Arts-based Research Methods Research Articles

Stimulating Political Imagination With Arts-Based Methods: The Case of Utopia Consultation

In this article, we identify ways to methodologically stimulate political imagination in sociological research by exploring an art concept called ‘utopia consultation’ and related arts-based exercises. We investigate how political imagination can be stimulated and practised through arts-based research methods in sociology, and what tangible tools arts-based research offers for studying the intangible. Our analysis builds on recent work on utopia, understood as a tool rather than a blueprint, and sociology of the future, which focuses on the future as an analytical category. We draw on 18 one-on-one utopia consultation sessions conducted in 3 upper secondary schools in Finland, and 3 facilitated collective discussions with the participants in each education institution to discuss their experiences of the one-on-one utopia consultations. Based on our analysis, we suggest four key methodological practices for stimulating political imagination: dialogue, play, cultivating a hopeful orientation to the not-yet, and collective utopian negotiation. We advance sociological discussions of methodology around utopia and political imagination, and contribute to sociological work on the intangibility of discovering the not-yet through arts-based methods by identifying tangible practices and tools for studying the intangible.

Implementing Readers Theatre as an arts-based participatory research method in exploring Asian-Canadian youth identities

This article provides an overview of our experiences implementing Readers Theatre within the study “Asian-Canadian youth identities in a pandemic era: Arts-based research”. Led by Dr. Nazilla Khanlou, Principal Investigator (PI), this research uses arts-based methodologies (visual arts and dramatic arts) to explore the impact of the COVID-19 pandemic on Asian-Canadian youth identities (Khanlou et al., 2021). As part of the ongoing research, two virtual Readers Theatre workshops were conducted with 24 Asian-Canadian youth aged 16-24. The participants were divided into four groups of six youth and asked to create Readers Theatre scripts illuminating the impact of the pandemic on Asian-Canadian youth and their wellbeing. Preliminary findings from the virtual workshops highlighted mental health challenges, complex family dynamics, and the resilience of Asian-Canadian youth. The Readers Theatre scripts were rich in cultural references and personal narratives and facilitated meaningful dialogue among youth participants. This method proved effective in capturing the identities and experiences of Asian-Canadian youth during the pandemic, offering valuable insights for youth-centred practice, policy, and scholarship. Keywords: Arts-based methodologies, youth, identity, drama, Readers Theatre, COVID-19.

Collaging illustrated mathematical word problems

In a mathematical educational context, mathematical word problems are an established practice with the aim to connect to students’ everyday life. Drawing on Neo-material perspectives and art based research methods we explore collage as a way to critically engage with illustrated mathematical word problems. We challenge the view of mathematical knowledge production as an objective, value-neutral and disembodied process by performing agential cuts with(in) illustrated mathematical word problems from two Swedish mathematical textbooks. The perspectives and methods mobilize sensibilities that advance new points of views. Hence, contributing to broaden the range of qualitative research methods and paradigms studying mathematical word problems.

Sculpting stories: methods to unsettle knowledge production in disasters

PurposeThis study examines the application of arts-based research (ABR) methods in producing knowledge about the lived experiences of disasters, particularly focusing on the effects of flooding in an informal settlement in South Africa. It emphasizes the use of playdough sculpting as a tool for storytelling, aiming to address and reduce power imbalances between local participants and external researchers.Design/methodology/approachThe study employed a qualitative approach, using playdough sculpting workshops conducted in the Quarry Road West informal settlement in Durban. These workshops were designed to capture the personal stories of individuals affected by the 2022 Durban floods. Data were collected through participant observation, photography and interviews, and were analyzed using a thematic framework to identify recurring patterns in the participants’ disaster experiences.FindingsThe research demonstrates that ABR methods, particularly playdough sculpting, effectively foster participatory engagement in disaster research. This method provided a platform for participants to describe their embodied experiences of the floods, addressing uneven epistemological power dynamics. It also highlighted the potential of ABR in facilitating the decolonization of disaster research by centering local narratives.Originality/valueThis study offers insights into the potential of ABR as a creative methodology in disaster research. It highlights how ABR can complement traditional research approaches by incorporating local perspectives and fostering more inclusive knowledge production in the context of disasters. The study also presents a ten-step guideline for applying playdough sculpting across various disciplines.

