Bernice Pauahi Bishop Museum Research Articles

Exhibition Review: Project Banaba, Bernice Pauahi Bishop Museum

Exhibition Review: Project Banaba, Bernice Pauahi Bishop Museum

Two unpublished photographic portraits of the American conchologist William Harper Pease (1824–1871)

A likeness of William Harper Pease, best known for his conchological exploration of the Hawaiian Islands, has remained unknown since his untimely death in 1871 at the age of 47. Recently, however, two photographic portraits of Pease have been identified in the archives of the Bernice Pauahi Bishop Museum in Honolulu. The best of the two is a carte-de-visite of the typical size, showing Pease as a man in his mid- to late 30s, clean-shaven except for long, thick sideburns. Self-trained and highly motivated, Pease built an enormous collection of shells during his twenty years in the Hawaiian Islands, representing more than 4,000 species. Isolated though he was, he published 59 papers in reputable journals, describing and naming more than 500 species of mollusks.

Some leptothecate hydroids (Cnidaria, Hydrozoa) from Hawaii, mostly from inshore and nearshore waters.

This report is based on a small collection of hydroids from the Hawaiian Islands, in the central Pacific Ocean. Most of the examined material was obtained by staff of the Bernice Pauahi Bishop Museum, Honolulu, during surveys for nonindigenous marine species in shallow, sheltered, inshore or nearshore waters, and especially in harbours, bays, and lagoons. In all, 34 species of leptothecate hydroids, assigned to 14 families and 20 genera, were identified and are discussed. One of them, based on a single infertile colony with a damaged hydrotheca, was identified provisionally only to the rank of suborder. Given the limited geographic and bathymetric focus of the surveys, only four of the species, Clytia thornelyi, Halecium sibogae, Macrorhynchia balei, and M. hawaiensis, were collected at depths greater than 25 m. Seven species, Cirrholovenia tetranema Kramp, 1959, Orthopyxis crenata (Hartlaub, 1901), Clytia elongata Marktanner-Turneretscher, 1890, C. paulensis (Vanhöffen, 1910), Tridentata maldivensis (Borradaile, 1905), Monotheca flexuosa (Bale, 1894), and a hydroid identified only as Eirenida (undetermined), are recorded from Hawaii for the first time. Three others, Lytocarpia nigra (Nutting, 1905) Macrorhynchia balei (Nutting, 1905), and M. hawaiensis (Nutting, 1905), have their type localities in Hawaii, with the last of these being known to date only from the Hawaiian archipelago. Most of the species are well-known from shallow water areas across the tropical and subtropical Indo-Pacific region, and over half of them have been reported as well from warm waters in the Atlantic Ocean. Their existence in the remote islands of Hawaii is attributed to long-range dispersal by both natural and human-mediated means, including shipping.

Salting Out: A Simple and Reliable Method to Distinguish Between Common Fluid Preservatives and Estimate Alcohol Concentration

Abstract This paper details the salting-out method, which uses the salts potassium carbonate and sodium chloride to distinguish between the three most commonly used fluid preservatives: ethanol, isopropanol, and formalin. A summary of other methods to identify fluid preservative type and a review of the salting-out method published by Mayfield (2013, Distinguishing between ethanol and isopropanol in natural history collection fluid storage, Society for the Preservation of Natural History Collections, https://spnhc.org/wp-content/uploads/2018/11/Mayfieldfinalwithtablechanges.pdf) are provided. A new salting-out method is presented, which requires a small fluid sample (2–4 ml). It is simple, quick, and relatively inexpensive to implement, making it a viable method to distinguish between common fluid preservatives. The materials and equipment for the salting-out test cost just over $100 US, and tests take approximately 3 minutes per container. Results of testing on known concentrations and combinations of ethanol, isopropanol, and formalin (a solution of formaldehyde in water) and on samples of fluid preservatives from specimen containers in the Smithsonian National Museum of Natural History and Bernice Pauahi Bishop Museum collections are presented. The results of salting-out tests have been verified by direct analysis in real time mass spectrometry (DART-MS) (Cody et al., 2005, Versatile new ion source for the analysis of materials in open air under ambient conditions, Analytical Chemistry 77(8):2297–302), which confirmed the results of salting-out tests but also highlighted some limitations, particularly when combinations of fluid preservative are encountered.

