Award-winning Works Research Articles

A Study of the Elements of Muay Thai Dance Performance

This article is part of the research on Thai boxing dancing: an analysis of the award-winning works of Thailand. The researcher studied the theoretical concepts used in the research. It consists of the concept of martial arts for self-defense in the genre of Muay Thai. Concepts of research regulations in the field of fine arts. Concepts of 8 elements of performing arts. Concepts of contemporary performing arts in order that use in data analysis and synthesis. The study found that Regarding the martial art of Thai Muay Thai, there are 2 types of postures: 1) Main Boxing 2) Muay Keaw, there are 15 main postures, 15 lace postures and 64 boxing postures, using the body as a weapon, 9 of which are 2 fists, 2 feet, 2 knees, 2 elbows and 1 head. Research in fine arts, there are specialized forms that can be divided into 4 main fields: visual arts, musical arts, dance, and performing arts. The format has a method and steps that are systematic and orderly in collecting and researching Information from which knowledge can be derived from facts and can be explained academically and supports the concept of research that meets the objectives and is compiled through the research methodological process. Elements of performing arts, the elements of Muay Thai dance performances can be classified as follows: 1) the script 2) the actors 3) the performance of the dancing style or performing arts. 4) performance area 5) props 6) costumes 7) sound effects and 8) lighting. The form of Muay Thai dancing is a contemporary performing art with a variety of applied sciences, presented through the concept of all 8 elements of performing arts, with presentations through contemporary performing arts that combine vigorous fighting with Thai customs that are worth studying to lead to further development of other forms of art and culture.

An Analysis of Multimodal Exchange Structure in English Microlecture

Based on the theory of speech function and mood, mood metaphor and multimodality in systemic functional linguistics, and analyzes 20 award-winning works in the “2022 Excellent Works Collection and Exchange Activity of Foreign Language Microlecture” of China Foreign Language Microlecture Network, aiming to explore the types of multimodal teacher-student exchange structure in English microlecture. This study shows that there are two main exchange structures in the analyzed corpus: teachers' self-questioning, teacher-student question-and-answer. The results of this study are helpful for English teachers to understand the characteristics and advantages of different exchange structures, improve students' interest in English learning, and create an efficient English microlecture classroom.

Technological innovation in earth constructions: prefabrication and 3D printing

This article focuses on the use and application of innovative technologies and tools in earth construction processes. It reviews the rammed earth construction system and its evolution towards prefabrication, as well as the use of earth as a raw material in the production of housing prototypes through 3D printing technology.In order to validate earth construction as a modern and viable material, several recognized and award-winning works and prototypes at a global scale are collected and analyzed. These case studies utilize earth as the initial raw material for prefabrication and 3D printing, thus identifying the best technique that can be transferred to a developing country like Ecuador. The results of this research serve to highlight earth as a modern, alternative, and viable material that meets current demands for sustainability, energy efficiency, and housing deficit. Furthermore, its use in buildings can enhance thermal and acoustic performance due to its temperature and humidity regulation capabilities. Earth construction is also associated with promoting sustainable architecture and preserving cultural heritage. In conclusion, earth construction is a valuable option to address housing and sustainability challenges.

A Study on the Award-winning Works of the “Translating Henan” Project from 2018 to 2023

A Study on the Award-winning Works of the “Translating Henan” Project from 2018 to 2023