A/R/Tographic Investigation into Artistic Development Processes of Painting and Drawing Teacher Education Undergraduate Students

This study is a qualitative study designed to investigate the artistic development processes of undergraduate art education students a/r/tographically and to determine the role of portfolio preparation in this process. The present research was conducted in the workshop course of the 4th-grade students of the Department of Art and Art Education of a medium-sized university in the academic year 2022-2023 with the participation of 10 volunteer workshop students. The study group of this research was selected through criterion (purposive) sampling. The collection of the data of the research consisted of student educational development files (portfolio) prepared during the inquiry process, the question pool created, a/r/tograph opinions collected through a semi-structured interview form prepared by taking the opinions of field experts, peer opinions, expert opinions and student artistic products that emerged at the end of the process. Qualitative data analysis was used to analyse the data related to the a/r/tographic process, which is an art-based research method. Accordingly, content analysis was used in student, peer and expert evaluations of educational development files (portfolio). Students' artistic processes and a/r/tographic questioning processes were analysed using descriptive analysis. It was seen that the students were satisfied with the educational development files (portfolio) that they examined by making self-evaluation. Peers and experts who examined the educational development files (portfolio) stated that the files could generally be improved. It was observed that the students were involved in the a/r/tographic process in a determined or accidental way and that they continued the process by making inquiries. It was observed that students developed different perspectives with their artist identities and expressed themselves with process-oriented products that they reflected themselves.

Making teacher educators’ experiences visible: seeing inside the hopeful and ambiguous dimensions of practice

ABSTRACT The field of teacher education is subject to intense scrutiny and policy reform and within this context, the voices of those working within the field are often marginalised. Drawing on our larger study of teacher educators, we addressed the key research question: “How do those who work in the field of teacher education articulate and represent the nature of their work?.” Using a fusion of arts-based and data science research methods and the theory of practice architectures, we examined the ways that teacher educators’ work is mediated within cultural-discursive, material-economic, and social-political domains. We argue that while ambiguous dimensions exist in teacher educators’ practices, they remain hopeful about their work and find spaces to create alternative sayings, doings and relatings as they prepare teachers for the profession. We contend that using both text-based and visual images facilitates the generation of enhanced meanings to highlight the complexity of teacher educators’ work to those within and outside the profession.

An ecological crisis of reason: using creative and arts-based research methods for exploring affective-emotional life and just transitions

In 2017, the Swedish parliament committed to making the country fossil-free by 2045, prompting an exploration of experiences and perceptions of transition in three cities hosting carbon-intensive industries – steel, cement and petrochemicals, which currently top the list of Sweden’s industrial emitters. From 2019 to 2024, a Swedish–UK research team employed conventional qualitative methods to gather insights from various stakeholders, including industry, municipal actors, and residents, supplemented by arts-based research methods for co-creating data on affective-emotional life in transition towns. This article argues that arts-based research serves as a valuable tool for accounting for and understanding affective-emotional life in frontline transition towns. The arts-based research (ABR) challenges prevailing technocratic and rational frameworks, aligning with ecofeminist Val Plumwood’s call to address the ‘ecological crisis of reason’ that serves to inhibit achieving sustainable futures. The primary value of this article lies in its contribution to the development and refinement of ABR within the context of just transition studies that I argue can help add citizen perspectives and consideration of affective-emotional life to the just transition discourse.

Fiction-writing and wonder: documenting a collaborative, creative writing process

PurposeWe articulate cycles of creative storying and data analysis and the wonder that motivated the project by detailing our reading, thinking and writing processes to contribute to the conceptual and practical literature on collaborative writing as method.Design/methodology/approachThis paper documents a process of collaborative writing as method that produced a co-written fictional narrative that evokes questions about schooling.FindingsOur process began with world-building for our fictional future, creating characters to serve as a lens for analysis. From our discussions of the data, we crafted a plotline to present our themes in coherent story. As we explored and shared our readings, interdisciplinarity shaped our project in unique ways.Research limitations/implicationsThroughout, our collaboration and fiction-writing opened spaces for wonder, interdisciplinarity and joy that may inspire other researchers to engage in collaborative and/or creative writing processes.Originality/valueAdding to the rich literature of arts-based research methods, we contribute our reflections on the pragmatics of incorporating reading, writing and thinking for collaboration and creative writing as qualitative research methods for document analysis.

