Aesthetic Potential Research Articles

A Systematic Mapping Study and a Review of the Optimization Methods of Structures in Architectural Design

Structural optimization has gained popularity in modern structural design, helping to reduce material consumption while maintaining the structural performance of buildings. This process also significantly influences the architectural appearance, affecting various aspects such as cross-section sizing, structural forms, and the layout of structural members. Beyond minimizing materials or costs, structural optimization can serve as a powerful tool for making architecture more visually appealing. However, with the wide variety of structural optimization methods proposed, gaining a comprehensive overview has become challenging. To address this, a systematic mapping study has been conducted, focusing on methods introduced over the past decade. The relevant journal articles are categorized based on several factors, including types of optimization, materials used, structural typologies, areas of application, and optimization objectives. The results of this study provide both a broad overview of recent developments in structural optimization and valuable insights into research-rich and under-explored areas. Moreover, the paper discusses which types of structural optimization are more relevant when applied as part of the architectural design process. It is suggested that future research should focus on identifying gaps and challenges in effectively applying structural optimization to architectural design, thus enhancing both efficiency and aesthetic potential.

Art and Science of Reinforcing Ceramics with Graphene via Ultrasonication Mixing.

This work presents an interdisciplinary approach combining materials science, ultrasonication, artistic expression, and curatorial practice to develop and investigate novel composites. The focus of the approach is incorporating graphene oxide (GO) into kaolin and exploring its effects on material properties. The composites were prepared with varying GO concentrations and sonication times, and their mechanical, thermal, and morphological characteristics were evaluated. The results reveal that the addition of 0.5 wt % GO, combined with a sonication time of 10 min, leads to the highest storage modulus and improved thermal stability. Ultrasonication proved to be an effective method for dispersing and distributing GO particles within the kaolin matrix, resulting in an enhanced material performance. Furthermore, the application of novel composites provided by Prvački adds a unique dimension to the study. Through the artistic interpretation, the tactile qualities and aesthetic potential of the composites are explored, shedding light on the transformative power of materials and cultural significance organized as part of an artist-in-residence commission, introduced in conjunction with the NUS Public Art Initiative. This interdisciplinary collaboration accompanied by an exhibition at the NUS Museum demonstrates the value of merging scientific research, technological advancements, and artistic exploration.

Cleaning: Practicing Everyday Aesthetics and Care

Performing various tasks to manage our daily lives does not fit comfortably with the predominant model of aesthetics, which consists of a disinterested spectator making a judgment on the aesthetic value of an object. Taking ‘cleaning’ as an example, this paper illuminates its rich aesthetic potential, which includes sensory and bodily engagement, development of aesthetic sensibility, activation of imagination, and cultivation of a care relationship with other people and the world.

Loss, Lament, and Survival in the Poetry of C. P. Cavafy

Abstract: The question of loss and its relation to aesthetic form emerges in poems by C. P. Cavafy that deal specifically with the unacknowledged losses suffered by lives on the sexual margins, for whom the challenge of survival takes shape under punitive social forces. Finding in Greek literary tradition the aesthetic potential to manage what is unmanageable about loss under the historical conditions of modernity, Cavafy has recourse to the poetry of lament to reimagine the work of living with enduring loss. Cavafy's revisions to the poetry of lament facilitate the process of grieving for same-sex desiring subjects, especially when one does not know precisely what or how much has been lost. A number of these poems articulate new forms of pleasure that become possible in the aftermath of loss, thus proposing sensual pleasure as a mode of survival.

Bernard Stiegler and aesthetic technê

This essay discusses the aesthetic potential within Bernard Stiegler’s concept of technics, particularly its nascent or preactual form of realism. This realism fosters a sense of spontaneity, crucial to a modal engagement with time, being, and history in the face of contemporary planetary enframing. By critically appraising Stiegler’s framework, the essay proposes an aesthetics of care that aligns with restoring art’s primordial inhumanism. This stands in stark contrast to the inhumanism inherent in technological modernity. Reviving this aesthetics, a global challenge that traverses East and West, might appear anachronistic. It proposes a return to the primordial integration of the human and inhuman, initially enshrined in art as technics (evident as far back as the Upper Paleolithic). Modern technology, however, severs the organological function of art from its foundational relation with humanity. In this dismemberment, a singular, immanent humanism emerges as the defining characteristic of modernity. This human becomes wholly accessible and subservient to technology, thus negating the reciprocal tension that defines their elemental and productive relationship, their original organology or how life at the time was intensively organized by this so-called tension. In conclusion, the essay advocates restoring this lost inhuman essence through a revitalized aesthetic sensibility that embraces an integral ecology as a countermeasure to stagnation and despair engendered by excessive human-centric enframing.

