Artistic Atmosphere Research Articles

THEORY OF "ATMOSPHERIC AESTHETICS" IN THE ENVIRONMENTAL DESIGN OF TRADITIONAL CHINESE VILLAGES

Purpose of this study is to identify ways to apply the theory of atmospheric aesthetics in the design of traditional rural landscapes to enhance the visual and experiential appeal of rural areas. Today, the theory of "atmospheric aesthetics" is recognized as a foundation for revitalizing rural environments within the ecological design framework and is widely discussed in academic circles in China and around the World. Methodology. The research utilized literature analysis, inductive reasoning, case studies, and factor analysis of environmental design. Results. Based on the analysis of the practical application of the theory of "atmospheric aesthetics" in rural design, techniques to improve the aesthetic perception of traditional villages are demonstrated. The main advantages of using this theory in the design of traditional villages have been identified, such as: enhanced aesthetic experience; promotion of cultural heritage; improved quality of life; resolution of environmental crises. The practical application of the theory of "atmospheric aesthetics" helps create a unique artistic atmosphere and emotional resonance, making rural landscapes more attractive and strengthening the sense of identity and belonging among residents. Emphasis on preserving traditional cultural elements, such as ancient architecture and streets, contributes to the continuity of cultural heritage and the sustainable development of rural areas. Scientific novelty. Theoretical and practical approaches to rural environment design based on the theory of "atmospheric aesthetics" have been further developed. Extensive evaluations of the effectiveness of using this theory in rural design were conducted during field studies and surveys in various locations. This innovative theory enriched methods of studying environmental aesthetics, offering scientific support for rural revitalization strategies and innovative designs. Practical significance. The practical significance of the obtained results lies in their potential application by designers in the design of traditional Chinese village environments, where an aesthetically comfortable and attractive environment for both local residents and tourists is created based on the identification of emotional and sensory qualities of the surroundings.

The Oriental Aesthetic Conception in the Animated Film Chang An

As an art form, film and television works are not only intended to entertain the public, but also a medium to convey ideas, emotions and aesthetic concepts, containing aesthetic value and artistic atmosphere, which can trigger the audience s emotional resonance and thinking. Chang An, a theatrical animation, reconstructs the narrative of historical animated films based on real characters and historical events. With the rhyme of poetry and the melody of music, it embodies the essence of shape dispersing but spirit concentrating in the Oriental aesthetic thought, cleverly constructs a unique Oriental implication of Chinese animated films, and innovatively constructs a new aesthetic paradigm of domestic animated films. It is not only a tribute to cultural inheritance and tradition, but also an exploration of innovation and the pursuit of beauty. This paper analyzes the expression of Oriental aesthetics from the aspects of film narration and art design with examples, in order to provide reference for domestic animation creators.

Research on the Application of Manchu Folk Art in Modern Home Accessories

Manchu folk art as an important part of China’s traditional culture, has a high artistic value and cultural research value. The cultural and artistic production of Manchu folk art originated from a specific living environment and cultural background, which has a unique charm to its artistic style. Modern home accessories are commonly used in people’s daily lives, and their reasonable application can improve the atmosphere of the indoor space environment and make it more beautiful. The organic integration of modern home accessories with Manchu folk art not only can improve the humanistic atmosphere of indoor space, but also strengthen the indoor artistic atmosphere. This is conducive to the inheritance of Manchu folk art, to realize the innovative development of the art. To realize the integration between the two, one needs to consider the characteristics of modern home accessories and Manchu folk art, combined with the actual situation, according to the design requirements of modern home accessories, extract the appropriate elements from Manchu folk art, using the appropriate form, and integrate it into the home accessories, to improve its application effect.

