The article reviews the collected works of the poets of Omsk literary avant-garde of the 1920s, representatives of the Chervonnyaya Troika. For the first time, readers and experts have an opportunity to become acquainted with the previously unpublished verses and poems by 28 poets, for whom the period of Omsk was a landmark, which determined their life and creative path. The collection, which includes the poets’ photographs, biographical information, photocopies of individual autographs, documents and manuscripts, has become a notable phenomenon in the academic and cultural life. The material is attractive because of its novelty, thoughtfulness, and careful attention to sources. The introductory article focuses attention on important aesthetic issues of the works of Omsk futurist poets, such as L. Martynov, V. Shebalin, V. Ivanov, and others. A rather detailed article by Yu.P. Zarodova and I.G. Devetiarova, “Dreamers, Fantasists, Futurists …”, that opens the collection acquires academic significance. This work examines the history of the formation and development of the literary group Chervonnaya Troika in Omsk in the historical and cultural context of the time and cites responses published in newspapers, diaries and archival records of the group participants. Particularly significant among them are the notes of Anatoly Sorokin, who collected not only paintings, but also poems of writers who were part of the Chervonnaya Troika. Despite the loss of some autographs, most of them are preserved in his archive, which was used for compiling the collection. The material is structured in such a way that the reader receives full information about the poet, including photos and a brief biographical reference. Verses and poems are published, and commentaries specify dates of the first publications, give variants of texts and exact archival data with the indication of sources of poetic texts, which considerably raises the academic level of the collection. The chronological table of the literary life of Omsk in 1920–1928 and photographs of manuscripts and documents that greatly expand the idea of the literary phenomenon to which the collection is dedicated became a real decoration of the book. The book is useful, thoughtful and necessary for the modern researcher, student and reader because it clarifies the idea of the literary process in Russia in the early twentieth century, opens new names, includes Omsk avant-garde in the general context of aesthetic quests by poets, writers and artists of this period as an integral part.