The Role of Aesthetics in Shaping Cultural Narratives

Purpose: The general objective of this study was to explore the role of aesthetics in shaping cultural narratives. Methodology: The study adopted a desktop research methodology. Desk research refers to secondary data or that which can be collected without fieldwork. Desk research is basically involved in collecting data from existing resources hence it is often considered a low cost technique as compared to field research, as the main cost is involved in executive’s time, telephone charges and directories. Thus, the study relied on already published studies, reports and statistics. This secondary data was easily accessed through the online journals and library. Findings: The findings reveal that there exists a contextual and methodological gap relating to the role of aesthetics in shaping cultural narratives. Preliminary empirical review revealed that aesthetics significantly influence the formation and perpetuation of cultural narratives across various forms of artistic and cultural expressions. It highlighted how traditional and contemporary aesthetic forms both preserve historical cultural heritage and adapt to societal changes, emphasizing the role of digital aesthetics in modern cultural dynamics. The research underscored the importance of diverse representations to challenge dominant narratives and promote inclusivity. It also emphasized the implications for artists, cultural theorists, educators, and policymakers in recognizing and utilizing the transformative potential of aesthetics in shaping cultural narratives. Unique Contribution to Theory, Practice and Policy: The Semiotics Theory, Social Constructionism and Cultural Hegemony may be used to anchor future studies on the role of aesthetics in shaping cultural narratives. The study recommended expanding theoretical frameworks by integrating interdisciplinary approaches to better understand the role of aesthetics in shaping cultural narratives. Practically, it urged artists and cultural practitioners to critically engage with the cultural symbols in their work, and for educators to incorporate aesthetics and cultural narrative analysis into their curricula. Policy-wise, it emphasized the need for inclusive cultural policies that promote diversity, support digital literacy, and encourage collaboration among stakeholders to create initiatives that celebrate diverse aesthetic expressions.

Deep permutation type design for Chinese characters

With their intricate visual structure and cultural significance, Chinese characters present a unique realm for exploration in graphic design. However, the integration of graphic elements, such as two-dimensional primitives that are not limited to straight or curved strokes, into Chinese-type design relies mainly on the designer’s intuition. This paper investigates the application of deep permutation design methods to Chinese type design to explore the esthetic potential of graphic-based type design in a systematic and algorithmic manner. For this purpose, we propose a novel framework and present an implementation named ‘Permutype’, which operates in three phases: representation, generation, and evaluation. Through a series of visual experiments, we demonstrate how our framework promotes novel permutations and esthetic possibilities for Chinese characters. The methodology offers flexible graphics and exhaustive optimal scheme searches based on objective criteria and has the potential for extensive font libraries.

Pengembangan Budidaya Ikan Koi (Cyprinus Carpio) untuk Masyarakat Sekitar Universitas Terbuka Malang

The community service activity titled "Development of Koi Fish Cultivation (Cyprinus Carpio) for the Community Around Universitas Terbuka Malang" is motivated by the high economic and aesthetic potential of koi fish, which has not been optimally utilized by the local community. Koi fish serve not only as ornamental decorations but also as a potential source of additional income for the community. The aim of this activity is to provide knowledge and skills about koi fish cultivation techniques, as well as to raise community awareness of the economic potential of this venture. The methods used in this program include training and outreach consisting of theory and hands-on practice. This activity involves local communities through socialization, cultivation demonstrations, and assistance in managing koi fish ponds. The results of this community service activity indicate an increase in participants' understanding and skills in koi fish cultivation, along with the establishment of koi cultivation groups in the area. Additionally, participants reported a growing interest in keeping koi fish as a side business.