Youth Poets in Children's Literature, Media, and Performance

Youth Poets in Children's Literature, Media, and Performance Krystal Howard (bio) Amanda Gorman, the first National Youth Poet Laureate and the youngest inaugural poet in US history, captivated millions during her performance at Joseph R. Biden's presidential inauguration in January of 2021. Her performance serves as a reminder that poetry by young people has the power to transform our national thinking and inspire social change. From award-winning works like Jacqueline Woodson's memoir in verse Brown Girl Dreaming and Elizabeth Acevedo's verse novel The Poet X that depict young poets coming of age and beginning to hone their craft, to the hundreds of young people who participate each year in youth slam poetry, children's literature and culture are filled with youth who choose poetry as their mode of expression. This special issue examines the relationships, both contemporary and historical, between youth and poetry. Exploring poetry written and performed by, for, or about youth, the articles featured in this issue present a wide range of young poets writing about social justice through topics including race, gender, immigration, and sexual assault. Whether discussing the poetics of freedom developed by young Black poets of the 1960s or the limiting nature of the discourse surrounding the DREAM Act as expressed by a young slam poet in 2012, the scholars included here treat the writing and performances of youth poets as valuable and worthwhile contributions deserving of close reading and critical analysis. This issue opens with Rachel Conrad's "'To take my freedom is to take my breath': Lillian Myricks and Young Black Poets' Poetics of Freedom," an examination of archival poetry written by two young Black poets from the early 1960s, Lillian Myricks and Wanda McGee. Works by both of these young poets from the same elementary school classroom were preserved in Gwendolyn Brooks's personal papers, emphasizing her advocacy and admiration for youth poetry. By looking closely at Myrick's "Freedom" and McGee's "We Are Wondering," Conrad contends that young poets writing in the wake of the Civil Rights [End Page 355] movement "demonstrate their capacity and power as creative and historical agents" and proclaim their poetics of freedom. While Conrad explores young poets of the past, Tehmina Pirzada examines the impact of a contemporary young poet in "The Many Malalas: Self-Narrativization and the Construction of Mythology through Poetry." She argues that Malala Yousafzai's auto/biographical poetic performances are central to her activism and encourage "other poets and artists to participate in the narrativization of Malala's story and, in the process, relate her struggle to their personal experiences." Pirzada explores both the way that Malala uses her poetic performances to construct her identity and her use of Pashtun mythology of powerful young women, as well as the way that other poets writing poems for Malala magnify her narrative and emphasize community. Amanda Fields's "The Tucson Youth Poetry Slam: An Analysis of Discourse by and about Youth Performance" continues Pirzada's discussion of poetic performance through her analysis of poetry written by and interviews conducted with young slam poets between 2011 and 2014 about "how the poets perceived the practice and significance of slam at a time of particularly regressive legislation in Arizona." In her interviews with and analysis of poetic performances of young slam participants, poetry is posited as a way to bring about social change, as well as a vehicle for asserting agency. Fields contends that, for these young poets participating in the Tucson Youth Poetry Slam, slam provides a gateway to growth and leadership. The final essay in this special issue, Amber Moore's "'They're all kinda dark …': Speak and Thirteen Reasons Why Fanfiction Poetry as Resistance to Rape Culture," examines poetry through participatory and intertextual fan writing. Moore's article analyzes fanfiction poetry written in response to Laurie Halse Anderson's Speak (1999) and Jay Asher's Thirteen Reasons Why (2007) and considers how poetry as a form allows fanfiction poets to process young adult narratives featuring sexual violence. Through her analysis of over forty fanfiction poems, Moore argues that "fanfiction poems demonstrate how largely adolescent authors create space" and demonstrate "meaningful poetic witnessing" as "resistance to rape culture...

19th IPHS Conference, 5–6 July 2022 (Delft, The Netherlands) prizes and awards

ABSTRACT IPHS offers prizes and awards in urbanism, history, planning and the environment, mainly focusing on cities from the late nineteenth century. This year IPHS 2022 Prize and Award Winners were announced at the Awards Ceremony, which took place at the Delft Hybrid Format Conference on the 6th of July 2022. At the ceremony, IPHS Planning Perspectives Prize, IPHS Book Prizes, Anthony Sutcliffe Dissertation Award, IPHS Best Post-Graduate Planning History Paper Prize, Sir Peter Hall Award for Lifetime Achievement, East Asia Planning History (EAPH) Prize, and Koos Bosma Prize in Planning History Innovation have found their owners. This document provides information about the Prize and Award winners and their award-winning works and includes commendations based on the Judging Panel and Committee Reports.

The Awakening of Human Nature—On Tim Winton’s Shallows

Shallows is one of the award-winning works of Tim Winton. Winton is a famous contemporary Australian writer. At present, the study of this novel by scholars and experts is limited to the interpretation of the ecological theme. The analysis of this paper is based on Shallows, using humanism nature theory to analyze the characters in the novel, the actions the dialogue and the mind of people to reveal the awakening of human nature. The awakening is the key to solve the imbalance between current human and natural ecological. Only when man and nature live in harmony, human beings can survive and develop for a long time, which is also beneficial to the self-improvement in the moral level.