Research on the Management and Development Strategy of the Zibo Ceramic and Glass Museum

Purpose – In contemporary China, the promotion of the cultural and art industry is advocated. The cultural and art industry is rapidly expanding into various fields in China with increasingly strong momentum, establishing itself as a leader in Chinese art. accompanied by the quiet rise of culture and art, art museums in China have also emerged. there is a growing demand for the construction of cultural and art spaces by all sectors of society. Design/Methodology/Approach – Based on the management development strategy of the Zibo Ceramic and Glass Museum, according to the cultural and artistic characteristics and style of Zibo, this research adopts the following research methods when writing. the researcher uses the literature research method, by reading a large amount of ancient and modern Chinese and foreign literature, from which it can be glimpsed which aspects of the Zibo Ceramic and Glass Museum can absorb and learn from. Findings – Under the trend of China increasingly valuing the empowerment of the cultural and art industry, people are increasingly welcoming the cultural and art industry with an open attitude, and cultural and creative museums to appreciate and feel the sensory and spiritual enjoyment that the artistic atmosphere brings to them. Research Implications – This study focuses on analyzing the management development strategy of the Zibo Ceramic and Glass Museum. this research focuses on demonstrating the current development status of the Zibo Ceramic and Glass Museum and the setbacks encountered in the development process.

Based on 3D Virtual Reconstruction of Modern City Landscape Sculpture Planning Design

INTRODUCTION: With the continuous advancement of urbanization, urban landscape sculpture plays an increasingly important role in modern urban planning. Traditional planning and design methods make it challenging to demonstrate the three-dimensional sense and artistry of sculpture fully; therefore, this study explores a new method of planning and designing modern urban landscape sculpture based on three-dimensional virtual reconstruction.OBJECTIVES: This study aims to enhance the three-dimensional sense and artistry of urban landscape sculpture planning and design through three-dimensional virtual reconstruction technology to meet the needs of modern urban development better. By using advanced technical means, the planning and design can be made more intuitive and specific and provide urban residents with a more artistic public space.METHODS: The study adopts advanced three-dimensional virtual reconstruction technology, combined with urban planning and design theory, to plan and design modern urban landscape sculpture. Firstly, relevant literature on urban planning and sculpture design is collected to understand the existing design concepts and technical means. Secondly, a detailed virtual reconstruction of the sculpture is carried out by using three-dimensional modeling software to show the three-dimensional effect of the sculpture. Finally, the design scheme is optimized and improved through fieldwork and expert review.RESULTS: Through three-dimensional virtual reconstruction technology, this study successfully shows the whole picture of modern urban landscape sculpture. The design scheme not only has a three-dimensional sense but it has also been improved in artistry. The results of fieldwork and expert evaluation show that the new design scheme is more in line with the needs of urban development and adds a unique artistic atmosphere to the urban space.CONCLUSION: This study has achieved positive results in the field of modern urban landscape sculpture planning and design through 3D virtual reconstruction technology. The new design method not only provides a more specific tool for urban planners but also creates a more creative and artistic public space for urban residents. In the future, the application of this method in different urban contexts can be further explored and expanded to inject more innovation and vitality into urban planning and sculpture design.

Construction of teaching system of public art major using CMOS image sensor technology

The traditional public art education model has many drawbacks. After all, this teaching model is the most common teaching model. Most colleges and universities still rely on the traditional teaching mode. This teaching mode is not attractive, boring, and low cost, so the popularity rate is high. The digital interactive design with multimedia courseware as the main body has played a great role in promoting the teaching of public art education in colleges and universities. In this paper, when teachers use multimedia courseware for teaching, because the computer cannot process physical signals, part of the hardware is a converter that converts physical signals such as light and pictures received by the CMOS sensor into digital signals and inputs them to digital signals and analog signals. Through the converter, the two-way transmission of teacher and student information in the teaching process of public art majors from the perspective of diversified public art was realized. At the same time, the information elements of sound, image and text were integrated into the interactive works of public art majors from the perspective of diverse public art, so as to stimulate students’ interest in public art learning. Combined with the application of CMOS image sensor technology in diversified public art teaching, a questionnaire survey was conducted to explore the satisfaction of students in public art education and teaching of colleges and universities by CMOS image sensor technology, 50% of the students agreed with the proposal in this article. In this paper, the diversified public art teaching based on CMOS image sensor technology was derived outside the classroom, and the teaching was related to students’ life, so as to improve the artistic atmosphere of the campus and truly improve the teaching effect of public art education in colleges and universities.

