Reviewed by: The Ever After Life of the Brothers Grimm Fairy Tales by Martha Ann Brueggeman John E. Priegnitz II (bio) The Ever After Life of the Brothers Grimm Fairy Tales. By Martha Ann Brueggeman, Book Baby, 2020, 264 pp. Martha Ann Brueggeman's The Ever After Life of the Brothers Grimm Fairy Tales is a labor of love, and it shows. The book is written in such a way that it is accessible to a casual reader while also doubling as a textbook for a variety of courses. The Ever After Life is difficult to fit into a singular category. Is the book a study on literature? Art history? Children's literature? Cultural studies? The answer is yes, and more. However, this by no means diminishes the quality or importance of the work. Unlike a Cheesecake Factory menu where the diner is left confused and lost, Brueggeman's book is firmly grounded on a singular subject. The Brothers Grimm have after all infiltrated nearly every aspect of artistic expression known to Western society and beyond. Therefore, it stands to reason that Brueggeman felt it was important to succinctly make the case that the Brothers Grimm fairy tales remain relevant and pervasive in the twenty-first century in 264 pages. Interestingly, Brueggeman's background is in education, not folklore or literary studies. This furthers the case that the Brothers Grimm fairy tales do not neatly fit within a singular category. This book is no different, and while it is not a "scholarly study" of the Grimms, it will make an excellent classroom companion. Divided into ten chapters, The Ever After Life spans a variety of topics from literature studies, art, and history to postmodernism. The book becomes a versatile textbook that may be used within a variety of classrooms. It will be of interest to high school teachers for use in their junior and senior creative writing, humanities, and/or AP English classes. It could also be used in a college setting. As a folklorist, I can see myself using this book in either an introduction to folklore studies and/or a folk narrative course for undergraduates, as it has a useful catalog of translations and variations of Grimms tales and makes a compelling case that these stories remain relevant today. My favorite chapter was 2, "Anthologies New and Old." Brueggeman has provided the reader and researcher a useful list of anthologies and translations of the Brothers Grimm Fairy Tales. This list may be used to supplement not only the content of the book by providing clearer context, but it will also make the curriculum more robust if it is being taught inside the classroom. [End Page 343] While the book is conveniently divided into ten chapters for easier consumption of the material, Brueggeman concludes each chapter with a summary as well as a short paragraph detailing her personal favorites on what the chapter had covered. It is a quirky personal touch that I have not seen in other books. However, the "Favorites" section caused me as the reader to pause and think about what my favorite takeaway was from the chapter that I read. Brueggeman including her favorites at the end of each chapter acts as a meditative device causing the reader to think about what they liked best, and why. This also can be used as a classroom tool for educators looking for a creative and meaningful writing prompt to assign their students. I would not be doing The Ever After Life justice if I do not discuss the beautiful artwork found within it. The book has full color illustrations throughout, which is excellent for the reader to better conceptualize the subject being read. Each chapter also begins with a unique contemporary illustration by Nathan Ruff that is Brothers Grimm themed and tied to the overall theme of the chapter. Brueggeman encourages the reader to take the time to read the explanation of each design on the following page. Much like how the "Favorites" section can be used as a meditative device and/or a launchpad for a writing prompt, the same can and should be done with the Nathan Ruff illustrations. They are enchanting. At the heart...