Konkursi za projektovanje pravoslavnih hramova u Nišu 1998-2021

This paper presents the competitions for developing urban-architectural solutions for Orthodox churches in Niš which took place from 1998 to 2021. In the past two years, student competitions for churches in Niš have taken place under the theme of "Sacred Architecture" at the Faculty of Civil Engineering and Architecture, University of Niš, in cooperation with the Orthodox Diocese of Niš. In addition to documenting the award-winning works, the paper analyzes the results of the competitions, with the aim of improving competition practice. The review of the competition entries is also related to the possibility of introducing sacral architecture into architectural educational, with the aim of improving the architectural design of Serbian Orthodox churches and documenting the competitions in Niš in order to development ideas for Serbian Orthodox churches. Based on the entries presented and analysis of the award-winning solutions, the importance of this phenomenon is highlighted.

A Study on the Color of Illustrations based on PCCS Color System Focusing on winning works of the 2010-2021 Bologna International Illustration Award

색채는 일러스트레이션 작품의 중요한 구성 요소 중 하나로, 사람의 시각적 느낌에 직접적인 영향을 준다. 일러스트레이션의 각기 다른 색채 사용과 결합은 일러스트레이션의 표현 형식을 풍부하게 하고 시각 효과와 흥미성을 높인다. 본 연구는 2010-2021년 볼로냐 국제일러스트레이션상 수상작을 연구 대상으로 하여 수상작의 색채를 상세히 분석한다. PCCS 색채계를 기반으로 한 색상과 톤 2가지 관점에서 색채 사용 수치를 분석하고 각 작품의 색채 표현 효과와 사용 특징을 연구함으로써 2010-2021년 볼로냐 국제일러스트레이션상 수상작의 색채 사용 트렌드와 특징을 정리한다. 연구결과를 따르면 수상작 중 가장 많이 사용되는 색은 단아한 색이며, 또 중명도와 중·저채도 색채를 빈번하게 사용하는 특징이 수상작에서 이어진다. 본 연구 결과는 2010-2021년 볼로냐 국제일러스트레이션상 수상작의 색채 특징에 대한 이론 정리로, 현대 일러스트레이션 색채 발전 트렌드와 특징 연구를 위한 사례 분석과 이론적 참고를 제시한다.Color is one of the important components of an illustration work and directly affects a person s visual feeling. The use and combination of different colors in illustration enrich the expression form of the illustration and increase visual effect and interest. This study analyzes in detail the colors of the winners of the 2010-2021 Bologna International Illustration Award. By analyzing color usage figures from two perspectives based on PCCS color systems and studying color expression effects and usage characteristics of each work, the trend and characteristics of the 2010-2021 Bologna International Illustration Award winner are summarized. According to the results of the study, the most commonly used color among the award-winning works is elegant, and the characteristic of frequent use of mid- to mid-color colors continues from the award-winning works. The results of this study are theoretical theorem on the color characteristics of the 2010-2021 Bologna International Illustration Award winners, and present case analysis and theoretical reference for modern illustration color development trends and characteristics research.

The Female Face of the Big Book (Women – Winners of the National Literary Prize BB)

The article studies the gender composition of the Big Book award winners. It is shown what place among the awarded authors and laureates is occupied by women authors and their works. All award-winning works created by women are analyzed. The main common characteristic features of these works are revealed: the creation of a fullfledged biography of one person and/or a family saga against the background of a detailed historical picture of the corresponding era. An attempt is made to determine the place (“ecological niche”) occupied by the “serious” prose of women authors in contemporary literary process.

국제 공모전 제품디자인 분야 대학생 수상작품 분석-2016년부터 2020년까지 5년간의 레드닷(Red Dot) 디자인 공모전 수상작품을 중심으로-

