This paper aims to explore the multidimensional possibilities of Shilpashastras, an ancient Indian recognised tradition about various disciplines - Shilpashastras, the ancient Indian texts on art, architecture, aesthetics and craftsmanship, represent an insightful source of knowledge that has significantly formed the cultural and artistic backdrop of the ancient India. Among these, Sangramansutradhara, Manasollas, Aparajitpreccha, Kashyapshilpshastra, shilpratnakar, 'Manasara Shilpa Shastra'etc. As an inclusive guide, investigating into the elaborate details of architectural and sculptural components found in temples and other structures. It precisely outlines philosophies of design, spatial geometry, and construction techniques, providing a complete view of temple architecture. The 'Vastu Shastra' additional covers the discourse by focusing on the main beliefs of design, layout, and three-dimensional prearrangement, offering an insightful considerate of how spaces can be organized to harmonize with cosmic dynamisms. This concise study aims to lighten the elaborate links between artistic expression, aesthetic principles, and spiritual symbolism essential in ancient Indian texts. Themes to be addressed include historical perspectives on the development of Shilpashastras, philosophical insights into their aesthetic foundations, the spiritual significance of symbols and iconography, contemporary applications in art and design, and strategies for cultural heritage preservation. It seeks to expedite dialogue and collaboration among scholars, artists, practitioners, and enthusiasts, enriching our understanding of ancient Indian iconography, approach to reflect a all-inclusive understanding of the relationship between art, architecture, and spirituality in ancient India, providing invaluable insights into the symbolic language and visual culture of the time.
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