after 1945. Among other intriguing things, one learns about the failed plans, in 1949, for a bi-monthly journal ('Pallas') to be edited by Nebel in collaboration with Heidegger, Heisenberg, and Ernst and Friedrich Georg Jiinger; Heidegger stayed away, and that doomed the project (see letters 186-87). Lancaster University Galin Tihanov Trauma and Guilt: Literature of Wartime Bombing in Germany. By Susanne VeesGulani . Berlin and New York: de Gruyter. 2003. vii + 2i7pp. ?78. ISBN 311 -017808-7. Susanne Vees-Gulani's study is the firstin English to explore German literary re? sponses to the Allied bombing war. The author focuses on works by Hans Erich Nossack , Wolfgang Borchert, Gert Ledig, Alexander Kluge, Walter Kempowski, Dieter Forte, and?last but not least?W. G. Sebald, whose 1997 Zurich lectures, subse? quently published as Luftkrieg und Literatur (Munich: Hanser, 1999), more or less triggered media, public, and scholarly interest in the bombing war, and in the degree to which it had or had not been a theme of post-war German literature. Vees-Gulani, however, also discusses autobiographical and literary responses to the bombing by MLR, ioi.i, 2006 297 Germans with a Jewish background (Werner Schmidt, Victor Klemperer, Wolf Biermann , and Gunter Kunert), and by non-Germans (Kurt Vonnegut, Harry Mulisch, and Henri Coulanges). Depictions of the impact of the bombing depend, as VeesGulani 's selection demonstrates, on whether it was experienced by Germans, German Jews, or 'outsiders' such as the POW Vonnegut. Narrative perspectives, accordingly, vary; thus only Vonnegut and...
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