Animating migration journeys from Colombia to Chile: expressing embodied experience through co-produced film

ABSTRACT This paper analyses the process of co-producing an animated film about the migration journeys of Colombian women resident in Antofagasta, Chile. It first establishes the relationship between feminist epistemologies and arts-based methodologies, which hinges on embodiment. It then turns to a detailed discussion of using film co-production as a research method for accessing and expressing embodied experiences of migration. This discussion highlights how moments of discomfort (Gokariksel, Hawkins, Neubert, and Smith, 2021) experienced by the researcher motivated the search for a more collaborative methodological approach that was better attuned to lived experience. This included striving towards more inclusive practices with respect to recruitment, anonymity, and confidentiality. Moments of discomfort also revealed how care and caring responsibilities are entangled with research, and how they gender possibilities of participation and production for community co-producers and artists, as well as for researchers. Finally, through discomfort, lessons were learned about the politics of representing experiences of migration, violence, and endurance, as well as joy. The paper concludes that, whilst by no means a panacea, collaborative arts-based research methods can offer an innovative toolset for exploring embodied experience and for navigating the relational and representational complexities attendant to research.

Reflections on arts-based research methods in refugee mental health: The role of creative exercises in nurturing positive coping with trauma and exile

Abstract In the field of refugee mental health research, scholars have emphasized the ethical obligation for research practices to benefit participants. They have proposed that research participation itself can promote positive coping in the aftermath of migration. In this article, we aim to advance the understanding of the benefits of arts-based research methods (ABRM) in how they may nurture participants’ positive coping during their experiences as research participants. To do so, we depart from the findings from three drama-based mental health interventions conducted with refugee and migrant young people resettled in Europe on the role creative processes might play in fostering coping. We develop a reflection on how ABRM may tap into these processes to strengthen refugees’ coping and well-being, ultimately supporting ethical research practices. In the final section, we discuss the value of integrating ABRM in refugee mental health research that embeds similar creative processes in their methodological repertoire.

Conducting collage elicitation research online: what happens when we remove the scissors and glue?

PurposeThis autoethnographic article presents the adaptation of collage—an arts-based method traditionally used in face-to-face settings—into an online research tool. It emphasizes the increased relevance of such a transition in the wake of the digital shift and the Covid-19 pandemic. The work aims to reveal how digital collages can facilitate in-depth participant responses in a time when conventional research settings are inaccessible.Design/methodology/approachThe article incorporates autoethnographic vignettes, which are identified in italics, that offer insights into my personal reflections on the transition and adaptation to an online mode. Firstly, I review how collage can be a valuable tool to include in focus groups and for elicitation during semi-structured interviews. Secondly, I review the challenges I experienced when conducting focus groups online to create the collages. Thirdly, I explore, in more detail, three examples of collages that reflect the diverse ranges that were produced and the insightful discussions that emerged from the participants describing the visual elements of their collages. Finally, the reflective nature of my autoethnographic vignettes provides an insight into the world of the researcher during this turbulent time.FindingsFindings show that collage, whether physical or digital, remains an effective tool for eliciting nuanced understandings from participants. The research contributes to the arts-based research narrative by showcasing how the digital adaptation of collage methods can yield profound insights into participants' perspectives, therefore enriching the data beyond what traditional interviews could unveil.Originality/valueThese observations can provide support for other researchers who are contemplating the adoption of online arts-based research methods. Understanding how traditionally face-to-face arts-based research methods can be adapted for the digitally evolving landscape is important for shaping the future of online research.

