Reviewed by: Les enfants sont rois par Delphine de Vigan Jennifer L. Holm Vigan, Delphine De. Les enfants sont rois. Gallimard, 2021. ISBN 978-2-0729-1581-9. Pp. 352. Critics of the digital age and globalization suggest that new technologies have led to a destabilization, even loss, of community and identity. Who are we if we can be anyone at any time? What do we choose to share of ourselves and with whom? To what communities do we belong if the whole world lies before us, accessible through a few clicks? However, for Mélanie Diore, the protagonist of Delphine de Vigan's eleventh novel, it is precisely because of this digital world that she finds meaning in her life. Mélanie is the mother of Kimmy and Sammy, stars of Happy Récrée, a YouTube channel through which Mélanie documents and shares every element of her children's lives. Each day, millions of followers enter the Diore home to watch Kimmy and Sammy as they indulge their mother's whims in the hopes of getting more "likes," more sponsorship deals, more followers, more fame. Every moment of the children's lives is an elaborately crafted made-for-tv moment. Except one. During a rare afternoon left to play hide-and-seek with the neighborhood children, six-year-old Kimmy goes missing. Police investigator Clara Roussel's work to understand the Diore family and find Kimmy plunges the reader into an exploration of the psychology behind Melanie's choices as she builds a digital following, choices that seem increasingly exploitive and potentially dangerous. Like other novels by Vigan, Les enfants sont rois is a slow-burning thriller exposing the troubled psychologies of the novel's characters—of families trying to negotiate relationships in a world in which everything is for sale and very little remains too intimate to share. Imagining the consequences of a life in which the boundary between public and private fades into oblivion, Les enfants sont rois is gripping and provocative, speaking to a moment in which our private lives are increasingly visible to the outside world, thanks to Zoom, TikTok, Instagram and other forms of social media. One of the novel's successes is that Kimmy's kidnapping, a common trope in thrillers, is not the element that drives the novel's suspense. The reader may, in fact, ask if Kimmy's kidnapping is an act of benevolence. Tension arises, rather, from the steady drip of knowledge about reality television, social media, influencers, and technology that accumulates as the novel progresses. The juxtaposition of Melanie's utter denial about the consequences of an anonymity-free life with her son's extreme paranoia, which consumes the last third of the novel, is highly disturbing. With a narrative arc spanning three decades, the narrator explores the short and long-term psychological, emotional, and social effects of living a camera-ready life. The narrator speaks of potential social media-induced psychological disorders that will trouble and haunt today's children in their adult lives, suggesting problems we may have to confront in the not-so-distant future. [End Page 275] Jennifer L. Holm University of Virginia's College, Wise Copyright © 2021 American Association of Teachers of French
Read full abstract