Research on the Planning of The Construction of Art Culture on The Campus of Normal Colleges and Universities: Promoting the Improvement of The Aesthetic Appreciation Level of Normal Art Students

With the society's emphasis on art education and the increase in the number of art normal students, how to effectively promote the aesthetic appreciation level of art normal students has become an important topic. The purpose of this research is to explore the effect of the campus art culture construction plan of normal colleges and universities on the improvement of the aesthetic appreciation level of art normal students. The article adopts a combination of comprehensive analysis and on-site research. Through the combing of relevant literature and on-site research on the current situation of art culture construction on the campus of normal universities, it conducts in-depth research on the improvement of the aesthetic appreciation level of art teachers and normal students. Studies have shown that a good educational environment is a key factor in improving the aesthetic appreciation level of normal art students. Through the planning and construction of rich and diverse art and cultural resources and facilities, normal colleges and universities have created an infiltrating artistic atmosphere, stimulated students' artistic interest, and enhanced their ability to understand and appreciate works of art.

The Scholarly Activities of the Astrakhan State Conservatory

The Astrakhan State Conservatory, which was established in 1969, has played a significant role in the creation of an artistic atmosphere, as well as the spiritual and intellectual life of the city. It is emphasized in the article that Doctor of Arts, Professor Mark Etinger, who chaired the Music Theory and Music History Department for 29 years, actively participated in its organization. At the initial stage of the formation of this educational institution, in the 1970s, the conservatory’s scholarly activities were connected with two main directions: historic-theoretical musicology and regional musical culture. Theoretic musicology, devoted to the research of the issues of scales and modes, melody and harmony, found its reflection in the dissertations written for the Cand.Sci. degrees by faculty members of the Music Theory and Music History Department defended in the early 1980s. Questions related to musical content, form, style, genre, dramaturgy, musical symbolism, semiotics and folk music are actualized in them. Starting from the 1990s, two additional directions have undergone active elaboration at the Astrakhan Conservatory: “Philosophical and Aesthetical Issues of Artistic Culture and Art” and “Psychological and Pedagogical Issues of Musical and General Humanitarian Education.” The faculty members of the Astrakhan Conservatory have made an estimable contribution to musicology in this country, actively participating in Russian nationwide and international conferences in various cities in Russia and other countries.

전서와 행초서의 혼융체(渾融體)로 표현되는 새로운 서예 장르

The four main styles of Chinese calligraphy characters are in the general order of their appearance: seal script, clerical script, regular script, and cursive­semi­cursive script. Generally, all the characters in a calligraphic art work have a consistent type of script. In this paper, we develop a new genre of calligraphy art, in which the components constituting one character are expressed into the seal script and cursive­semi­cursive script, which is a fusion of the two scripts.
 The fusion of these scripts brings forth various aesthetic characteristics by greatly expanding the formativeness of the scripts. This fusion script maintains the aesthetic characteristics of each of the two scripts, and in combined form, it shows its own diverse yet unique aesthetic aspects.
 The calligraphic art work in this fusion script genre inherits the artistry in both of the seal script genre and the cursive­or­semi­cursive script genre. Furthermore, as a synergy effect of the two genres, it has infinite potential artistry and displays an inspiringly profound and rich yet unique artistic atmosphere and inspiration.

The Future Prospects of Importance of VR's Impact on Education

With the gradual progress of science and technology, virtual reality technology has matured and has been applied to many fields of people's lives. VR education has become a research hotspot, but relevant review articles are not comprehensive. This paper mainly researches the development prospects of VR game education, ideological and political education and art education. In game education, VR technology provides more gameplay so that students' interest can be attracted, which can help student to focus their attention. In ideological and political education, VR makes traditional boring lectures more vibrant and can better help students understand abstract concepts. Finally, in art education, different from traditional art teaching, VR technology can help students feel the artistic atmosphere immensely. At the end of the article, we made a summary and an outlook of VR Technology. Overall, virtual reality technology provides a more efficient method of learning, and it is hoped that the technology will become popular in the near future.