Material and abutment selection for CAD/CAM implant-supported fixed dental prostheses in partially edentulous patients - A narrative review.

Restorative material selection has become increasingly challenging due to the speed of new developments in the field of dental material science. The present narrative review gives an overview of the current indications for implant abutments and restoration materials for provisional and definitive implant-supported fixed dental prostheses in partially edentulous patients. For single implant restorations, titanium base abutments for crowns are suggested as an alternative to the conventional stock- and customized abutments made out of metal or zirconia. They combine the mechanical stability of a metallic connection with the esthetic potential of ceramics. For multiple-unit restorations, conical titanium bases especially designed for bridges are recommended, to compensate for deviating implant insertion axes and angulations. Even though titanium base abutments with different geometries and heights are available, certain clinical scenarios still benefit from customized titanium abutments. Indications for the definitive material in fixed implant restorations depend on the region of tooth replacement. In the posterior (not esthetically critical) zone, ceramics such as zirconia (3-5-Ymol%) and lithium-disilicate are recommended to be used in a monolithic fashion. In the anterior sector, ceramic restorations may be buccally micro-veneered for an optimal esthetic appearance. Lithium-disilicate is only recommended for single-crowns, while zirconia (3-5-Ymol%) is also recommended for multiple-unit and cantilever restorations. Attention must be given to the specific mechanical properties of different types of zirconia, as some feature reduced mechanical strengths and are therefore not indicated for all regions and restoration span lengths. Metal-ceramics remain an option, especially for cantilever restorations.

A Comparison of the Edge Testing of Indirect Composite Layered Zirconia Crowns and Monolithic Zirconia Crowns Without Aging: An In Vitro Study.

Introduction The main reason veneered zirconia restorations fail is due to porcelain veneer chipping. This chipping usually starts from wear marks on the chewing surface. As a result, small cracks under the contact area can grow into larger ones across the veneer layer. The veneer ceramic layer is more vulnerable to fractures because it has lower toughness and slightly lower stiffness compared to the base framework material. Thus, even when there's significant chipping, the main framework material usually stays protected with a thin layer of veneer ceramic on top. The aim of this in vitro study is to compare the edge strength of Monolithic Zirconia Crowns with that of Indirect Composite Layered Zirconia Crowns without aging. Materials and methods This research involved creating 12 hand-layered all-ceramic crowns and 12 indirect composite layered zirconia crowns. The sample size was determined using a G*Power calculation (Heinrich-Heine-Universität Düsseldorf, Düsseldorf, Germany). The zirconia frameworks (Upcera HT White; UPCERA Dental America Inc., Cerritos, CA, US) were milled and sintered following the manufacturer's instructions. For the all-ceramic group, veneering porcelain (e.max Ceram; Ivoclar Vivadent, Schaan, Liechtenstein) was hand-applied. In contrast, the indirect composite group utilized Ceramage (Shofu, Kyoto, Japan). An Instron 4501 universal testing machine (Instron Corp., Canton, MA, USA) was employed for the edge chipping tests, and a Vickers indenter (Shanghai Toyo Diamond Tools Co., LTD, Shanghai, China) was used to apply the load. The mean value for edge chipping was analyzed using an unpaired t-test with IBM SPSS Statistics for Windows, Version 26 (Released 2019; IBM Corp., Armonk, NY, USA). The normality of the data was confirmed, and statistical significance was set at 0.05. Results Monolithic Zirconia Crowns (Group 1) require significantly more force (mean: 405 N) to induce an edge chip compared to Indirect Composite Layered Zirconia Crowns (Group 2) (mean: 300 N). The 95% confidence interval (83.43261 N to 109.90072 N) confirms the statistical significance of this difference. Conclusion In conclusion, when evaluating restorative materials based on both esthetic and functional criteria, monolithic zirconia stands out due to its combination of strength, esthetic potential, biocompatibility, and versatility.