The Body-Camera Approach: Teacher Identity through Video Elicitation and Video Essay to Create Shared Heritages

This paper presents an approach to teacher identity heritage as a result of the implementation of a research device created through Arts-Based Research (ABR) methods, specifically with video elicitation and video essays used as research tools. Two main objectives were addressed. The first one was to establish the real relevance of focusing performance on teacher identity. The second one involved testing a new methodological proposal specifically designed for this purpose, but still useful in other contexts where heritage identity is as present as in teaching. The device, a body camera, involves a process that allows new ways to understand the creation of identities using video to encourage the production of new meanings through visual and oral data. The participants were teachers in training during their internship period. Some notions about teachers’ identity heritage were revealed, and also preserved, firstly through personal perspectives by video elicitations, and secondly through collective perspectives by video essays. Both are video structures used in ABR which mix creative experience, memories, life experiences, relationships, and links that shape the teachers’ professional identity.

The 60 Years of Queer and Trans Activism and Care Project: Learning to Conduct Archival Research and Write Dramatic Verbatim Monologues

This reflective essay describes a research course which provided undergraduate students with an opportunity to conduct archival research on six decades of queer, trans, Black, Indigenous, and People of Colour (QTBIPOC) activism and care that have challenged heteronormativity, cis-normativity, and racism in Canada. While there are many ways to share the findings of archival research, we chose to teach our students how to create dramatic verbatim monologues as the arts-based research method of verbatim theatre required students to use the words of activists themselves to explain why a particular moment of activism and care was needed. Students attended three different workshops during the full-year course from September 2022 to March 2023: a workshop in conducting archival research, a workshop about centring themselves and their communities in their research, and a workshop in verbatim monologue writing. Here, we reflect upon what these workshops taught us about archival research, working with Indigenous archival material, and rupturing systems of oppression in our own bodies. At the end of the course, students reported their take-aways from the course. This included a new understanding that it was possible to conduct research on topics they felt passionate about and that theatre-based research provided them with a way to express the findings of their research in forms other than writing essays. This new-found freedom was life-changing.

Bridging comic art and research: lessons from an interdisciplinary collaboration project in a palliative care context

The Dutch graphic novel Naasten, about palliative family caregiving, is the product of an interdisciplinary collaboration between researchers and two comic artists. This paper aims to present lessons, reflections and...

Berry-picking culture and conflicts in Finland1

The ‘Berry Tours’ art project brought together artists, activists and scholars from the fields of art education, political science and environmental sociology to engage in discussions about berry-picking and the conflict between the berry industry and the rights of foreign berry pickers in Finland. The project was a practical part of art-based action research that aimed to promote the involvement of artists in environmental politics and science communication. Art-based research methods were used to examine berry-picking culture, communicate the reasons for the conflict through installations and spread awareness of the issue. The exhibition received visibility, and artists actively participated in political events and discussions. The findings shed light on activist art and the integration of art into science centres. Challenges related to different practices in naming the author, the heterogeneity of the target group and expectations regarding entertainment and interaction were faced when art was shown in the science centre.

The Black Saturday bushfire disaster: found poetry for arts-based knowledge translation in disaster risk and climate change communication

ABSTRACT This research uses the arts-based research method of found poetry, the creation of poem-like prose from existing text, to share the lived experience of the 2009 Black Saturday bushfire disaster in Australia which killed 173 people. After outlining the processes, this paper applies found poetry to an existing text: Peg Fraser’s book, Black Saturday. Five found poems are shared, each conveying a different element of the disaster experience: “Armageddon,” “Go – GET OUT,” “Bushfire Chook,” “Resisting the Poetry Tree,” and “Lucky”. Compared to normal prose, there is an authentic and vulnerable vibrancy to the language of these found poems, which offer unexpected visceral insight into the bushfire experience – the fear, the heat, the confusion, the anger, and the loss. Poetry, which resonates and draws people in emotionally, has significant potential as arts-based knowledge translation in disaster risk and climate change communication.

Interweaving Creative Critical Sense-Making through a Body of Koloa

Storytelling through the arts is embedded in Pacific cultural ways and is meaningfully expressed by interweaving history, genealogy, cultural values, and beliefs. My investigation into Pasifika students’ success as Pasifika in visual arts was revealed through the students’ artworks and stories. Visual art teachers’ beliefs, attitudes and pedagogical practices were also examined to illuminate the critical role they play in affirming Pasifika student success as Pasifika. The inclusion of my own experiences and artworks as a visual artist of Tongan and German descent, grounds the research project and offers voice to my creative critical sense-making process. This article also presents an exploratory examination of falanoa, alongside Caroline Scott Fanamanu’s analysis, as an intergenerational arts-based research method, specifically in the context of my own body of koloa, a personal collection of treasured artworks generated across a 30-year period. Recognising my duality of distinct ancestral worlds, this article suggests that falanoa can be a valuable method for arts-based research, particularly in the context of creative critical sense-making, cultural preservation, and intergenerational knowledge.