A Study on the Development of Art Derivatives in Chinese Museums —Take the Beijing Palace Museum as an Example

With their history and culture, museums have become one of the most important choices for the cultural and artistic consumption of the public. The exploitation of art derivatives makes it possible to increase the visibility of museums. While promoting traditional Chinese culture and allowing the audience to experience the artistic atmosphere, art derivatives can also bring museums closer to the social public, better reflect and perform the social functions of museums. Only a very small number of museums in China are currently developing art derivatives, and most have no advantage of research and development. Among them, the Palace Museum in Beijing plays a good role as a model in the development, production and sales of art derivatives relative to other museums. In the course of this article, through the analysis of the research and development experiences of the art derivatives of The Palace Museum in Beijing, it summarizes and describes research and development models that are noteworthy for reference and study. It is hoped that this will inspire further museums in China to develop art derivatives.

DODO The Berlin Years

DODO The Berlin Years Kristine Somerville Click for larger view View full resolution Dodo, photographer unknown, 1928 [End Page 148] In 1923, when she turned sixteen, Dörte Clara Wolff, known since childhood as "Dodo," was expected to pursue a profession. She had grown up in Berlin at the dawn of the Weimar era in a liberal, middle-class Jewish household filled with art, music, and literature. The city was a thriving metropolis, and the family enjoyed the rich culture, making regular weekend trips to theaters, museums, and movie houses. Weimar ushered in the era of the New Woman. Young girls of Dodo's class and age were encouraged to lead adventurous, self-determined lives. Women in Germany had acquired the right to vote in 1918, and by the 1920s, they had even more hard-won freedoms: the rights to a professional life, to enter politics, to enjoy sexual liberties, and to play sports. The rise of the New Woman also challenged conventional thinking about gender roles, particularly in terms of dress and behavior. As did America's flapper and France's La Garçonne, the New Woman bobbed her hair, smoked cigarettes, shaved her legs, wore makeup, and mixed a stiff cocktail. In Berlin, while a lust for fashion cut across social classes, the New Woman dictated the trends. Young women's social lives were filled with dances, films, cafés, and bars as well as weekend sailing and rowing on Berlin lakes. They dressed during the day in sporty ensembles and at night in flowing drop-waisted dresses. Germany's defeat in World War I, followed by a long period of rationing and subsequent hyperinflation, had left people with a frantic need to enjoy life. Dodo too was eager to seize the day. She joined the ranks of the modern and emancipated women, adopting a chic and avant-garde look, more French in style than German. She went out to the most fashionable cabarets and coffee houses, filled with cigarette smoke, jazz, talk, and frenzied dancing. She had little sense of a future career. While she had not been a good student, Dodo did excel in art, spending all her free time in the classroom and at home drawing. Her work was often admired for its draftsmanship and creativity. After a stint at a finishing school, which her parents demanded, Dodo enrolled at the Schule Reimann, a private academy for fine and applied arts in Berlin. Classes were taught by professional freelancers, who, through rigorous instruction, prepared students for the reality of everyday work life. Through the academy's "practice-oriented" approach, students received broad artistic training while also exploring their unique talents. After she won school prizes for her costume designs, Dodo focused on fashion illustration. [End Page 149] Click for larger view View full resolution Dodo, Street Scene, 1928 [End Page 150] In 1926, Dodo launched her career as a freelance illustrator and began taking her portfolio around to the city's many newspapers and magazines. The fun-filled, artistic atmosphere of Berlin created a need for a wide range of society newspapers and fashion and women's journals. She was hired by ULK, an illustrated weekly magazine known for its humor and satire. The magazine preached the need for rationality and modernity in place of the emotion and sentimentality of the previous era. Distributed only to the finest places, the magazine reached a circulation of between 250,000 and 300,000 readers. ULK's editor, Mosse Verlag, demanded innovation in content and design. The work could not be purely decorative; it had to push into the boundaries of high art. Because Jeanne Mammen, an artist Dodo admired, was already working for the magazine, Dodo was eager to make her mark. Dodo's illustrations soon graced the front and back covers and filled two-page center spreads. She became known for her ability to capture the jazzy energy and vitality of Berlin while also depicting the antics and elegance of the high society in which she circulated. Influenced by New Objectivism, an artistic movement that rejected the heroic optimism of Expressionism in favor of treating its subjects with a social and satirical bent, she strove to...

