ABSTRACT University College London Special Collections holds the Small Press Collections consisting of the Little Magazines, Alternative Presses, and Poetry Store of poetry pamphlets, artist’s books, and other text bearing print objects. This essay outlines the history and growth of the collections, founded by Geoffrey Soar in 1964, and starts by exploring the networks essential to the development of a large collection of international, independently published literary and visual art material. I draw on fifteen years’ experience as Collection Manager to examine the challenges of acquiring, cataloguing, and managing non-mainstream, self-published, ephemeral material in an institutional context and facilitating access for researchers. It considers selected comparable collections in the UK and the US and the difficulties in aligning institutional holdings and practices. The notions of materiality and obsolescence in the context of library collections are considered in relation to mimeographed and other format little magazines and small press publications. It concludes with examples of object-based learning scenarios that reactivate the material in a teaching and research context.
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