Reviewed by: Redemption Songs: Suing for Freedom before Dred Scott by Lea VanderVelde William D. Green Lea VanderVelde, Redemption Songs: Suing for Freedom before Dred Scott. New York: Oxford University Press, 2014. 305 pp. $33.95. On March 6, 1857, eleven years after the appellant filed the initial suit, the United States Supreme Court issued the decision in Dred Scott v. Sanford. It held that the constitution permitted the extension of slavery into the territories, prohibited territories and states from extending citizenship rights to African Americans, and protected the master's dominion over his and her human chattel wherever they went. Instead of putting to rest the issue of slavery, as Chief Justice Roger Taney had hoped, the decision—what some critics of the day referred to as the "self-inflicted wound"—so intensified the national debate that it made civil war inevitable. Regarding the narrow confines of the Scott petition, if ever there was an argument for judicial restraint, this was it. The court had veered away from the time-honored practice of following precedent. Six years earlier, in Strader v. Graham, the court affirmed the right of a slave state to continue to recognize freedom gained by free state residency, which, under the doctrine called freedom by residence, was the practice in Missouri courts. But in Dred Scott, six years later, five members of the Taney Court instead overreached when it included the issues of black citizenship and the extension of slavery into the territories, choosing unwittingly to sail headlong into troubled waters. Dred Scott, the appeal, had become larger than the singular focus of the petitioner's interest-freedom. Despite the precedence of Strader in the federal court, and the unlikely precedent of Winny v. Whitesides (MO. 1824) and Rachel v. Walker (MO. 1836) in the Missouri court, the outcome of Dred Scott, which seemed a foregone conclusion, was instead for the petitioner a stunning reversal of fortune. Dred and Harriet Scott, and the entirety of their family, would remain slaves. Prior to Dred Scott, Missouri's "unlikely precedent" was, in and of itself, a peculiar institution. It had evolved decades before the abolition movement had gained traction. Slavery, though prohibited in territory north of the Ohio River since 1787, was nevertheless commonplace. Missouri was situated on the farthest reaches of settled America, a settlement that was at once, a frontier outpost and the Gateway to the West. Relative to the quick succession of international and national jurisdictions, all of which recognized slavery, the courts of slaveholding Missouri became the place where slave [End Page 71] suits petitioned the law of white men to contravene the property interest and social mores of white men. In her recent book, Redemption Songs, Lea VanderVelde examines the "unlikely precedent." At the root, VanderVelde argues, such litigation began with the rather dangerous first step of filing a "freedom suit," which inflamed the situation by alleging the unsuitability of the master's character. The slave complainant worked with an attorney who the slave did not know and could not pay unless the slave was willing, as was the case in some instances, to hire out to the attorney. The slave could only watch the hearing that procedurally banned the slave (and master) from testifying; and through it all, there was always the risk of a protracted suit that devoured the slave's capacity to litigate, the greater threat of losing the case, being subject to reprisal, or both. And yet, slaves continued to sue for their freedom and win. Of the three hundred suits that VanderVelde reviewed, she selected twelve cases, or "redemption songs," to illustrate the range that the petitions took. In one case, the jury ignored the evidence that would lead to freeing the slave, only to be reversed on remand when the judge, hearing and deciding the suit, ruled in favor of the slave. In another case, a woman sued her African American common law husband who was about to sell her to a slave trader. VanderVelde writes that in each instance, "the tensile strength of the rule of law," held firm. In writing this review I considered three general questions: (1) Does VanderVelde explain what made St. Louis...
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