Aesthetic and Educational Aspects of Contact with Contemporary Religious Architecture

This article addresses the issue of the importance of contemporary architecture—especially Christian architecture—for the aesthetic and spiritual development of an individual. It also highlights the educational aspect that may arise in the framework of the contact of a human with the works of religious architecture. Among many things, the article points out the values of truth and beauty in the space of the sacrum. The major importance in the process of human development involves personal, individual and group experiences of meetings in various areas of religious architecture that operate with the language of signs and symbols, modern artistic forms, single-space harmony, and atmosphere—an invisible order of things. In recent years, a number of studies have been carried out that attempted to define what makes the place of sacrum sufficiently meaningful, mysterious, and still necessary in order to establish a spiritual relationship with the community of believers and with God, which is relevant in one’s transition to adulthood.

On the Visual Symbols of Dian Bronze Animal Decoration

Among the animal patterns on the bronzes of the Dian Kingdom, the cow and the snake are the most common and 
 representative visual symbols. They have strong visual tension, expressiveness and artistic appeal, showing the unique artistic 
 aesthetics and ideas of the ancients of Dian Kingdom, and They all have specific meanings and contexts. This article mainly 
 explores the decorative symbols of animal decorations in Yunnan bronzes, and uses “ox” and “snakes” as the main objects to 
 analyze semantics and context.Methods:This article first elaborates on the types and decorations of ancient Dian bronzes, and then 
 elaborates on the characteristics and symbolic meanings of cow and snake patterns by listing some representative Dian bronzes; 
 finally, it is in-depth with the semantics and context of visual symbols. Analysis. Result:The types of animal images on the bronze 
 ware of Yunnan culture are rich and diverse, and each animal has different shapes and forms, and has its own symbolic meaning and 
 function. This also reveals the relationship between man and nature from the side, reflecting the ancient people of Yunnan’s sacrifices 
 and sacrifices. The social and economic conditions such as hunting and breeding record the trivial life of the ancients. The animal 
 decoration art of the Dian Kingdom has a very strong ethnic customs and regional characteristics. It depicts the intense scenes of 
 animal daily life and fighting in detail. The animal’s shape, demeanor and own characteristics are all vividly shaped, with a strong 
 artistic atmosphere and visual tension. To a large extent reflects the aesthetic concept and ideological pursuit of the ancients of Dian 
 Kingdom. Conclusion:The two visual symbols of the cow pattern and the snake pattern are the records of the people of the ancient 
 Dian kingdom on nature and life, and they also carry the ancient people’s feelings for nature. They reflect the religious beliefs and 
 ideas of the ancient Dian civilization and have local characteristics and customs. , It is the spiritual sustenance of the ancient Dian 
 people to seek advantages and avoid disadvantages.

Analysis on the Creation of Artistic Atmosphere in Architectural Landscape Design

Analysis on the Creation of Artistic Atmosphere in Architectural Landscape Design

Thoughts on the Artistic Standpoint of the Study of Seal Cutting in the Ming and Qing Dynasties

Seals have appeared in China since the Yin and Shang dynasties, and the art of seal cutting was once all the rage during the Qin and Han dynasties. With the development and popularization of papermaking and printing technology, the combination of seals and calligraphy and painting has become more common. Calligraphers and painters have their own private seals for signing off their works. These seals, each with its own characteristics, maintain harmony and unity with the aesthetic taste of the artist and his painting and calligraphy works, revealing a strong artistic atmosphere and humanistic feelings. In the art history of Chinese seal cutting, the Ming and Qing dynasties have unique characteristics. Related scholars are more inclined to explore the Ming and Qing seal cutting from the standpoint of art. In-depth study of the development history and artistic creation elements of the Ming and Qing seal cutting art was conducted which is conducive to a better understanding of the seal cutting in Ming and Qing dynasties. Significant references and guidance are therefore presented for us to better grasp the characteristics and connotation of seal cutting.

