Aesthetics Of Style Research Articles

Aesthetics of Style in the Poetical Collection of “Insomnia Party” by Aisha Al-Nowaimi

يسعى هذا البحث إلى تتبع جماليَّات الأسلوب في ديوان (حفلة أرق) لعائشة النويمي؛ ويتكون من مقدمةٍ وتمهيد ومبحثين ونتائج، اهتم التمهيد بتوضيح المصطلحات الجمالية التي انطلق منها لدراسة والتحليل، وتطرق المبحث الأول إلى الجماليَّات اللغوية الأسلوبية، ويتطرق إلى التشكيل اللغوي، والبنى الأسلوبية وأشكال التعالق. أما المبحث الثاني فقد تطرق إلى جماليَّات الدلالة بين التركيب والتصوير، ويناقش جماليَّات السلب والإثبات، والتكرار، والرؤية الشعرية والموقف النسوي، وجماليَّات البنية التصويرية. وقد اعتمد على المنهج الأسلوبي أداة للمقاربة والتحليل، وتوصل إلى جملة من النتائج، منها: أن مفارقة العنوان قد سيطرتْ على نسيج الخطاب الشعري في الدّيوانِ كلّهِ، وقد عمدت الشاعرة إلى اتباع لغةٍ حواريةٍ تخلصت فيها من الغنائية المفرطة؛ لتجعل خطابها ينماز بخصوصية نصية، كما عمدت إلى التجديد باتباع التنافر والمفارقة، واستدعت دلالاتٍ تراثيةً، كما عمدت إلى التكثيف الرمزي.

شعرية العمران عند عمر بن بأحمد هيبة

The Paper Aims To Study In The Valley Of Mzab With The Contemporary Algerian Poet Omar Bin Bahmed Heiba: (The Castle, The Well, The Dam, The Fence And The Tower) An Aesthetic Reading That Matches The Luxury Of Material Civilization With The Aesthetics Of Style, The Poet Utilized A Language That Senses Beauty, And Incorporated It With Metaphors, Allegories And Similes, In Violation Of The Common Adage To Be Inserted Into The Reader’s Feelings And To Deepen His Relationship With These Civil And Human Achievements. He Resorted To The Aesthetic Of Advancing And Delaying In Order To Highlight This Urbanization To The Receiver That It Is Known To The Arabs, If They Singled Out Something With Their Interest They Initiate It, And They Surprised Him By Making Him Meet This Emotional Position Desirable To Them. The Poet Also Cared About Repetition When He Used It To Touch Off The Morality Of Loyalty To This Heritage, And Enrich It To Persue The Presence, Not To Remain Detained In The Past. It Turns Out That The Poet’s Moral Reference Is Earlier Than The Geography Reference, So He Resorted To Religious Intertextuality Especially (The Hadith Of The Prophet) Venting His Desire By Referring This Urban Advantage And Make It Towed To The Sky, And The Poet Employed Two Linguistic Fields; The Field Of Nature By Evoking The Nature Of The South And Its Harmony With Urbanism And The Filed Of Urbanism, What Allowed Him To Penetrate The Poetic Text To Be Turned Into A Poetic Term. Thus, Omar Bin Ahmed Ahmed Heiba, The Poet Of Urbanism, Rightfully Worked On His Humanization And Deepening His Aesthetic Presence. Key Words - Algerian Poetry, Urbanism, Civilisation Valley Of Mzab, Castle, Omar Heiba.

ТРАДИЦІЇ ТА НОВАЦІЇ ЖИВОПИСУ НА СКЛІ В МИСТЕЦТВІ МОДЕРНУ

Метою статті є визначення специфіки вітражного розпису стилю модерн. Методи дослідження складає сукупність базових принципів: об’єктивності, історизму, системності, багатофакторності, комплексності, а для досягнення мети – використані методи наукового пізнання: проблемно-хронологічний, конкретно-історичний, статистичний, логіко-аналітичний. Наукова новизна. Визначено традиційні особливості та новації вітражного розпису стилю модерн як однієї з найдавніших технік живопису на склі; проаналізовано своєрідність форм, методик та використання вітражного розпису в історичній ретроспективі та виявлено специфіку розвитку даної техніки в країнах західної Європи, Росії та України в 1890–1910 рр., на прикладі творчості провідних художників-модерністів. Висновки. Вітражний розпис 1890–1910 рр. відіграє неабияке значення в процесі формування стилістики модерну, а художня цінність багатьох творів не поступається всесвітньовідомим вітражам попередніх епох. Відповідно до стилістичних особливостей модерну, якому були властиві витонченість та вишуканість, вітражний розпис характеризується приглушенням кольорів, складних, але пластичних ліній та рослинно-квіткової орнаментації, ретельним моделюванням та світлотіньовими ефектами, алегоричними фігурами та символічними знаками. Вітражний розпис означеного періоду сублімував багатопланові аспекти естетики стилю модерн, національний колорит та філософію розуміння традицій, а також індивідуальне світосприйняття художників.