디자인 공모전은 디자인전공 학생들에게 있어 자신의 경력과 디자인 능력에 대하여 객관적 기준에 의해 판단 받을 수 있는 중요한 기회라고 할 수 있다. 따라서 매년 공모전을 개최하는 단체나 기업에서는 자신들이 추구하는 디자인 방향성을 심사기준으로 정하고 출품작품들을 선별하고 있고, 이러한 기준이 매해 연도별 어떠한 경향 혹은 시대성을 반영하고 있으리라 가설을 바탕으로 연구를 시작하였다. 본 연구의 목적은 디자인 공모전의 공정성과 콘셉트 방향성을 가늠해볼 수 있는 자료의 확보이며 이를 근거로 주제선정의 객관적인 데이터 확보와 예비 디자이너의 양성을 위한 기초자료의 토대를 구축하는 것이다. 본 연구에서는 인지도가 가장 높은 레드닷 공모전에서 5년간 수상한 총 145개 학생작품에 대하여, ‘신기술, 로우테크, 노약자, 사회문제, 환경친화’와 연관된 총 5개의 메인 주제와 ‘생활, 의료, 교육, 소통, 작업, 운송, 안전, 체육, 환경’의 9개 보조주제로 구분하여 살펴보았다. 본 연구의 결론으로 첫 번째는 지난 5년간 해를 거듭할수록 대학생 수상작품의 개수가 점차 하락폭이 커지고 있음을 확인할 수 있었으며, 두 번째는 수상작품이 가장 많은 국가로는 중국이 5년간 78개의 작품을 차지함으로써 전체 수상작품 대비 총 54%를 차지할 정도로 압도적이란 점이다. 세 번째는 지난 5년간 총 145개 대학생 수상작품의 주된 주제가 ‘신기술’과 ‘로우테크(Low tech)’의 비중이 각각 35%씩 차지하여 이러한 2개의 주제가 전체의 70%를 차지하고 있다는 점이다. 네 번째, ‘생활 속의 문제해결’을 위한 소주제의 빈도가 총 54개(37%)로 가장 많았으며, 그 다음으로 의료 19개(14%), 운송과 환경이 각각 14개(9.6%)의 비중을 차지하고 있었다. 이러한 연구결과를 바탕으로 추후 세계 3대 디자인 공모전 전체의 자료 분석을 실시하여 디자인 발전의 객관적인 지표를 확립하고자 한다.

일본 전통건축 형태요소의 현대적 적용 기법

Purpose: Traditional elements are important attributes that sustainable at the same time as securing the place or identity of a specific region. The element of tradition in Japanese architecture appears not only as a visible dimension, such as adoption, replacement and transformation of traditional architecture as it is, but also as an invisible concept that is fused with today’s architecture, culture, and life. In this study, 20 cases were selected in addition to the work award-winning works of the Architectural Institute of Japan among the modern buildings in Japan where traditional discussion and interpretation were actively conducted and it analyzed how traditional architectural elements were applied to the present day. Method: The study analyzed the current status of the modern application of major traditional structural elements such as the base end and the shaft roof, divided into stages of adoption, replacement and transformation and fusion. Result: As a result, in Japanese modern architecture, a passive strategy through simple recruitment or substitution of materials and an active strategy to create a new form through morphological transformation or fusion are evenly appearing.

Research on intelligent heuristic design of industrial product

Effective and efficient design resource searching significantly inspires the product modeling design. This paper investigates the open innovation platform and design websites, constructs the retrieval algorithm model of design resources based on generative adversary network (GAN). The performance of retrieval algorithm model is tested by comparative experiments with that of Behance. Results show that the retrieval performance of the proposed model can reach the basically the same effects as Behance in conditional experiments, which shows that the GAN retrieval algorithm can be of high value and great potential for development in actual application. At the same time, results also show that taking the Red Dot award-winning works as the retrieval data can better stimulate the inspiration of designers and provide design reference for designers.

"국제 디자인 공모전 제품디자인분야 대학생 수상작품 분석 -2019년 세계 3대 디자인 공모전을 중심으로-"

"국제 디자인 공모전 제품디자인분야 대학생 수상작품 분석 -2019년 세계 3대 디자인 공모전을 중심으로-"

Women and the Making of the University of Alicante Campus: Critical Reappraisals of Modern Architecture (1982–1999)

A stroll around the University of Alicante campus is like a journey through the history of Spanish architecture of the last 40 years, as many of its buildings exemplify the best production of the period. This legacy also tells a story about the role played by female architects within the profession. In fact, a gender reading reveals that only two women, Pilar Vázquez Carrasco, the architect of the Faculty of Sciences (FS, 1982) and the Social Club I (1987), and Dolores Alonso Vera, responsible for the Higher Polytechnic School IV (HPS, 1999), have designed structures on the campus over almost four decades and out of a total of more than 50 buildings. The FS is an example of structural sincerity whose brick and concrete materials and externalisation of services provide Brutalist echoes. The HPS IV is a design exercise consisting of a series of elegant, inviting volumes and open spaces intertwined with the campus garden. This essay focuses on the comparative analysis of these two award-winning works to unveil those contributions that female authorship has brought to their solutions by relating them to comparable buildings in space, time and type, but designed by male architects.