Ecological and Aesthetic Potential of Works about Chornobyl: Technogenic Disaster as a Literary Problem

ABSTRACT This article is aimed at revealing the theme of the Chornobyl disaster as an apocalypse in the lyrical works of Ukrainian poets. The prerequisites for the development of the phenomenon of the “post-Chornobyl library” are revealed, the works of outstanding sixtiers (Ivan Drach, Lina Kostenko, Borys Oliynyk, and Dmytro Pavlychko) are considered, the elements that are called to the accident at the Chornobyl nuclear power plant are highlighted, and an imagery analysis of the selected works is carried out. Discourses about the catastrophe, apocalypse, and postapocalypse are highlighted to demonstrate Chornobyl, in lyrics and lyrical epic, as the largest man-made environmental and humanitarian tragedy. The connection between the Chornobyl discourse in literature and criticism of the Soviet regime as a manifestation of inhumanity and totalitarianism is revealed. An array of ecological poetry of lesser-known authors is processed and their contribution to the poetry of the paradigm is indicated, and a detailed analysis of the ecological lyrics of the late twentieth and early twenty-first centuries by authors Nina Hnatiuk, Tetiana Yakovenko, and Valentyna Storozhuk is carried out.

Personal Storyworlds

By combining perspectives from transmedial narratology and musicology, this article explores how the notion of a “personal storyworld” can offer new opportunities for understanding the transmedial processes whereby pop artists’ personas are continually (re-)constructed and (re-)negotiated through and across myriad points of contact between artists and audiences. Emphasis is placed on the performative potential of audiovisual aesthetics and public posturing, on the one hand, and on audiences’ interpretive flexibility, on the other. These related themes are addressed through a case study of an artist who aptly exemplifies the continual transfiguration of pop personas, namely Justin Bieber. The main part of the case study concerns how Bieber’s sixth studio album, Justice (2021), and associated material (music videos, live performances, interviews, promotional material, social media posts) related to and formed part of his broader personal storyworld. This sets up an exploration of how the dynamics between retrospection and reinvention shape the reframing of personas, which raises a series of questions concerning the dialectic between continuity and change, artist-audience dynamics, and transmedial processes of interpretation.

Контаминация фразеологизмов как средство речевой характеристики персонажей в романе М.А. Шолохова «Поднятая целина»

This article dwells on the contamination of phraseological units in Mikhail Sholokhov’s works using his novel Virgin Soil Upturned as an example. The writer pays much attention to the choice of language units and the ways of their organization in the context. One of the most striking features of his style is the concentrated use of phraseological units within a short text fragment. Based on semantic identification and component analysis, it is concluded that the created sets of phraseological units are connected by paradigmatic and syntagmatic relations, which determine their interaction and the degree of influence on each other as well as contribute to structural and semantic contamination. The characters’ speech in the novel contains phraseological units that have been contaminated. Sholokhov’s use of contaminated units to describe characters allows us to identify such characteristics as their social status and level of education, as well as emotional state, temperament, etc. The image is being detailed, expanded and refined by shifting accents and adding semes and connotations. Sholokhov combines the features of various phraseological units, thus enhancing the aesthetic function of the text. Such categorical properties of phraseological units as integrity of meaning and constancy of structure as well as imagery and expressiveness of the original phraseological unit are reinterpreted and transformed during contamination, thereby updating the image and intensifying the aesthetic potential of language units in the context and, consequently, in the text as a whole. Contamination of phraseological units, which is a result of their concentrated use, in Sholokhov’s works is nothing other than a conscious departure from the traditional forms of text organization, aimed at achieving creative goals and implementing the author’s idea. Further research in this area may be of interest to specialists dealing with stylistics, text theory, phraseology and the study of linguistic personality.

AG‐SDM: Aquascape generation based on stable diffusion model with low‐rank adaptation

AbstractAs an amalgamation of landscape design and ichthyology, aquascape endeavors to create visually captivating aquatic environments imbued with artistic allure. Traditional methodologies in aquascape, governed by rigid principles such as composition and color coordination, may inadvertently curtail the aesthetic potential of the landscapes. In this paper, we propose Aquascape Generation based on Stable Diffusion Models (AG‐SDM), prioritizing aesthetic principles and color coordination to offer guiding principles for real artists in Aquascape creation. We meticulously curated and annotated three aquascape datasets with varying aspect ratios to accommodate diverse landscape design requirements regarding dimensions and proportions. Leveraging the Fréchet Inception Distance (FID) metric, we trained AGFID for quality assessment. Extensive experiments validate that our AG‐SDM excels in generating hyper‐realistic underwater landscape images, closely resembling real flora, and achieves state‐of‐the‐art performance in aquascape image generation.

