Maltby, Paul. 2013. Christian Fundamentalism and Culture of Disenchantment. Charlottesville: University of Virginia Press. $55.00 hc. $24.50 sc. 248 pp.Paul Maltby's Christian Fundamentalism and Culture of Disenchantment describes polarized predicament of United States in early twenty-first century, where deepest beliefs and values of Christian conservatives, especially those with an evangelical or fundamentalist bent, are more or less anathema to liberal secularists, whose beliefs and values (which are often just as deeply held) derive from basically incompatible worldview. Whereas fundamentalist worldview remains committed to Biblical literalism, metaphysical dualism, and conservative social agenda, postmodern outlook derives from what some critical theorists have called anti-foundationalism, insisting on historical of all texts, including Scripture, and indeed of all persons. This contingency principle, Maltby hastens to add, not amount to relativist, 'anything goes' outlook, but it does mean that any truth claims, whether or not they appeal to an ultimate or transcendent reality, are still subject to the provisional standpoint of here and now (42-43).Maltby's observation that United States is polarized between religious conservatives and secular is corroborated by Robert D. Putnam and David E. Campbell in American Grace: How Religion Divides and Unites Us, who similarly argue that Americans are increasingly concentrated at opposite ends of religious spectrum-the highly religious at one pole, and avowedly secular at other. The moderate religious middle is shrinking (2012, 3). In Putnam and Campbell's compelling account of how such polarization came about, seismic upheaval of 1960s, especially its sexual libertinism, produced prudish aftershock of growth in conservative religion; especially after 1980, religion came to be increasingly associated with Republican Party (3). Similarly, Maltby discusses electoral mobilization of American evangelicals beginning in late 1970s, which marked new interventionist phase in political life of Christian Right (2013, 3). He too argues that this development was provoked by countercultural insurgencies and liberal initiatives of era (17). Furthermore, he contends that resurgence of politically active Christian fundamentalism in 1970s . . . may be partly understood as faith community consolidating its identity in face of diffusion and deepening of ironic sensibility in postmodern (84-85).If one legacy of dissident politics of 1960s was new postmodern sensibility that has gained influence and prestige ever since, perhaps most salient result of that sensibility was not so much political as metaphysical: development of culture of disenchantment, which Maltby describes as a secular ethos of unremitting and boundless critique, in which all forms of institutional authority, hegemonic norms and precepts, and 'master narratives' have fallen under suspicion (11-12). Ironic, self-reflexive attitudes not only pertain to dominant critical discourses in humanities and social sciences; they also manifest in popular media forms such as self-parodying movies, selfaware television shows, self-mocking advertisements, and so on. Maltby argues that this culture of disenchantment produces type of people who are cynical, skeptical, and suspicious almost to fault, but who tend to populate key domains of public sphere (12) such as higher education and mass media, for instance; they are often, but by no means exclusively . . . to be found within urban communities of secular liberals (15). While principal practitioners of this culture of disenchantment do not necessarily represent mainstream in United States, they nonetheless enjoy elite status and prestige of critical acclaim (14). …