A contribution to the knowledge of Quadraseta brasiliensis Goff and Gettinger, 1989 (Trombidiformes: Trombiculidae), with description of the deutonymph instar

In the Neotropical region the genus Quadraseta Brennan, 1970, includes 14 species, with ectoparasitic habits during the larval stage. Quadraseta brasiliensis Goff and Gettinger, 1989, was described from larvae collected on the rodent Hylaeamys megacephalus (Fisher), cited as Oryzomys capito (Olfers). According to these authors, the holotype was deposited in the Museu de Zoologia da Universidade de São Paulo and the paratypes were deposited in three other collections: Bernice Pauahi Bishop Museum, Sam Noble Oklahoma Museum of Natural History and United States National Museum of Natural History, however, no type specimens were found in any of these museums. Here we redescribe the larva, describe the deutonymph instar obtained from field-collected larvae, and report new hosts and localities for this species in Brazil. In addition we provide sequences of the 18S ribosomal RNA gene for this species.

In Memoriam: Yosihiko H. Sinoto (3 September 1924 – 4 October 2017)

In MemoriamYosihiko H. Sinoto (3 September 1924 – 4 October 2017) Patrick V. Kirch Click for larger view View full resolution Kenneth P. Emory (left) and Yosihiko H. Sinoto (right) at the Pu‘u Ali‘i sand dune site, South Point, Hawai‘i Island, in 1954, examining a remaining block of the thick midden layer that Emory had been excavating in arbitrary 6-inch levels. (Photograph courtesy of Y. H. Sinoto) yosihiko h. sinoto (1924–2017) and his contributions to polynesian archaeology Yosihiko H. Sinoto, known to his friends and colleagues as Yosi, passed away on 4 October 2017, at the age of 93, having spent a remarkable 62 years of his life in pursuit of the Polynesian past. His long career spanned virtually the entire history of modern [End Page 325] archaeology in the Pacific, beginning with the inception of stratigraphic excavation after World War II. Although he also carried out brief field projects in Micronesia and Western Polynesia, most of his research was focused on Eastern Polynesia, especially in Hawai‘i, the Society Islands, and the Marquesas. In these key archipelagoes, Sinoto discovered and excavated some of the most iconic of Polynesian sites, including Pu‘u Ali‘i and Wai‘ahukini at South Point, Hawai‘i, Hane on Ua Huka in the Marquesas, and Vaito‘otia-Fa‘ahia on Huahine in the Society Islands. Guided by his material culture-centered approach to archaeology and drawing upon erudition gained from decades of meticulous study of the hundreds of fishhooks, adzes, ornaments, and other artifacts he excavated, Sinoto substantially revised our understanding of the course of human migrations into and across the Pacific. That not all of his theories have withstood the test of more recent research is not surprising, for science is always self-correcting, but our current interpretations would not be what they are if Sinoto had not led the way with his pioneering efforts. Sinoto was born on 3 September 1924 in Kyoto, Japan, where his father was a professor of genetics and later the president of International Christian University. Young Sinoto was educated at the exclusive Jiyu Gakuen school in Tokyo; while there, he read a book by anthropologist Kinji Imanishi that convinced him he wanted to become an archaeologist (Sinoto and Aramata 2016:1–3). Sinoto spent most of the war years in Japanese-occupied Beijing working at the North China Agricultural Experiment Station, but returned to Japan in December 1944, when his family fled Tokyo to avoid the massive Allied firebombings. For several years after the war, Sinoto cultivated sweet potatoes on his uncle’s farm in Nirasaki Village. That Sinoto should have worked in Polynesia at all was a matter of sheer happenstance. In the early 1950s, Sinoto had the good fortune to meet the Dutch Catholic priest and archaeologist Gerard Groot, who had established The Archaeological Institute of Japan in abandoned Japanese military quarters in Ichikawa City. Groot hired Sinoto, who assisted in the excavation of the Jomon-period Ubayama shell mound, 15 km east of Tokyo (Groot and Sinoto 1952). Advised by Peter Throckmorton—an American acquaintance and archaeological enthusiast—that he should pursue further study in the United States, Sinoto applied to and was accepted at the University of California, Berkeley. When the SS President Wilson docked at Honolulu en route to San Francisco on 4 July 1954, however, Sinoto was handed a telegram from Throckmorton that read: “DR. EMORY OF THE BISHOP MUSEUM IS CONDUCTING AN EXCAVATION AT KA LAE ON THE SOUTHERN END OF HAWAII ISLAND. GO THERE AND MAKE OBSERVATIONS” (Sinoto and Aramata 2016:11). Kenneth Pike Emory had joined the staff of the Bernice Pauahi Bishop Museum in 1920 and over the course of more than three decades had become one of the leading ethnologists of Polynesia (Kirch 1992). Most of Emory’s prior archaeological field research had consisted of mapping the stone foundations of ancient temple ruins in Hawai‘i, the Society Islands, and the Tuamotus. Beginning around 1949, however, Emory began to excavate sites on O‘ahu and Moloka‘i using the method of “artificial stratigraphy,” or digging by arbitrary 6-inch levels.1 He had been amazed to find that careful...