Kaaron WarrenInto Bones Like Oil

move away, some living (they know) inauthentically, but—all the same— satisfied. Can teen infatuation lead to anything good? Will doubts erode satisfaction ? Questions that tease the mind into imagining—and reading—lives on other pages. Granted, some people are snapshots , diminished by irony. The twoyear -old who senses that he has lost control of the big people around him; the four-year-old trying to create order in the small world of his toys. Evoked sympathy, certainly, but at a distance. An adult voice places them, someone standing nearby, not inside the children. Arrested in development , imagined as pre-adults. Other characters, thankfully, not so stopped. Some making peace through faith, the saving pleasure of a memory, to create as well as fading senses allow, to joke against eternity. The woman who hides her hands, after decades of service, hands that must surely be works of art to God; another who “just knows now that even God has his flaws.” A certain sadness comes through. Often, the characters seem isolated, contained within themselves. If they connect, it’s because they remind the reader of certain moments of self-reflection. Dialogue is rare. Community, if mentioned, is usually a context; contributing to, creating community seems secondary. A man who finds “friendship . . . from the ashes of two different desperations,” a welcome reprieve. Yet Nathan Brown doesn’t assume the all-seeing, all-knowing eye of a god as he assembles his human comedy. We do not know everything. The poems are not always finished or polished, standing as they do for incomplete lives. A dark textured cover takes and holds our fingerprints. W. M. Hagen Oklahoma Baptist University Kaaron Warren Into Bones Like Oil Atlanta. Meerkat Press. 2019. 100 pages. KAARON WARREN RELIVES her fascination with ghosts and, like every great writer, steals her stories from the everyday. But nothing is everyday in where she takes you. Into Bones Like Oil is a nonimposing story that is a big haunting for the unsettling themes it explores. In the gentle ticking of a clock, the silent roll of a sea, the narrative invites us into protagonist Dora’s solitude. The story discloses a mother’s guilt. We are trapped with Dora inside a shipwrecked house and its shipwrecked occupants, and all its visiting ghosts. As in such (multi) award-winning works as Tide of Stone (2018) and The Grief Hole (2016), Warren lulls you with deceptively simple text into a complex oddity, where all characters are nearly appealing in their flaws. Like Trevor, who is handsome in an immature way; short and bouncy, he’s like a little Fluffy. Like ex-sailor Luke, easy on the eye, so full of secrets. Like big Larry, so strong, his handshake could break bone. Like Roy, with the skin disease, the landlord who lures specters, who takes advantage of sleepers—conduits to ghosts and their stories. Warren enchants you with what she tells, what she doesn’t tell. There is an omnipresent suspense inside a vivid sense of place, a most gloomy place: “The bathroom was tiled, floor and walls, in pale purple with gold streaks. It gave the room an odd glow, because the light fitting was set high in the ceiling and dim due to dust and insects in the pale green glass globe. The toilet was old but clean.” There are smells everywhere: wet hair, hot metal, musk. And sound: feet, cars, the tick tock of an unseen clock. The prose is quietly ruthless. A reveal about something dreadful, like an infant torn live from a hung woman’s belly, falls out of a normal conversation about something else. There is almost a monotony to the story, yet just as you relax there are shadows of people in the room. Into Bones Like Oil is Kaaron Warren in her element. Her summons into a wine bar of sorts. For ghosts. Shipwrecked ones. And nothing is innocent. Not even you. Eugen Bacon Swinburne University of Technology Rodrigo Márquez Tizano Jakarta Trans. Thomas Bunstead. Minneapolis. Coffee House Press. 2019. 160 pages. JAKARTA (Yakarta in the original Spanish ) is a taut novel set in an unnamed city beset by plague and social unrest, where...

Research on product innovation design methods

When the prehistoric man began to pick up stones, wood and other materials to make tools, we can confirm that creativity is not only the designer’s personal patent but a natural gift of humanity. As product designers, we must have more creativity than ordinary people. By analyzing a large number of actual design works and award-winning works in international competitions for many years, the author summarizes the similarities of creative design and explores the application of innovative product design methods in design.

Toward an economic sociology of race

AbstractRace is central to economic life, but race is not central to economic sociology. We argue that economic sociologists should treat racism as a constitutive, structuring force, analytically co-equal with capitalism, patriarchy and nationalism. Our article has three aims. First, we document how canonical and award-winning works of economic sociology do not discuss race and racism, and do not engage with the contemporary sociology of race. Second, we identify six key insights from the sociology of race and suggest how they could influence economic sociology: the emergence of race out of racism, an understanding of racism as structural, the role of whiteness, the intersections between racism and other systems of oppression, the ideology of colorblind racism and the fundamental connections between racism and capitalism. Third, we conclude by discussing recent research that bridges the two subfields and lays the groundwork for an understanding of ‘racialized markets’ and ‘racialized economies’.