Die Theaterszene des Rosswalder Schlosses zwischen 1750 und 1760 und ihre literaturhistorischen Metamorphosen

The article is about mediating an involvement in the development of the Rosswald Castle Theater between 1750 and 1760. Attention is paid to the theater repertoire and the representation of the artistic atmosphere in the Rosswald Castle. Last but not least, the article outlines the role of the Rosswald sentimental garden, in which the dramas, operas and ballet performances were also located. The article points to the incorporation of creative impulses of Enlightenment into the repertoire of the Rosswald cultural scene. The focus of the investigation is on the activity of Johann Heinrich Friedrich Müller, who implemented the dramatic rules of the Enlightenment in the Rosswald Castle Theater.

Creative Atmosphere in Creative Tourism Destinations: Conceptualizing and Scale Development

Creating a creative atmosphere (CA) is the core value of creative tourism. The purpose of this study is conceptualize a construct of CA in “creative tourism destinations,” as well as to establish a set of reliable and valid measurement tools. In Study 1, we generated initial items through in-depth interviews and content analysis. In Study 2, we collected the first sample and investigated scale factor structure through exploratory factor analysis to obtain five factors: novel atmosphere, joyful atmosphere, artistic atmosphere, hedonic atmosphere, and distinctive atmosphere. A second sample was collected in Study 3 to verify the reliability of the CA scale with confirmatory factor analysis, convergent validity, and discriminant validity. This process netted 23 items. A major contribution of this study is to develop a multidimensional scale for CA consisting of the five factors—novel atmosphere, pleasurable atmosphere, artistic atmosphere, hedonic atmosphere, and distinctive atmosphere. The results of this study can be applied as a reference measurement tool for designing creative tourism at tourist destinations.

Alexander Siloti and Jean Roger-Ducasse: About the Production of the Mimodrama “Orpheus” in Petrograd

Based on archival data, memoirs and letters, the article describes the joint work of the pianist Alexander Ilyich Siloti (1863—1945) and the great creators of the Silver Age — choreographer Mikhail Fokin and artist Léon Bakst — on the production of the mimodrama “Orpheus” by the French composer Jean Jules Aimable Roger-Ducasse at the Mariinsky Theatre. The author notes the originality of this composition, new stage solutions, an innovative approach to the production that combines opera and ballet. There are described in detail the decorations and costumes made by Bakst for this production, which could be seen at the exhibition dedicated to the 150th anniversary of the artist in 2016. The premiere was scheduled for the 1915/1916 season, but did not take place. The article explains what prevented the presentation. There are provided some fragments of the correspondence between Siloti and the participants of the production of “Orpheus”, and fragments of reviews for the concert performance of this composition. The article aims at showing new facets of Siloti’s activities, particularly in popularizing the music of French composers in the programs of the entreprise “Concerts of A. Siloti”, which was of great importance in the culture of Petersburg at the beginning of the 20th century. Siloti would often become the first performer of works by foreign authors, which were a “fresh breath” in the cultural and artistic atmosphere of the capital. He tried to enlighten and educate the audience with his concerts, to develop their desire to go to concerts and listen to music. The article gives a general assessment of the activities of A.I. Siloti — a propagandist, educator, pianist, conductor, public figure, a talented organizer of new forms of artistic life and promotion of the best achievements of musical classics and modern creative process.

Reflection on the Influence of the Artistic Atmosphere on the University Organization Development

This article reflects on the influence of the artistic atmosphere on the university organization development, emphasizing that the artistic atmosphere should be regarded as the strategic objective. Universities must use technology and aesthetics to build an artistic campus environment, influence the values of its organization members through an artistic atmosphere, and then integrate the humanistic factors of artistic aesthetics and creative awareness in the university culture, awaken more humanized communication and interaction, and shape the behavior of organization members, ultimately make the members of the organization have a strong sense of collective creativity, finally improve the effectiveness of organization management to promote the development of the organization.