The Politics of Film Aesthetics: Filmososphy, Post-Theory, and Rancière

The question of aesthetics in film-theoretical discourse today is split between, on the one hand, a film-phenomenological or “filmosophical” approach that values the putatively immanent relation between film and the mind and, on the other, the naturalizing epistemology of post-theory, which reduces the question of film aesthetics to one of poetics. What unites these otherwise disparate projects is the consideration of aesthetics divorced from the question of politics; in both cases, the social or political significance of the film–spectator relationship has been summarily purged. In this article, I will offer an alternative account of film aesthetics that draws on Jacques Rancière’s theory concerning the mutually determining relationship between aesthetics and politics. In particular, I will consider the relevance of Rancière’s thesis concerning what he calls the distribution of sensible to current accounts, as well as taking up his novel consideration of aesthetic distance and the “emancipated” spectator. With respect to film phenomenology, I will examine how its film-theoretical program rests on the flawed concept of a de-politicized spectator enchained by the film image. With respect to post-theory, I will examine how its appropriation from cognitive science of the rational agent model of meaning making inappropriately limits the political potential of film aesthetics.

The synthetic nature of N. Lvov’s lyrical works in the focus of the “holiday” concept

This article examines the embodiment features of the dialogue of arts in N. Lvov’s creative heritage (1753-1803) based on the lyrical works of the writer intended for vocal performance (“Winter” (1796), “Duets. To the Music of Zhirdini Printed in London” (1791), “Words to the Finished Music of Seidelman. Duet” (1793), “A Song for Gypsy Dancing” (1789). The research uses the biographical, historical-functional and historical-typological methods. In the course of the study, we found that the synthesis of arts is a semantic and formative element. The writer managed to combine the literary code with the genome of a number of other, sometimes even antonymous, fields of art, which ultimately contributed to the creation of a unique work whose hallmark is eclecticism. Thus, through the active use of the musical art code in his work, N. Lvov managed not only to integrate two areas of art, but also to create a qualitatively new format of musical and literary art with powerful aesthetic potential. A clear example of this is his lyrical work with the concise title “Winter” (1796). In addition, as the analysis showed, the writer managed to organically introduce the festive concept of pagan extraction into the work, in many respects this is due to the genre nature of the text. Realizing the multiplicity of contact points between literature and painting, Lvov sought to develop various mechanisms of rapprochement. For example, he used the tools of fine art when creating the verbal fabric of a poetic text, thanks to which his poetic works acquired a special color and picturesqueness. We can observe this phenomenon in the “Duet. To the Music of Zhirdini Printed in London” (1791) and in “Words to the Finished Music of Seidelman” (1793). Being an innovator, N. Lvov made an attempt to combine various types of art – dynamic (literature) and spatial-temporal (choreography). An example of this kind of experiment is his “A Song for Gypsy Dancing” in whose genome the festive motif characteristic of N. Lvov’s work is traced again.

Aesthetic Potential and Safety Profile with Nanotextured Breast Implants With 1,000 Cases of Breast Augmentation as Evaluation of Single-Center Experience.