“Leonardo da Vinci was a Renaissance Man” – Using Narrative-Based Pedagogy on a Field Trip to a Science Museum

ABSTRACT Narratives, or stories, are used every day by people as a way of making sense of and communicating events in the world. Narratives can be highly useful as a learning tool in science education. Though research on narrative-based pedagogy in science education and communication is very common, most of that research was done in formal settings. Our study followed fourth-grade students who visited the science museum on a field trip, entitled “The Life of Leonardo Da Vinci,” which used narrative-based pedagogy (e.g. the story of Leonardo da Vinci) as a common thread throughout the visit. Interviewing the students after the visit revealed that most students remembered facts mentioned in the narrative, and the narrative had a long-term effect. The students remembered this visit better than other visits. In addition, more than half of the students used vocabulary that could be associated with the visit. This study supports the idea that art-based research methods can be effective. Using photos and images proved to be more engaging for students, and all students used the photos of exhibits and other images to create their own stories.

Arts-Based Approaches to Priority Setting: Current Applications and Future Possibilities

Background: Arts-based research methods and priority setting research both reflect growing commitments towards public and participant involvement in research activities. This has contributed to a growth of these respective methods across research disciplines and sectors, but their intersection has not been explored. Methods: We conducted a scoping review to map the state-of-the-science of arts-based approaches within priority setting research. We conducted an open search of three databases, conducted reference list mining, and hand-searched two journals to identify relevant articles. Of 5457 records retrieved, 11 met our pre-established inclusion criteria and were included in the review. Data were extracted using Microsoft Excel to produce narrative and descriptive summaries. Findings: All articles had some degree of health focus. Areas of priority setting centered on chronic illness, hard to reach populations, cancer survivorship, dental reform, and youth. In terms of artistic approaches, the majority of the articles included visual methods, with some articles utilizing multiple art approaches such as music, drawing, and filmmaking. Qualitative methods were used in all articles alongside the arts-based approaches, encompassing techniques such as interviews, discussions, and storytelling. Priority setting activites were mainly facilitated in group settings. The suggested benefits of arts-based approaches included enhancing participant communication, improving accessible research dissemination, and encouraging dialogues on identified health concerns. Challenges with using arts-based approaches included limitations on time and resources. Conclusion: Arts-based approaches to priority setting is an expanding field, with clear applications across various research contexts and priority focal areas. Further attention to the integration of arts-based approaches within priority setting, their theoretical underpinnings, and concurrent development and evaluation of arts-based priority setting methods are warranted.

Piloting a Virtual Arts-Based Methodology to Explore Children’s Experiences of Chronic Pain: Methodological Insights and Lessons Learned

In the field of childhood pain, the knowledge and expertise of children has long been overlooked. Instead, adult knowledge has been privileged over child knowledge, despite contemporary understandings that the experience of pain is subjective in nature and can only be fully appreciated by the person experiencing it – regardless of age, stage, or status. In this paper, we report on a pilot study that combined virtual semi-structured interviewing methods with arts-based research methods (drawing or painting, produced offline in the time between virtual interviews) to explore children’s experiences of chronic pain from their own perspectives. We use this study as a backdrop to make visible the ‘behind the scenes’ methodological work of arts-based research with children, paying particular attention to the ways in which our methodological approach created time and space for reflection, supported the co-production of knowledge, provided a means through which to visualize the effect of broader social influences on knowledge production, and provoked novel lines of analysis and inquiry. All these affordances call for deeply reflexive research practices. We suggest the methodological approach described in this paper can help amplify and add value to research with young children. The richness of the children’s accounts concerning chronic pain add to the body of evidence demonstrating that ‘even’ young children have knowledge, expertise, and insights that should be elicited to expand understandings of children’s pain and other similarly abstract topics, phenomenon, and lines of inquiry in health.