Moʻokūʻauhau (Genealogies) of Care: Curating Aliʻi Collections at the Bernice Pauahi Bishop Museum

This paper explores the practice of moʻokūʻauhau (genealogy) in the care of Aliʻi (chiefly) museum collections at the Bernice Pauahi Bishop Museum (Honolulu, HI). Caring for aliʻi objects is a cultural imperative, rooted in a moʻokūʻauhau of curating aliʻi possessions that were and continue to be regarded as vessels of aliʻi mana (spiritual energy). Moʻokūʻauhau, as a relational practice of tracing one’s familial, academic, and practice-based ancestries, is central to Indigenous curation at the Bishop Museum, for it allows staff members who care for the Ethnology Collection to reveal moʻolelo (stories) of how they draw from their familial traditions and the teachings of their mentors within and outside of the museum in order to cultivate an environment where culturally-appropriate methods of care can be utilized. The moʻokūʻauhau of care that are revealed through these moʻolelo are crucial, for they reveal the importance of cultural training and mentorship as a core element of Indigenous curatorial practice. Acknowledging these experiences as a form of professional experience is exigent for supporting Kanaka ʻŌiwi and other Indigenous museum professionals who bridge institutional practice with Indigenous sensibilities. ## This research was supported in part by a research grant provided by the University of Denver's School of Arts, Humanities & Social Sciences. I would like to thank Karen Kosasa and Noelle Kahanu for our many discussions that have shaped this manuscript. I would also like to extend special thanks to the Cultural Collections staff members at the Bernice Pauahi Bishop Museum for their support and their willingness to share their stories with me. This publication would not have been possible without their insights and encouragement. One anonymous reviewer through the Studies in Arts and Humanities editorial team helped to clarify and strengthen this manuscript. All errors are my own.

Kuleana and Commitment: Working Toward a Collaborative Hawaiian Archaeology by Kathleen L Kawelu

