The subject of the research are tunes of the Zhnivo and Dozhinki (harvest) period of the Western Polesie and Ponemanie borderland. The material for the study are musical notations from song collections, archival expeditionary musical notations, phonographic materials mainly from the archives of the Cabinet of traditional musical cultures of the Belarusian State Academy of Music, as well as field recordings from private archives.The purpose of the research is to reveal the song tradition of the Zhnivo and Dozhinki (harvest) period of the Western Polesie and Ponemanie borderland in its modern functional-genre, structural-typological and melostyle content; to reveal the melogeography of tunes in the territories of the Western Polesie and Ponemanie borderland. The relevance of the work lies in an integrated approach to the study of calendar and ritual tunes and identification of the dynamics of the local Zhnivo tradition. The novelty of the work is expressed in the first realization of the picture of the distribution of the Zhnivo and Dozhinki (harvest) period on the territory of the Western Polesie and Ponemanie borderland.The article uses methods: comparative and structural-typological analysis, documentary mapping and phonetic transcription.Research result. Based on the analysis of the genre, structural-typological, melostylistic characteristics, their melogeography (musical geography) is revealed. Several types of Zhnivo tunes stand out. They are included in the group of all-Belarusian harvest lyric-dramatic monologues-statements, which are based on the harvest tune-formula (Z. Ewald). Among them, there are several types of two-line tunes (the upper reaches of the Yaselda River, the locus of the White, Sporovskoye and Black Lakes) and three-line tunes (Vygonovskoye Polissya), based on the “chanting” of 8 or 7-syllable verse norms.Separate groups of festive quint Dozhinki-tunes are distinguished: 1) with the textual opening “Vylitay, perepilko” (localized in the basin of the Lesnaya river), 2) with the refrain “Plon nyasyom, plon” (outline the southern isomela of this type of tunes in the Western Belarusian territories). Conditionally confined to harvest and haymaking mainly quint tunes complement the “classic” harvest repertoire.Local features of the Zhnivo and Dozhinki period tunes of the Western Polesie and Poneman’ie borderland can be traced, a sufficient variety of their song types and varieties within these types are shown. Less quantitative fixation of the Zhnivo-repertoire from the “Poneman side” of the West Polesian-Poneman borderland is noted. On the basis of a comparison of expedition materials from different years the picture of the spread of harvest calendar-ritual tunes in a synchronous layer as well as the dynamics of the decay of tradition in a diachronic layer are clearly traced.The article is accompanied by a melogeographic map.