El premio a los extranjeros. Salón nacional (1918-1930)

El siguiente artículo tiene como objeto de análisis el premio a los artistas extranjeros otorgado en el Salón Nacional entre 1918 y 1930. A partir de la comparación de las normativas de las distintas ediciones del certamen y la reconstrucción de los premios, buscaremos identificar la función y el sentido del galardón al interior del Salón. Esta indagación será enmarcada en el contexto de los debates estéticos y la dinámica del campo artístico argentino de principios del siglo XX.

What's in a Name?

What's in a Name? Margaret Ellen Newell (bio) William S. Kiser. Borderlands of Slavery: The Struggle over Captivity and Peonage in the American Southwest. Philadelphia: University of Pennsylvania Press, 2018. 266 pp. Figures, maps, notes, bibliography, index. $45.00. Andrés Reséndez. The Other Slavery: The Uncovered Story of Indian Enslavement in America. Houghton Mifflin Harcourt, 2016. 448 pp. Figures, maps, appendices, notes, index. $30.00. At a recent roundtable on Indian slavery at the Myaamia Center at Miami University, borderlands historian Andrew Offenburger posed two great questions: Is slavery the appropriate "container" for the variety of labor arrangements and captivities that indigenous people experienced? And why are scholars of Native American history suddenly using the term? Certainly, Indian slavery is having a moment. A slew of award-winning works have discussed Indian slavery's scale and effects across the western hemisphere. But is slavery too blunt an instrument for analyzing the Native American experience? An institution that has existed in many eras and places, slavery would seem a capacious container. Still, in the Americas slavery remains closely associated with European colonization, with victims of African descent, with plantations, and with the racialized, heritable, chattel form that emerged between 1650 and 1750. This definition would appear to leave little room for pre- and post-contact indigenous practices, the non-economic aspects of captivity, and the nuances of peonage. Another nomenclature controversy involves the use of terms like "human trafficking" in talking about the past. This issue has popped up at panels on slavery and has invited passionate "yeas" as well as naysayers who fear teleology. In Brazil, Sudan, Thailand, Syria, and the United States, to name a few, women and children are trafficked for sex, unpaid workers are held against their will, and regimes justify the enslavement of ethnic and religious minorities. Does establishing a link with the present help or hinder our understanding of the unique historical circumstances that produced eighteenth-and nineteenth-century slavery? Should our stories of slavery end with the Thirteenth Amendment? [End Page 24] These two books speak to the question of what to call unfree Indians and why names matter. In The Other Slavery, Andrés Reséndez offers an emphatic "yes" to the question of whether slavery is the appropriate analytical tool for understanding colonization and the indigenous experience in Latin America and the U.S. borderlands. William S. Kiser offers a more ambiguous answer in Borderlands of Slavery, in which he explores efforts to end Indian bondage in New Mexico in the Civil War era, a fight that turned on whether captivity and peonage really constituted slavery. A finalist for the National Book Award and a Bancroft Prize-winner, The Other Slavery is a tour de force. Reséndez combines synthesis and original research seamlessly, and since he draws material from Latin American and borderlands histories unfamiliar to many U.S. historians, it feels fresh. The scope is breathtaking, ranging over four centuries and covering the Spanish empire (including the Philippines and the Caribbean), independent Mexico, and the southwestern United States. At the same time, individual stories and often searing first-hand testimony give emotional heft to this persuasive account. Not afraid to name names when it comes to slavery, Reséndez surveys an array of coerced labor regimes: the Mit'a, encomienda, repartimiento, and similar forced labor requirements; debt peonage; ransomed captives forced to labor to repay their benefactors; convicts and rebels sentenced to servitude; indentured servants; orphans and paupers bound to service; and ostensibly free wage laborers whose employers never paid them are all gathered under the same umbrella. The Other Slavery puts Indian slavery into dialogue with Atlantic African slavery, not to argue that they were the same but rather to convey significance and horror. Upping numbers first proposed by Brett Rush-forth, Reséndez estimates that between 2.5 and 5 million Indians experienced enslavement. The numbers suggest that a higher proportion of Indians faced enslavement than did Africans, and The Other Slavery challenges common understandings of the Americas' demographic catastrophe. Slavery and slaving, not merely epidemic disease, bore significant blame. Traders kidnapped entire populations of some Caribbean Islands and stole able-bodied adults, especially women...