Reviewed by: Kuleana and Commitment: Working Toward a Collaborative Hawaiian Archaeology by Kathleen L Kawelu Jan Becket Kuleana and Commitment: Working Toward a Collaborative Hawaiian Archaeology, by Kathleen L Kawelu. Honolulu: University of Hawai‘i Press, 2015. isbn 978-0-8248-4680-0; xi + 141 pages, glossaries, notes, references, index. Cloth, us$39.00. Kathleen Kawelu, associate professor of anthropology at the University of Hawai‘i–Hilo, is to be commended for venturing into the sensitive terrain of relations between archaeologists in Hawai‘i and Kānaka Maoli (Native Hawaiians); her book, Kuleana and Commitment: Working Toward a Collaborative Hawaiian Archaeology, is an honest attempt to bridge cultural, racial, and historic chasms. Despite leaving a few questions unexplored, it succeeds admirably in raising issues that too often emerge only at heated community meetings related to particular land development projects, where they are compressed into sound bites for the evening news. In the introduction, Kawelu divulges that the intent of the book is to explore power asymmetries related to cultural heritage management and the reasons Native Hawaiians are often critical of the practice of archaeology in Hawai‘i. The author discusses a few of the hot-button issues: the historic role played by a Western discipline in the subordination of Kānaka Maoli, the lack of meaningful consultation and communication with Kanaka Maoli communities, and the attitude of some archaeologists that “viewed ancient peoples as separate from contemporary descendants” (14). Anticipating her conclusion, Kawelu comments, “What we perceive as a vast divide between descendant communities and archaeologists does not exist and must not be perpetuated” (13). She also outlines the book’s methodology, an ethnographic study of the field of archaeology through a series of interviews with practicing archaeologists and Kanaka Maoli stakeholders. A chapter on the history of archaeology in Hawai‘i reveals that the traditional kāhuna kuhikuhipu‘uone (priests responsible for the building of heiau [places of worship]) practiced a non-Western form of indigenous archaeology. However, the chapter principally covers the span of Western presence in the Islands, from missionary times to the present, and touches on the major institutions that now shape the profession: the Bernice Pauahi Bishop Museum, the Department of Anthropology at the University of Hawai‘i–Mānoa, and the State Historic Preservation Office. Kawelu’s treatment delivers an excellent formal overview of each sector. Like the chapter on the history of archaeology in Hawai‘i, the subsequent chapter on seven controversial projects serves as an excellent, if brief, overview of land and burial issues that sometimes took decades to resolve. The projects include the island of Kaho‘olawe; the h-3 freeway, the construction of the Ke‘eaumoku Street Walmart, Mōkapu, and the Kawaihae Cave Complex, all on the island of O‘ahu; Honokahua on Maui; and the Hōkūli‘a development in Kona on the island of Hawai‘i. Clearly not intended to be comprehensive accounts, her summaries of these projects will be valuable for students entering the field and serve nicely to reinforce subsequent chapters. [End Page 192] The book is primarily an ethno-graphic study of the field of archaeology itself as it is practiced in Hawai‘i. The following three chapters make up its core ethnographic portion. Eighty-nine people were interviewed, including Kanaka Maoli community members, Kanaka Maoli archaeologists, and non–Kanaka Maoli archaeologists. Kānaka Maoli are defined as either activist or non-activist, with a discussion of what factors went into making that distinction. Archaeologists are also divided into groups representing those working in government, cultural resource management, and academia. Research methodology, interview questions, and interview techniques are all laid out comprehensively, with specific background details offered for those anonymous interview subjects whose views are summarized or quoted. Comments by Kanaka Maoli respondents affirm the very worst views of archaeologists as patronizing intruders extracting knowledge with little respect for individuals or communities. Some of the phrases relayed in the statements include terms such as “cultural voyeurism,” “maha‘oi” (rude), and “nīele” (plying with frivolous questions). In a telling contrast, one senior white archaeologist observes that he does not believe there are any difficulties between archaeology and Kānaka Maoli and comments that...

The first riparian skink (Genus: Sphenomorphus Strauch, 1887) from Peninsular Malaysia and its relationship to other Indochinese and Sundaic species.

Recently discovered populations of skinks of the genus Sphenomorphus from central Peninsular Malaysia represent a new species, S. sungaicolus sp. nov., and the first riparian skink known from Peninsular Malaysia. Morphological analyses of an earlier specimen reported as S. tersus from the Forest Research Institute of Malaysia (FRIM), Selangor indicate that it too is the new riparian species S. sungaicolus sp. nov. Additionally, two specimens from the Tembat Forest Reserve, Hulu Terengganu, Kelantan and another from Ulu Gombak, Selangor have been diagnosed as new the species. The latter specimen remained unidentified in the Bernice Pauahi Bishop Museum, Honolulu, Hawaii since its collection in June 1962. Morphological and molecular analyses demonstrate that S. sungaicolus sp. nov. forms a clade with the Indochinese species S. maculatus, S. indicus, and S. tersus and is the sister species of the latter. Sphenomorphus sungaicolus sp. nov. can be differentiated from all other members of this clade by having a smaller SVL (66.5-89.6 mm); 39-44 midbody scale rows; 72-81 paravertebral scales; 74-86 ventral scales; a primitive plantar scale arrangement; and 20-22 scale rows around the tail at the position of the 10^th subcaudal.

First record of Bombylisoma Rondani (Diptera: Bombyliidae) from Chinaand an identification key to the Chinese genera of Bombyliinae.

Bombylisoma Rondani is a genus of bee flies belonging to the subfamily Bombyliinae (Hull, 1973). It is easily identified by the following characters: Head usually as broad as thorax; hind-margin of eyes indented; wings often small, narrowed at base with at least alula reduced; hind femora often without macrochaetae; body usually more elongate even narrow conical or cylindrical, macrochaetae usually weak often hair-like especially those posterior to the wings; cell r₅ open, pulvilli well-developed; male terminalia with gonocoxite without prominent crest; parameral sheath, bearing paired horn-like outgrowths (Greathead & Evenhuis, 2001). Bombylisoma includes two known species from the Oriental Region: B. ghorpadei Kapoor & Agarwal, 1979 and B. resplendens Brunetti, 1909 (Evenhuis & Greathead, 2015). No species has previously been reported from China. Recently, one specimen of Bombylisoma collected from Yunnan was found in the Bernice Pauahi Bishop Museum. In the present paper this species, B. resplendens Brunetti, is redescribed and this represents the first record of the genus from China. A key to the genera of the Bombyliinae from China is presented.