Nanotextured implants, an innovation in implant technology, are designed to enhance tissue interaction, reduce inflammation, and mitigate complications compared to traditional implants. The aim of the study was to evaluate the aesthetic potential and safety profile of nanotextured breast implants in breast augmentation from a single-surgeon experience. This prospective cohort study included 1,000 patients who underwent breast augmentation with nanotextured implants. Aesthetic outcomes were assessed using direct measurements and BCCT.core software, focusing on breast projection, symmetry, and upper pole fullness. Patient satisfaction was measured through BREAST-Q and overall satisfaction surveys. Safety profiles were evaluated based on the incidence of complications such as infection, hematoma, capsular contracture, and implant rupture. Statistical analyses were conducted to assess the outcomes. The study found significant improvements in aesthetic outcomes, with 92.8% of cases achieving substantial aesthetic enhancements. Patient satisfaction was high, with 96.4% reporting enhanced self-esteem and contentment. The safety profile was favorable, with a low incidence of complications (0.7% requiring revision surgery) and no major complications reported. Long-term follow-up data indicated sustained aesthetic outcomes and a stable safety profile. Insights into the synergistic relationship between nanotextured implants are defined by a significantly wider range of aesthetic options. The findings of this study underscore the positive impact of nanotextured breast implants on enhancing the aesthetic potential of breast augmentation. and contributing to a low incidence of complications.

The Integrative Relationship between Functional and Aesthetic Values in Modern Interior Design and Their Impact on Space

The study of the multiple design patterns with their different elements, determinants, and forms is considered one of the most important basic factors that affected the formation of the features and identity of modern interior design. Such study aims at analyzing the relation of humans to interior design and exploring the effect of this relation on the design patterns of interior space in which the individual lives. The interior space is a product of an integrated mixture of patterns, elements, determinants and material and non-material influences that affected and were affected by humans. These influences ultimately led to the production of an experience rich with concepts and values ​​that contributed to raising the level of functional and aesthetic potential of the interior space. Thus, the interior space interacts with individuals to form an internal environment characterized by high physical and functional, capacity and unique and distinctive aesthetic appearance. This study attempts to present the concept of modern interior design and its multiple design patterns and to find the integrative relationship between style, function and aesthetics in interior design. It focuses on the modern style of interior design with the purpose of creating a satisfactory design from a functional and aesthetic point of view by relying on analysis, planning and choosing the appropriate design style according to the scientific and practical foundations and determinants that the interior designer resorts to when starting the design process, which contributes to bringing satisfaction and pleasure to the souls of individuals and satisfies their utilitarian and aesthetic needs at the same time. This study used the descriptive analytical approach in its theoretical framework to identify the patterns of modern interior design and their impact on the functional and aesthetic values ​​of the interior space. Then it moved to discussingt the features and principles of each design style and the importance of these patterns in supporting and enhancing the functional and aesthetic aspects of interior spaces with their different types and functions. The study was concluded: with emphasis on the role of multiple design patterns in supporting and enhancing the functional and aesthetic aspects of the interior space according to the foundations and standards defined by each style, and its impact on the interior space and the individual user. Based on these results, this research study called on interior designers to study modern interior design patterns comprehensively and deeply in order to reach a comfortable interior space with features and identity characterized by highly efficient functional values ​​and aesthetic dimensions of a special design character. Keywords: style, Functionality, Aesthetics, Modern interior design.

Industrial chimneys – as a potential art object

Industrial chimneys – as a potential art object

Embodiment and aesthetics in teaching and examinations

In a democratic society, knowledge and research grounding play central roles. To support students' learning, it is necessary for teachers to be able to motivate and create challenging and stimulating learning opportunities. Questions regarding academic literacy often lack embodied and aesthetic perspectives (Carlgren, 2015), leading to challenges in bridging the gap between knowledge and teaching. Studies have shown that traditionally academic teaching methods and dualistic conceptions of learning can be identified within certain higher education contexts (Pastorek et al., 2021; Østern et al., 2021). The aim of this paper is to highlight and discuss the potential of embodiment and aesthetics in teaching and examinations in higher education. To enhance student engagement, a more holistic approach to education is required, where individuals are touched and given space in various ways (Østern, et al., 2019). By paying attention to students' bodily communication, contact, and presence, the quality of the learning processes can improve (Winther, 2018). Based on research in preschool teacher education (Pastorek et al., 2021), a picture emerges where academic values, such as writing and speaking, take up a significant space in content, goals, and assessments at the expense of aesthetic and bodily perspectives. Instead, embodiment and aesthetic perspectives on knowledge and knowledge production in higher education can be a contribution to varied forms of teaching and examinations and a way to further develop in the discussion around Artificial Intelligence (AI).