A Product as a Poem: A Case Study of a Bird-shaped Teapot Design Based on Traditional Chinese Poetic Aesthetics

<p>The concept of emotional design has become the main focus in the current trend of perceptual consumption. After reviewing the historical development of art, we determined that traditional Chinese art emphasizes subjective expression and favor poetics. Poetics are image based, and personal feelings are used to analyze and understand external objects. These feelings are expressed implicitly through symbols or metaphors. Classical Chinese poetic aesthetic theory is based on nearly 2,000 years of history and, thus, comprises a myriad of valuable ideas. The creator of the bird-shaped teapot has extensive experience researching and creating Chinese art, and drew on these experiences and knowledge to craft the teapot. However, the purpose of the design was to achieve Donald A. Norman's reflective level of emotional design. In addition, the teapot was designed to exhibit traditional Oriental charm while conforming to modern style aesthetics while the design strategies were inspired by traditional Chinese aesthetics. Modern style aesthetics were introduced using a design strategy derived from the theories of Cezanne. The artist analyzed its design features and compared it with the research results of contemporary scholars, in pursuit of new understanding. Finally, a questionnaire was used to understand consumer feelings of poetic design and whether this strategy would be received well in the art and design market. The results of the case study indicate that a poetic design based on traditional Chinese artistic techniques can be implemented.</p>

Tone expansion using lighting style aesthetics

High Dynamic Range (HDR) is the latest video format for display technology and there is a strong industrial effort in deploying an HDR capable ecosystem in the near future. However, most existing video content today are in Standard Dynamic Range (SDR) format and there is a growing necessity to upscale this content for HDR displays. Tone expansion, also known as inverse tone mapping, converts an SDR content into an HDR format using Expansion Operators (EOs). In this paper, we show that current state-of-the-art EOs do not preserve artistic intent when dealing with content of various lighting style aesthetics. Furthermore, we present a series of subjective user studies evaluating user preference for various lighting styles as seen on HDR displays. This study shows that tone expansion of stylized content takes the form of gamma correction and we propose a novel EO that adapts the gamma value to the intended style of the video. However, we also observe that a power function-based expansion technique causes changes in terms of color appearance. To solve this problem, we propose a simple color correction method that can be applied after tone expansion to emulate the intended colors in HDR. We validate our method through a perceptual evaluation against existing methods. In addition to this, our work targets 1000 nits HDR displays and we present a framework aligning our method in conformance with existing SDR standards and the latest HDR TV standards.

On Order Performances of Sketch

Researching order performances of sketch refer to research sculpt rules and the rules of the style aesthetics. Different order performances reflect the different thinking methods of artists and aesthetic standards of different eras. The order performances can be divided into three kinds that are realistic performances of sketch, reconstructive performances of sketch and abstractive performances of sketch.

Representation of Youth in Soviet Cinema of the 1950s

The 1950s in the history of our cinema became a transitory stage from the grand style aesthetics to humanistic realism of the Thaw period. One of the most significant traits of this transition was the appearance of young characters on screen (school pupils, students) who were striving to fulfill themselves and find their own way in life. The article analyzes the images of the young people as they were represented in films of that period.

A "Value Ecology" Approach to the Performing Arts

In recent years, ecological thinking has been applied to a range of social, cultural and aesthetic systems, including performing arts as a living system of policy makers, producers, organisations, artists and audiences. Ecological thinking is systems-based thinking which allows us to see the performing arts as a complex and protean ecosystem; to explain how elements in this system act and interact; and to evaluate its effects on Australia’s social fabric over time. According to Gallasch, ecological thinking is “what we desperately need for the arts.” It enables us to “defeat the fragmentary and utilitarian view of the arts that dominates, to make connections, to establish overviews of the arts that can be shared and debated” (Gallasch NP). John Baylis took up these issues in "Mapping Queensland Theatre" (2009), an Arts Queensland-funded survey designed to map practices in Brisbane and in Queensland more broadly, and to provide a platform to support future policy-making. In this paper, we propose a new approach to mapping Brisbane’s and Queensland’s theatre that extends Baylis’ ‘value chain’ into a ‘value ecology’ that provides a more textured picture of players, patterns, relationships and activity levels in local performing arts.

The Aesthetics of Style in an Urban High School Art Class

(2009). The Aesthetics of Style in an Urban High School Art Class. Art Education: Vol. 62, No. 2, pp. 46-51.