Hawaiian and Pacific Halls, Bernice Pauahi Bishop Museum

Hawaiian and Pacific Halls, Bernice Pauahi Bishop Museum

Studies in Hawaiian Diptera II: New Distributional Records for Endemic Scatella (Ephydridae).

Here we summarize the known distributional data for the Hawaiian Scatella (Ephydridae). We report on four new island records; Scatella amnica and Scatella stagnalis from Kauai, Scatella oahuense from Lanai, and Scatella terryi from Maui. A list of material present, comprising over 3100 individual specimen records in the collections of the Bernice Pauahi Bishop Museum, University of Hawaii at Manoa, and Essig Musuem of Entomology at UC Berkeley is included, along with details distributional maps for the Hawaiian endemic species.

Pacific Hall: The Bishop Museum’s Renovation of a Permanent Exhibit

This work is a review essay considering the renovated Pacific Hall at the Bernice Pauahi Bishop Museum.

First record of Satyrichthys laticeps and second record of Satyrichthys kikingeri (Teleostei: Peristediidae) from the Maldives Archipelago (Indian Ocean)

Four specimens of the peristediid genus Satyrichthys were sampled with bottom long-lines from a depth of 180 m during the VA ‘Farumas’ Reef Fish Survey off North Male Atoll, Maldives, in 1999. The largest and smallest of these specimens were deposited at Bernice Pauahi Bishop Museum (BPBM 34965, standard length (SL) 278.25 mm; BPBM 41160, SL 413.65 mm). Based on measurements and meristic counts, BPBM 34965 is characterized as Satyrichthys laticeps and BPBM 41160 is characterized as Satyrichthys cf. kikingeri. Satyrichthys laticeps is not only recorded for the first time for the Republic of the Maldives, but also complements distribution data on the species in the north-eastern Indian Ocean. Satyrichthys kikingeri , hitherto known only from a single specimen collected in 2012 from Rasdhoo Atoll in the Maldives, is now documented by a second specimen.

Honour thy ancstor's possessions

This article addresses the ethics of reclaiming moepū (funerary items) for reburial. It centres around a case involving moepū that were removed from a burial cave, conserved by the Bernice Pauahi Bishop Museum, and reburied. Most significant amongst the funerary items removed from the burial cave were four carved wood images of ancestral deities called ki 'ciaumākua and other personal possessions of highranking chiefs. To explain the traditional practice of placing items with the dead, an overview of the traditional role of moepū is provided. Two opposing perspectives in response to the reburial are then presented. The article concludes that, as with iwi kūpuna (ancestral bones), the conservation of moepū is improper and museums should support efforts to return them to their deceased owners. Only by restoring moepū, to their original context — and thereby their original function — can the responsibility of caring for the ancestors be properly maintained and higher levels of traditional cultural understanding be achieved.

Museums and touristic expectations

Museums in recent years have given much more serious consideration to attracting tourists. There is very little understanding, however, of what tourists expect a museum to offer. As part of a much larger research project, a study of tourists who visited the Bernice Pauahi Bishop Museum in Honolulu, Hawaii, was conducted in 1991. It sought to obtain a limited range of quantitative and qualitative data on tourist of the museum. The study found that the museum was drawing on a very select atypical group of visitors. What they valued about the museum is useful information to help this and other museums to broaden their appeal to a wider audience.

Notes on the Rediscovery, Status, and Ecology of the Very Rare Hawaiian Fern Christella boydiae (Thelypteridaceae)

The genus Christella (Thelypteridaceae) is comprised of approximately 50 species distributed predominantly in the Old World tropics but also in the Americas (Holttum 1977). Two native Christella species, C. cyatheoides (Kaulf.) Holttum and C. boydiae (Eaton) Holttum occur in Hawai'i (Wagner, 1981). Christella cyatheoides is a common and characteristic component of matted fern understory of Hawaiian rain forest. Christella boydiae is a much rarer diminutive species of rocky stream courses. Christella boydiae has been collected only from the Ko'olau range of O'ahu, Kipahulu and Waiho'i Valleys on East Maui, and along low elevation watercourses near Hilo on Hawai'i. Currently it is only known from one of these historic populations at Kipahulu Valley. There are 20 specimens of C. boydiae in the Bernice Pauahi Bishop Museum Herbarium Pacificum (BISH) that represent 18 or fewer collections. Most of these specimens are in poor condition and as typical of collections made prior to 1910, have little or no collection information. The species has been most often collected on O'ahu. Of these, six specimens (one third of the total at BISH) were made between 1900 and 1908 by either of the noted Hawaiian botanists, C.N. Forbes or J.F. Rock, mostly from the Punalu'u region of the Ko'olau range. The last collection of Christella boydiae on O'ahu was made prior to 1908. However, Warren H. Wagner found that this species was still present in the Punalu'u area of the Ko'olau range on O'ahu as late as 1965 (Kaluanui Stream, rock shelves, Castle trail, Hau'ula Forest Reserve, Ko'olau range, W H. Wagner and S. Carlquist 65270 MICH). Since that time, many exotic weeds, noteably Clidemia hirta (Melastomataceae), have invaded the area and this species has apparently disappeared. On Hawai'i island, the species, to our knowledge, has been collected only once. Until recently, Christella boydiae had been collected only three times on Maui, first in 1881 in Kipahulu Valley (EL. Clarke s.n., BISH) without further location information. Then after 86 years, C. boydiae was again collected in Kipahulu Valley in 1967 (R. DeWreede 30) along Palikea stream at 915m (Lamoureux, 1968). A third Maui collection was made in 1973 in adjacent Waiho'i Valley as part of the NSF-sponsored Waiho'i Valley Research Project (B. Harrison 10) at 915-1040 m along Waiohonu stream where it was a rare fern from a shady location under a ledge associated with hymenophyllaceous ferns and various mosses along the stream bank (B. Harrison-Gagne, pers. comm.). Neither of these collections is present in the cabinets at the Herbarium Pacificum (BISH): although the latter is in the University of Hawai'i collection. Fourteen specimens at the Herbarium Pacificum (BISH) include the year of collection. Of these, eight were collect86

Atholl Anderson (ed.). Traditional fishing in the Pacific: ethnographical and archaeological papers from the 15th Pacific Science Congress. viii + 213 pages, 45 figures, 47 tables. 1986. Honolulu, Hawai'i: Bernice Pauahi Bishop Museum, Pacific Anthropological Records 37; paperback from typescript.

Atholl Anderson (ed.). Traditional fishing in the Pacific: ethnographical and archaeological papers from the 15th Pacific Science Congress. viii + 213 pages, 45 <i>figures</i>, 47 <i>tables</i>. 1986. Honolulu, Hawai'i: Bernice Pauahi Bishop Museum, <i>Pacific Anthropological Records</i> 37; <i>paperback from typescript</i>.

Hula: Historical Perspectives by Dorothy B. Barrère, Mary Kawena Pukui, and Marion Kelly. Pacific Anthropological Records No. 30. Honolulu: Department of Anthropology, Bernice Pauahi Bishop Museum, 1980. vii + 157 pp. Illustrations, appendices, glossary, bibliography. $10.00 paper. - The Dance of Tahiti by Jane Freeman Moulin. Papeete, Tahiti: Christian Gleizel/Les editions du pacifique, 1979. 130 pp. Illustrations, bibliography. CPF 1750

Hula: Historical Perspectives by Dorothy B. Barrère, Mary Kawena Pukui, and Marion Kelly. <i>Pacific Anthropological Records No. 30</i>. Honolulu: Department of Anthropology, Bernice Pauahi Bishop Museum, 1980. vii + 157 pp. <i>Illustrations, appendices, glossary, bibliography. $10.00 paper</i>. - The Dance of Tahiti by Jane Freeman Moulin. Papeete, Tahiti: Christian Gleizel/Les editions du pacifique, 1979. 130 pp. Illustrations, bibliography. CPF 1750

'Artificial Curiosities', Being an Exposition of Native Manufactures Collected on the Three Pacific Voyages of Captain James Cook, R. N., at the Bernice Pauahi Bishop Museum, 18 January 1978-31 August 1978, on the Occasion of the Bicentennial of the European Discovery of the Hawaiian Islands by Captain Cook, 18 January 1778

'Artificial Curiosities', Being an Exposition of Native Manufactures Collected on the Three Pacific Voyages of Captain James Cook, R. N., at the Bernice Pauahi Bishop Museum, 18 January 1978-31 August 1978, on the Occasion of the Bicentennial of the European Discovery of the Hawaiian Islands by Captain Cook, 18 January 1778